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Christian F. Martin Sr.
- C F. Martin & Co. (http://www.mguitar.com/
history/timeline/cfmsr.gif)

Rudolph Wurlitzer, Sr.
(http://www.atos.org/ Graphics/Story/hist02.jpg)

Harvey
Henderson
Wilcox -
'founded' Hollywood (http://tesla.liketelevision.com/
liketelevision/images/ lowrez/tdie0201.jpg)
(http://americanhistory.si.edu/ archives/images/d8124-2.jpg)

Paul Cromelin -
Co-founder
Columbia Records (http://employees.oxy.edu/ jerry/cromelin.jpg)

Eldridge R. Johnson
- Victor Talking Machine Co. (http://www.davidsarnoff.org/
vtm/tn_fg09_pg30.jpg)

Sir Louis Sterling - Columbia Records
(http://www.ull.ac.uk/ exhibitions/sterlingbooklet.jpg)

William Fox -
20th Century Fox (http://www.whitenberg.de/
FoxTheatreAtlanta/ images/People/WilliamFox.jpg)

David O. Selznick
(http://www.nytimes.com/learning/
general/images/small/0510_bday.jpg)

Laurens Hammond
- Organ (http://www.hammond-organ.com/History/
image_directory/lauren1.jpg)

William Christensen
- San Francisco Ballet
(http://www.sfballet.org/images/ cms/about/history/
christensen_willam.jpg)

Richard Hollingshead
- first drive-in theater (http://www.
waterwinterwonderland. com images/dih1.jpg)

Lincoln Kirstein,
George Ballanchine - New York City ballet
(http://www.nycballet.com/ uploadedImages/
1933_KirsteinBalanchine.jpg)

Paul Pacini -
Whiskey a Go-Go (http://pariscotedazur.fr/images/
a%C3%B4ut%20septembre/paul-pacini.JPG)

Louis and Elaine
Lorillard with George Wein -
Newport Jazz Festival (http://www.jerryjazzmusician.com/
pics/wein8.jpg)

Robert Joffrey
- Joffrey Ballet
(http://www.danceheritage.org /images/joffrey.jpg)

Joseph
Barbera, William Hanna - Hanna-Barbera
(http://news.bbc.co.uk/olmedia/
1235000/images/ _1237881_hanna_duo150.jpg)

Jimmy Lyons - Monterey Jazz
Festival (http://www.cnn.com/ SHOWBIZ/9609/20/
monterey.jazz/link.jimmy.jpg)

Ralph Gleason
- Monterey Jazz Festival (http://www.allaboutjazz.com/ articles/jc-gleason.jpg)

Alvin Ailey
(http://www.danceheritage.org/ images/ailey_tn.gif)
Ahmet M. Ertegun - Atlantic
Records (http://www.bettemarshall photography. com/
AhmetErtegunTN.jpg)

Leonard Chess
(http://www. corvalliscommunitypages. com/
images_sounds/ leonardChessBros.gif)

Guy Laliberté - Cirque de
Soleil (http://www.islandconnections. com/ images/laliberte/guy1.jpg)

Harry Cohn
- co-founder, Columbia Pictures
(http://www.hollywoodusa.co.uk/ images/hcohnpic.jpg)

Walt Disney
(httphttp://www.californiamuseum. org/ images/
Press/2006/inductees/walt-disney.jpg://www.csulb.edu/depts/ fea/ logos_studios/Walt
Disney.jpg)

Manfred Eicher - founder ECM
Records (http://www.ecmrecords.com/
Images/other/ME_208x208_quadr.jpg)

Leo Fender
- Fender Instruments (http://www.blamepro.com/
fendertone/gifs/leofender.jpg)

Jules Stein
- founder MCA
(http://www.jseiaffiliates.com/ images/about_jules.jpg)

Lew Wasserman
(http://www.nndb.com/people/966/
000051813/wasserman.jpg)

Samuel Goldwyn
(http://www.thebiographychannel.co.uk/
images/biographies/main/ 1510_bio_homepage_main.jpg)

Louis B. Mayer
(http://www.findagrave.com/
photos/2005/175/687_111975564468.jpg)

Jack Valenti
- Motion Picture Association (http://nymag.com/daily/ entertainment/
images/valenti.jpg)

Berry Gordy, Jr.
(http://www.crimelibrary.com/ graphics/photos/
notorious_murders/celebrity/ marvin_gaye/6-1-Berry-Gordy-Jr.jpg)

W.W. Hodkinson
- founder Paramount (http://www.cobbles.com/
simpp_archive/images/w-w-hodkinson_portrait.JPG)

Adolph Zukor -
Paramount
(http://www.cobbles.com/ simpp_archive/images/ zukor-portrait1922.jpg)(June 11, 1976
Obituary:
http://www.nytimes. com/learning/general/ onthisday/bday/ 0107.html

Jesse L. Lansky
- Paramount
(http://www.cobbles.com/ simpp_archive/ images/lasky-pickford.jpg)

J Arthur Rank
(Lord Rank) - Rank Group Plc (ttp://www.britmovie.co.uk/biog/r/
images/004a.jpg)

Ringling Brothers,
parents and sister (http://desmoinesregister.com/
extras/iowans/art/ ringlingshorizontal2.jpg)

Hal Roach
(http://www.cyranos.ch/ sproach.jpg)

Jim Stewart
and Estelle Axton - Stax Records (http://www.history-of-rock.com/staxjimarge.jpg)

Henry Engelhard Steinway (born Heinrich
Engelhard Steinweg ) - founder Stenway (http://www.dartmouth.edu/
~music33/ Mus33projects/nodes/ PianoHistory/images/ steinwayport.jpeg)

William Steinway -
Daimler rights in U.S.
(ttp://www.astorialic.org/images/
neighborhoods/ steinway/WilliamSteinway_90.jpg)

Sam Phillips
- Sun Records (http://www.rockabillyhall.com/
SunSamcontrol.jpg)

Darryl F. Zanuck -
founder 20th Century Fox (http://www.oscars.org/mhl/sc/
images/zanuck.jpg)

D. W. Griffith,
Charlie Chaplin, Mary Pickford, Douglas Fairbanks (founders of UA)
(http://www.unitedartists.com/ images/
company/img_big_ history_1.jpg)

Carl Laemmle -founder Universal
(http://www.filmsite.org/
history/laemmle.jpg)

Warner Brothers
- L-F from top: Jack, Albert, Sam, Harry (http://nd.blog.cz/f/filmstar.blog.cz/
nahledy/973854.jpg)

Avedis Zildjian III
- father of cymbals (http://www.zildjian.com/I
mages/about/ largeImage_39.JPG)

Louis Aimé Augustin Le Prince (http://www.rcross.com/
images/leprince.jpg)
|
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ENTERTAINMENT -
Business History of Companies
Interesting Dates
1577 - James Burbage opened first theatre in London.
1581 - Catherine De Medici commissioned first ballet,
"Ballet Comique de la Reine," in Paris,
to celebrate betrothal of her sister.
November 1, 1604 - William Shakespeare's tragedy Othello
presented for the first time, at Whitehall Palace in London.
October 12, 1609 -
Thomas Ravenscroft,
London teenage songwriter, published
"Three Blind Mice".
November 1, 1611 - William Shakespeare's romantic comedy
The Tempest presented for the first time, at Whitehall Palace in
London.
1618 - Avedis I discovered secret process for treating
alloys (fusing of copper, tin and silver), applied it to art of making
cymbals of extraordinary clarity; used in Turkey for daily calls to
prayer, religious feasts, royal weddings, Ottoman army. Sultan Osman II
called Zildjian founder of craft of Turkish cymbal making, bestows name
'Zildjian' (cymbal smith in Armenian); 1623 - Sultan Murad
IV allows Avedis to leave Ottoman palace to start cymbal foundry ouside
Constantinople; 1929 - Avedis Zildjian III left candy
business, incorporated, opened cymbal factory in Quincy, MA; 1930
- developed close relationship with Gene Krupa, made thinner marching
cymbals to adapt to emerging drum set; invented and named many of the
cymbals used in modern drumming (splash, ride, crash, hi-hat, sizzle
cymbals).
March 23, 1743 - George Frideric Handel's oratorio
''Messiah'' had London premiere.
March 5, 1750 - First Shakespearean play in America
presented at Nassau Street Theatre in New York City, "King
Richard III".
May 31, 1759 - Lawmakers in Pennsylvania adopted law
forbidding the performance of plays, in response to pressure from
religious groups, particularly Baptists, who found theatrical
performances immoral; fined 500 pounds if found guilty.
August 3, 1778 - The opera house La Scala (Teatro alla
Scala) opened in Milan, Italy, with a performance of Antonio Salieri's
''Europa riconosciuta.''.
May 1, 1786 - Mozart's opera ''The Marriage of Figaro''
premiered in Vienna.
October 29, 1787 - Mozart's opera Don Giovanni received
its first performance in Prague.
May 27, 1796 - James Sylvanus McLean, of New Jersey,
received first U.S. patent for "Piano Forte"; September 18, 1769 - Boston Gazette described
first piano-like instrument, known in the U.S. was called a spinet,
built by John Harris.
March 11, 1818 - "Frankenstein", or The Modern Prometheus,
published; written by 21-year-old Mary Wollstonecraft Shelley,
frequently called the world's first science fiction novel. In Shelley's
tale, a scientist animates a creature constructed from dismembered
corpses. The gentle, intellectually gifted creature is enormous and
physically hideous. Cruelly rejected by its creator, it wanders, seeking
companionship and becoming increasingly brutal as it fails to find a
mate; story explores philosophical themes and challenges Romantic ideals
about the beauty and goodness of nature.
February 7, 1827 - French danseuse Mme. Francisquy Hutin
introduced ballet to U.S. with performance of "The Deserter" at
Bowery Theater.
February 27, 1827 - First Mardi Gras celebration in New
Orleans.
April 5, 1827 - James H. Hackett became first American
actor to appear abroad as he performed at Covent Garden in London,
England.
1833 - Christian F. Martin Sr. set up luthier shop in New
York City; first guitar maker to craft Stauffer style headstock in
America; 1840s - created, perfected X-bracing to give
strength to guitar top to handle pressure of taut strings, heavy playing
while still maintaining very high quality Martin tone (still considered
best bracing pattern, imitated by luthiers around world); 1873
- C. F. Martin Jr. took command; 1888 - Frank Henry Martin
(22, grandson) assumed control; 1890s - began production
of mandolins; 1917 - built first steel-string Hawaiian
guitars played with steel bar; 1918 - discontinued use of
elephant ivory, used celluloid ("ivoroid"); 1922 - first
line of guitars for steel strings; 1845 - C. F. Martin III
(great grandson) took over; 1969 - discontinued
hard-to-obtain Brazilian rosewood for most stock models, replaced with
rosewood from East India; 1986 - C. F. "Chris" Martin IV
(great great grandson) took over; 1990 - completed
500,00th guitar; 1999 - completed 700,00th guitar;
2004 - completed 1,000,000th guitar.
November 17, 1839 - Giuseppe Verdi's first opera, "Oberto,
conte di San Bonifacio", debuted in Milan at La Scala, Italy's most
prestigious theater.
December 7, 1842 - New York Philharmonic gave first concert.
March 21, 1846 - Antoine-Joseph (Adolphe) Sax, of Paris,
FR, received a French patent for a new System of wind instruments called
Saxophones ("instrument, which by the character of its voice can be
reconciled with the stringed instruments, but which possesses more force
and intensity than the strings...able to change the volume of its sounds
better than any other instrument").
November 22, 1847 - Astor Place Opera House, New York
City's first operatic theater, opened.
June 19, 1849 - Charles Austin, of Concord, NH, received a
patent for a "Melodeon Reed"; melodeon, small reed organ, with treadle-operated bellows
to draw air through the reeds.
1853 - Heinrich Engelhard Steinweg, German immigrant,
master cabinetmaker, founded Steinway & Sons in Manhattan loft;
first piano sold for $500; 1864 - name anglicized,
Steinway; William Steinway (son) builtnew showrooms housing over 100
pianos;
1866 - opened Steinway Hall in back of showrooms, became New York City’s
artistic, cultural center; 1972 - acquired by CBS;
1985 - acquired by Steinway Musical Properties Inc.; 1988
- made 500,000th piano; 1995 - Steinway Musical Properties
merged with Selmer Company, formed Steinway Musical Instruments;
1996 - renamed Steinway Musical Instruments, went public.
January 19, 1853 - Verdi's opera ''Il Trovatore''
premiered in Rome.
December 5, 1854 - Aaron
H. Allen, of Boston, MA, received a patent for an "Opera Chair" (a "Seat
for Public Buildings", a "new and Improved Self-Adjusting Opera Seat");
folding chair for theatres or other public buildings; pivoted seat
constructed with weights or springs to assume and retain a vertical
position when pressure upon it is relieved as the occupant rises from
it.
October 9, 1855 - Joshua C. Stoddard of Worcester, MA,
received a patent for a "Musical Instrument" ("Apparatus for Producing
Music by Steam or Compressed Air"); a calliope; consisted of 15
whistles, of graduated sizes, attached in a row to the top of a small
steam boiler, a long cylinder with pins of different shapes driven into
it so that when the cylinder revolved, the pins pressed the valves and
blew the whistles in proper sequence; later, Stoddard replaced the
cylinder with a keyboard; wires running from the keys to the valves
enabled the operator to play the instrument like a piano.
1856 - Rudolph Wurlitzer founded The Wurlitzer Company;
imported musical instruments and opened sales outlets in all big
American cities; 1880 - started production of pianos in
America; 1896 - 'Tonophone', first coin-operated
piano,
introduced; 1933 - first jukebox built.
August 12, 1856 - Anthony Faas, of Philadelphia, PA,
received a patent for an "Accordion".
February 5, 1861 -
Coleman Sellers, of Philadelphia, PA,
received a patent for "Exhibiting Stereoscopic Pictures of Moving
Objects";
kinematoscope - a photographic
attempt to show motion (box in which rolled film moves past a light); inventor wished to show pictures such as human motion or the
revolving wheels of machinery.
February 5, 1861 - Samuel D. Goodale, of Cincinnati, OH,
received a patent for a "Stereoscope"; first peep show machine; Mutoscope was operated by hand and
gave a stereoscopic image; pictures were fastened by one edge to an axis
in such a way that they stood out like spokes; different images appeared
to present an image in motion as the shaft rotated.
April 23, 1867 - William E. Lincoln, of Providence, RI,
received a patent for a "Toy"; Zoetrope; machine showed animated pictures by mounting a
strip of drawings in a wheel;
appeared to move when viewed
through a slit; became standard fixtures in entertainment arcades of the
late 19th and early 20th centuries.
May 1, 1869 - Folies Bergere opened in Paris.
August 10, 1869 - O. B. Brown, of Malden, MA, received a
patent for an "Optical Instrument" ("by means of which figures
represented in different relative attitudes are seen successively, so as
to produce the appearance of objects in motion"); moving picture
projector.
February 5, 1870 - Henry R. Heyl, using his Phasmatrope,
presented animated photographic picture projection before theatre
audience in Philadelphia for first time;
disc with 16 openings near the edge,
each carrying a photographic plate rotated in front of converted
projecting lantern ; series of plates showed dancers who appeared to
move as rotating disc showed successive positions;
pictures were continuous loop that did not change.
November 21, 1877- Inventor Thomas A. Edison unveiled
the phonograph (to record, play back sound); experimented with
stylus on tinfoil cylinder; December 6, 1877 - Thomas Edison demonstrated first
sound recording at his Menlo Park
Laboratory; recited "Mary Had a Little Lamb" into a large horn
which transmitted vibrations to a needle which scribed a recording on a
cylinder rotated by hand; first surviving recording of the human voice.
February
19, 1878 - Edison received patent for a "Phonograph of Speaking
Machine"; phonograph;
used spirally grooved, tinfoil–coated
cylinder with mouthpiece for recording sound by scratching
"hill–and–dale" impressions in the foil with an attached needle; crank
rotated the cylinder; funnel horn replaced mouthpiece for listening;
established Edison Speaking Phonograph Co. (5 stockholders including
Gardiner G. Hubbard, Alexander Graham Bell's father-in-law.
February 17, 1880 - Emile Berliner, of Boston, MA,
received a patent for a "Microphone".
December 20, 1880 - New York's Broadway first
lighted by electricity and became known as the "Great White Way" as
Charles F. Brush successfully demonstrated his arc lamps along Broadway
(preceded Edison's incandescent light bulb in commercial use).
June 14, 1881 - John McTammany, Jr., of Cambridge, MA,
received a patent for a "Mechanical Musical Instrument"; player piano; mechanism for automatic playing of organs using narrow
sheets of perforated flexible paper which governed the notes to be
played; February 27, 1879 - Edward H. Leveaux received
English patent for Angelus, first completely automatic piano player;
February 1897 - first to be manufactured in the U.S.;
October 4, 1881 -received U.S. patent for an "apparatus for
storing and transmitting motive power."
September 30, 1881 -
Clement Adler received a German
patent for first stereo system, telephonic broadcasting
service.
October 4, 1881 - Edward H. Leveaux, of Sussex, UK,
received a patent for an "Apparatus for Storing and Transmitting Motive
Power"; first completely automatic piano player manufactured in the U.S.
May 1, 1883 - Buffalo Bill (William F. Cody) staged his
first Wild West Show; July 4, 1883 - staged outdoor event,
called the "Wild West, Rocky Mountain, and Prairie Exhibition"
in North Platte, NE; May 9, 1887 - opened in London at Earls
Court show ground, gave Queen Victoria, her subjects first look at real
cowboys and Indians; 1913 - show collapsed from financial
pressures
October 22, 1883 - Original Metropolitan Opera House
in New York held grand opening with performance of Gounod's
''Faust.''.
March 26, 1885 - Eastman Dry Plate and Film Company of
Rochester, NY manufactured commercial motion-picture film negatives;
first film produced in continuous strips on reels.
February 3, 1886 -
Alexander Graham Bell, associates
incorporated Volta Graphophone Co. in Virginia to demonstrate, promote the graphophone; 1886
- Bell & Charles Sumner Tainter established American Graphophone Co. to
manufacture, sell graphophones in United States, Canada under license
from Volta Graphophone Co.; Jesse H. Lippincott, Pittsburgh businessman
who had made a lot of money in glass business, acquired exclusive right
to rent or sell the Graphophone under Bell and Tainter patents.
May 4, 1886 - Alexander Graham Bell, Chichester A.
Bell and Sumner Tainter, of Washington, DC, received a patent for
"Reproducing Sounds from Phonograph Records"; received second patent for
"Transmitting and Recording Sounds by Radiant Energy" ("new method of
and means for throwing a beam of light or other radian energy into
vibrations corresponding to sound-waves, and also to a new method of and
apparatus for producing a photographic record of such vibrations");
Chichester A. Bell and Sumner Tainter received a patent for "Recording
and Reproducing Speech and Other Sounds"; cardboard cylinder coated with
ozocerite, type of wax, incised by a needle (wax
cylinder as an improved sound recording medium); Sumner
Tainter received a patent for an "Apparatus for Recording and
Reproducing Sounds" ("to increase the general efficiency of apparatus
for recording and reproducing speech and other sounds, commonly known as
'phonographs'") ; manufactured first practical phonograph from
these designs.
November 30, 1886 - The "Folies Bergere" featuring
women in sensational costumes, debuted in Paris.
February 1, 1887 - Harvey H. Wilcox, prohibitionist from
Kansas, filed a map of his 160-acre ranch in Southern California (Rancho La
Brea, seven miles west of Los Angeles) with the county recorder for
subdivision purposes for a town called Hollywood (named after a Dutch
settlement);
1903 - community
incorporated;
1910 -
lack of water forced annexation with city of Los Angeles.
May 9, 1887 - Buffalo Bill's Wild West show opened in
London, first international performance at the Earls Court show ground;
gave Queen Victoria and her subjects their first look at real cowboys
and Indians; July 4, 1883 - staged an outdoor extravaganza
called the "Wild West, Rocky Mountain, and Prairie Exhibition" in North
Platte, Nebraska; 1913 - show finally collapsed from
financial pressures.
October 10, 1887 - Thomas Edison reorganized Edison
Speaking Phonograph Co. as Edison Phonograph Company; October 28,
1887 - transferred his phonograph patents to Edison Phonograph
Company in exchange for 11,960 shares of company stock; July 14,
1888 - Lippincott organized North American Phonograph Company as
sales network of local companies licensed to lease phonographs,
graphophones as dictation machines (bought control of Edison patents for
$500 000, exclusive sales rights of phonograph in United States for $250
000).
November 8, 1887 - Emile Berliner, German immigrant
working in Washington DC, received a patent for a "Gramophone"
("a
novel method of and apparatus for recording and reproducing all kinds of
sounds, including spoken words, and is designed to overcome the defects
inherent in that art as now practiced"); successful system of sound
recording; first inventor to stop recording on cylinders, start
recording on flat disks or records.
December 27, 1887 - Charles Sumner Tainter, of
Washington, DC, received a patent for an "Apparatus for Recording and
Reproducing Speech and Other Sounds" ("speech and other sounds known as
'graphophones'"); April 3, 1888 - received a patent for a
"Graphophone"; July 10, 1888 - received a patent for a "Graphophonic
Tablet" ("for use in 'graphophones', or instruments used in recording
and reproducing vocal and other sounds, the tablet being the medium in
or upon which the sound-record is cut by the recording-style. Such
tablets are composed generally of a base or foundation of a material
more or less rigid and a surface coating of wax or waxy composition
suitable for recording the vibrations of the style"); November 20,
1888 - received a patent for a "Tablet for Use in
Graphophones" ("preparation of a recording surface or medium for
graphphones"); February 18, 1890 - received a patent for a
"Graphophone-Tablet" ("the sound-record is cut or graven by a cutting
style in a surface, such as wax or waxy composition"); May 27,
1890 - received a patent for a "Machine for the Manufacture of
Wax-Coated Tablets for Graphophones"; first to introduce method of
cutting a zig-zag spiral groove in wax surface of record to improve
sound quality.
January 10, 1888 - Louis Aimé Augustin Le Prince,
of New York, NY, received a patent for a "Method of and Apparatus for
Producing Animated Pictures of Natural Scenery and Life" ("on Glass,
Canvas or other Prepared Surfaces"); moving pictures.
May 15, 1888 - Emile Berliner, of Washington, DC,
received a patent for a "Process of Producing Records of Sound"
("production of a record of sound-waves in solid resisting material,
principally metal, by the process of direct etching, whereby a solid
unchangeable sound-record is obtained more cheaply and more readily,
either upon a flat or upon a curved surface, without the delicate and
intricate manipulations incidental to the process of photo-engraving");
May 16, 1888 - gave first demonstration
of flat disc recording and reproduction at Franklin Institute in
Philadelphia.
January 15, 1889 - Edward D. Easton and Paul Cromelin,
Stenographers to Supreme Court, organized Columbia Phonograph
Company as regional distributor (selling agency) under license from
North American Phonograph Company with exclusive rights for District of
Columbia, Maryland, Delaware (original objective to sell product to
congressmen, others for dictaphone use); 1890 - North
American Phonograph Company bankrupt, 1894 - phonograph
rights reverted to Edison; 1896 - reorganized as National
Phonograph Co. to manufacture and distribute phonographs for home use;
Columbia Phonograph Co. (distribution and sales) acquired control of
American Graphophone Co. (development and manufacturing); Edison forced
by court decision to sign an agreement with Easton to share patents;
allowed Easton to make, sell music cylinders of Edison type under
graphophone name; rose to become one of Big 3 phonograph companies,
produced Edison-type cylinders that played on low cost spring-motor
machines.
February 12, 1889 - Thomas Edison received a patent for a
"Phonograph" ("to permit of the use upon the tapering phonogram-cylinder
of the phonograph of slightly-tapering or true cylindrical phonograms,
such as paper cylinders covered with indenting material").
April 2, 1889 - Thomas A. Edison received a patent for a
"Phonograph Recorder and Reproducer"; assigned to Edison Phonograph
Company; received a patent for "Phonograph"; received a patent for a
"Phonogram-Blank"; received two patents for a "Method of Making
Phonogram Blanks".
October 6, 1889 - Thomas Edison showed his first motion
picture.
November 23, 1889 - Entrepreneur
Louis Glass, business associate, William S. Arnold, introduced jukebox; placed
coin-operated Edison cylinder playback phonograph with no amplification
(Edison Class M Electric Phonograph with oak cabinet) in Palais Royale Saloon in San Francisco
(303 Sutter St.); for a nickel patron could
listen via one of four listening tubes; known as "Nickel-in-the-Slot",
machine an instant success, earned over $1000 in nickels by May 1890;
May 27, 1890 - Glass and Arnold, of San Francisco, CA,
received two patents for a "Coin Actuated Attachment for Phonographs"
("a suitable device by which the phonograph may be exhibited and heard
by any one upon the deposit of a suitable coin").
May 13, 1890 - Mrs. Andrew Carnegie laid cornerstone
for Carnegie Hall; May 5, 1891 - Carnegie Hall (then named
Music Hall) opened in New York City; took year to build, cost $1 million
for land and construction; Peter Tchaikovsky participated in five-day
inaugural music festival.
September 30, 1890 - Thomas A. Edison received a patent
for a "Phonograph" ("means for providing a double record of matter to be
recorded by the phonograph, so that one record can be preserved while
the other is sent to the person for whom the matter is intended");
received a second patent for a "Phonograph" ("use of flexible
phonogram-blanks which may be sheets of flexible material capable of
being indented by the recording point of the phonograph"); received a
patent for a "Phonograph-Recorder" ("recorder of my improved phonograph
is provided with a cutting-tool recording-point presenting a
cutting-edge in advance of the stock of the tool"); received a third
patent for a "Phonograph" ("to increase the effectiveness and
convenience in use of the phonograph...to provide means for indicating
upon the record a point at which a pause is made in dictating to the
instrument...and to provide means for removing from the
phonogram-surface the fine chips or shavings which are produced by the
cutting action of the recording-point"); received a patent for a "Method
of Making Phonogram-Blanks ("to simplify the construction of
phonogram-blanks. to make them more durable, and especially to so
construct them that they shall not crack by reason of expansion or
contraction due to large changes in temperature to which they are often
subjected"); received a second patent for a "Phonogram Blank".
June 9, 1891 - Thomas A. Edison received a patent for a
"Phonograph" ("adjusting a phonograph reproducing-point into exact
alignment with the phonogram-record").
September 29, 1891 - Thomas A. Edison, of Menlo Park, NJ,
received a patent for a ""Phonogram-Blank Carrier" ("devices for
supporting and protecting phonogram-blanks or recording-surfaces on
which a phonographic recording has been or is to be recorded").
1893 - Emile Berliner
established United States Gramophone Company in Washington, DC;
caretaker of rights to 1887 patent.
February 1, 1893 - Thomas Edison opened America's first
film-production studio, "Black Maria" (aka Kinetographic Theater after
Kinetograph, forerunner of movie camera), in West Orange, NJ on grounds
of Edison's laboratories; dark room covered in tar paper with
retractable roof built at cost of $637.67; 1903 -
demolished.
March 14, 1893
- Thomas Edison received a patent for an "Apparatus for Exhibiting
Photographs of Moving Objects";
motion picture projector, the Kinetograph (optical
lantern projector), and a
separate viewing machine, the Kinetoscope; May 9,
1893 - gave first motion picture exhibition in Brooklyn, New
York, to an audience of 400 people at the Dept. of Physics, Brooklyn
Institute (using Kinetograph); showed moving images of a blacksmith and
his two helpers passing a bottle and forging a piece of iron; each
filmstrip had 700 images, each image shown for 1/92 seconds; event was
reported in May 20, 1893 issue of Scientific American.
June 20, 1893 - Thomas A. Edison received
patent for a "Phonograph"; June 27, 1893 - received three
more patents for a "Phonograph".
1894 - Orville Gibson, restaurant clerk in Kalamazoo, MI,
began making mandolins, guitars in his home workshop; 1902
- group of Kalamazoo businessmen organized The Gibson Mandolin-Guitar
Co., Ltd. (Orville Gibson not a partner); initially focused on
mandolins; maintained industry leadership role as musical tastes changed
to banjo (1920s), guitar (1930s); 1923 -name changed to
Gibson, Inc.; 1935 - introduced its first electric guitar; 1952
- introduced Les Paul Model, company's first solidbody electric guitar;
1994 - acquired Slingerland Company.
January 9, 1894 - William Kennedy Laurie Dickson
copyrighted first motion picture; featured 47 images of a man
sneezing.
April 14, 1894 - Thomas Edison's Kinetoscope viewer, using
celluloid film, first appeared in New York City arcade; peep-show film
machines accommodated one viewer at a time, showed short films of
entertainers like Annie Oakley and Buffalo Bill; camera was based on
photographic principles discovered
February 13, 1895 - French inventors Louis and August
Lumiere received patent for the Cinematographe, combination movie
camera, projector;
March 22, 1895
-
showed
their first movie to invited audience in Paris; generally regarded as
first public display of movie projected onto screen;
audience viewed "La
Sortie des Ouvriers de L'usine Lumière", showed workers leaving Lumière's factory in Lyon which made photographic products;
workers streamed out, most on foot, some with bicycles, followed by those with cars.
February 19, 1895 -
Emile Berliner, of Washington,
DC, received a patent for a "Gramophone", an improvement on his May 15,
1888 patent; assigned to The United States Gramophone Company.
March 26, 1895 - Charles Francis Jenkins, of Richmond, IN,
received a patent for a "Phantoscope" ("for exhibiting a series of
pictures of an object by means of which an impression of real action and
movement of the object is conveyed to the eye of the observer");
continuously moving film and a number of
lenses on a rotating disk - early motion picture projector;
Thomas Armat supplied capital; September 1895 - Showed Phantoscope
at the Cotton States Exposition in Atlanta, GA.
April 21, 1895 - Woodville Latham demonstrated motion
picture projection in New York; improved George Eastman's
invention of motion picture film, made it project upon screen.
July 2, 1895 - Thomas A. Edison received two patents for a
"Phonograph" ("to enable such devices to work satisfactorily not
withstanding irregularities in the surface of the phonogram blank or
recording surface").
October 5, 1895 - Emile Berliner (minority
stock holder) established Berliner Gramophone Company of
Philadelphia, PA (owned
copyright for 1887, 1888, 1895 patents),
with help of group of
businessmen in Philadelphia who invested $25,000.00; produced records
and record playing machines; October 29, 1895 - Berliner
received a patent for a "Sound Record and Method of Making Same"
("production of copies or duplicates of the flat sound-records as made
by gramophone"); 1896 - signed contract with Eldridge
Johnson to manufacture improved spring motor for an improved
gramophone (developed by machinist Levi Montross).
December 28, 1895 - Birth of film industry: French film
pioneers Auguste and Louis Lumiére publicly unveiled their
camera/projector, the Cinématographe (first real cinema) at the Grand
Café on the Boulevard des Capucines in Paris; about 30 people paid
to see short films showing scenes from ordinary French life (feeding of
a baby, game of cards, street activity, working blacksmith, soldiers
marching); brothers made 2,000 short films during the next five years.
1896 - Charles Jenkins lost Phantoscope patent dispute to
Thomas Armat (declared joint vs. sole patent);
sold his interest; Armat altered improved
Phantoscope, renamed it
Vitascope; sold rights to Edison, who marketed
the invention; became basis of Thomas Edison's Vitascope projector;
George Eastman's invention of roll film, followed by transparency film,
enabled the same camera to make multiple photographs in a series.
April 23, 1896 - Projected movie shown as commercial
attraction for first time as commercial attraction at Koster and Bial's Music Hall, vaudeville theater in New York;
showed short moving images, used projector called the Vitascope, invented by Thomas Armat and Francis
Jenkins; projector inspired name of one of first motion picture companies, Edison Vitagraph Film Company, later
called Vitagraph.
January 12, 1897 - Thomas A. Edison received a patent for
a "Phonograph" (two-point recorder or reproducer adapted to make or
travel in a double track or on a phonogram-blank or recording-surface").
March 2, 1897 - Thomas Armat, of Washington, DC,
received a patent for a "Vitascope" (had sold rights to Edison).
May 16, 1897 - Stuart Blackton, Albert E. Smith,
of newly formed Vitagraph film company, shot their first fictional
film, The Burglar. on the Roof, on roof of New York City building;
company flourished in silent film era, introduced future stars like
Rudolph Valentino, Norma Talmadge; 1925 - acquired by
Warner Bros.
August 31, 1897 - Thomas A. Edison received a patent for a "Kinetographic
Camera" ("to produce pictures representing objects in motion throughout
an extended period of time which may be utilized to exhibit the scene
including such moving objects in a perfect and natural manner by means
of suitable exhibiting apparatus such as that described in patent
received March 14, 1893"); motion picture camera, based on
photographic principles discovered by still-photograph pioneers Joseph Nicephone Niepce and Louis Daguerre of France; Edison's Kinetoscope and
Kinetograph used celluloid film (invented by George Eastman in 1889);
1917 -
Edison Company left film industry.
February 8, 1898 -
Levi H. Montross, of
Camden, NJ, received a patent for a "Spring Motor" ("which may be
easily and quickly wound up and which will impart power evenly and
uniformly and may be rewound whenever desired without in any way
affecting the speed of the operation"); spring-motor gramophone for the
Berliner company.
March 8, 1898
- Joseph W. Jones, of Philadelphia, PA, received a patent for a "Sound
Recording and Reproducing Instrument" ("especially that class of
instruments known as 'gramophones'"); June 14, 1898 -
received a patent for a "Sound-Reproducing Machine"; December 5,
1899 - received a design patent for "Design for a Frame for
Graphophones"; December 10, 1901 - received a patent for
"Production of Sound-Records" ("stylus vibrating laterally and engraving
a groove of approximately uniform depth"); lateral disc recording in
wax; December 2, 1902 - received a patent for a
"Duplicating Apparatus" ("relates to production of sound-records of the
type characterized by spiral grooves of uniform depth having lateral
undulations corresponding to sound-waves and produced upon a flat tablet
or disk, the type being known as "zigzag" disk sound-records or "zigzag"
records"); May 12, 1903 - received patent for a
"Sound-Recording Tablet" ("making the original record-groove of full
size in or upon a surface suitable for recording and which at the same
time is itself an electrical conductor, then electroplating the
record-surface, and finally using the matrix so obtained as a die or
stamp"); assigned to American Graphophone Company; June 28, 1904
- received a patent for "Production of Sound-Records"; received a
patent for a "Sound-Recording Apparatus" ("novel form of cutting-tool
employed...consisting or lateral undulations"); assigned to American
Graphophone Company.
March 22, 1898
- Eldridge R. Johnson, of Camden, NJ, received a patent for a
"Gramophone and Actuating Device Thererfor" ("relates to certain
improvements in gramophones and sound recording and reproducing machines
of like nature in which a record disk or cylinder is propelled by power,
and has for its principal object to provide an improved form of
mechanism for effecting the rotation of the disk under the reproducing
stylus") ; launched disc talking machine in America.
May 13, 1898 - Thomas Edison sued American Mutoscope and Biograph Pictures (company formed by W.L.K. Dickson, one
of his former assistants designed the Kinetograph and the Kinetoscope);
claimed that the studio has infringed on his patent for the Kinetograph
movie camera; 1902 - U.S. Court of Appeals ruled that
Thomas Edison did not invent the movie camera, but allowed that he had
invented the sprocket system that moved perforated film through the
camera; 1909 - Edison and Biograph joined forces with
other filmmakers to create the Motion Pictures Patents Corp., an
organization devoted to protecting patents and keeping other players
from entering the film industry; 1917 - Supreme Court
dissolved the trust, Edison Company left the film industry.
June 14, 1898 - Thomas A. Edison received a patent for a
"Phonograph" ("means for throwing a phonograph-recorder out of operative
position and throwing the reproducer into operative position, or vice
versa, in that class of phonographs which have a separate diaphragm for
the recorder and for the reproducer").
October 25, 1898 - Edison Film Company filmed
for first time at Lick Observatory.
February 5, 1899 - Thomas A. Edison received U.S.
patent for a "Phonograph Recorder and Reproducer."
March 28, 1899 - William B. Fleming, of Detroit,
MI, received a patent for "Electrical Action for Musical Instruments";
player piano using electricity.
July 18, 1899 - National Phonograph Company registered
"Thomas A. Edison" trademark first used December 15, 1897 (phonographs,
parts of phonographs, phonographblanks, and other phonographic supplies,
such as the containing-cases).
October 4, 1899 - The
Gramophone Company (founded 1897 by Emile Berliner) paid 50 pounds for
Francis Barraud painting of his dog, Nipper (titled "His Master's
Voice"),, 50 pounds for copyright to painting; July 10, 1900
- Emile Berliner registered "His Master's Voice" trademark first used
May 1900 (gramophones).
May 22, 1900 - Edwin S. Votey, of Detroit, MI, received a
patent for a "Pneumatic Piano Attachment" ("to provide self-playing
piano attachment of practical and economical construction which can be
quickly applied to and removed from any piano"); pianola, first truly
musical piano-playing device in world; August 29, 1905 -
The Aeolian Company registered 'Pianola" trademark
(pneumatically-controlled players for keyboard instruments).
September 1900 - Eldridge R. Johnson
formed The Consolidated Talking Machine Co. to
produced machines for playing disc
records;
October 3, 1901 - merged with
US division of Emile Berliner's
Berliner Gramophone Company (developed
flat–disc records that could be mass-produced in hard rubber or shellac
from a master record; lost legal battle over rights to
manufacture flat-disc Gramophones),
incorporated The
Victor Talking Machine Company, leading American producer of phonographs, phonograph records, in Camden, NJ; March 24, 1914 - Victor Talking Machine Company
registered "His Master's Voice" (HMV) trademark first
used May 24, 1900 (sound recording
or reproducing machines and parts thereof); 1924 -
acquired controlling interest in Berliner Gram-o-phone Company,
March 9, 1926 - Victor Talking Machine Company registered
"Victor" trademark (radio apparatus, parts and appurtenances);
March 15, 1929 - acquired by RCA.
May 20, 1901 - Claude Grivolas, one of Pathe's main
shareholders in Paris, France, invented projector that produced
three-dimensional pictures.
June 11, 1901 - Thomas A. Edison received a patent for a
"Phonographic Recording Apparatus" ("to relieve the diaphragm of all or
substantially all stress now resulting from the pressure necessary to
properly engage the cutting or recording tool with the record-surface to
the requisite depth").
December 10, 1901 - Joseph W. Jones, of New York, NY,
received a patent for "Production of Sound-Records" ("stylus vibrating
laterally and engraving a groove of approximately uniform depth");
lateral disc recording in wax; acquired by Columbia.
1902 - Columbia
Phonograph Co. acquired patents originally belonging to Joseph
Jones, former Berliner employee;
December 8, 1903 - cross-licensing agreement between the
American Graphophone Company (Columbia) and Victor Talking Machine Co.
(Berliner patents and Jones patents; ultimately not satisfactory for
Victor);
birth of phonographic industry;
1906 - American Graphophone company reorganized,
name changed to Columbia Graphophone Company; leader in recording
cylinders for coin-operated phonographs; first company to produce
pre-recorded records (vs. blank cylinders); June 3, 1907 -
new cross-licensing agreement; 1922 - sold British
subsidiary, Columbia Phonograph Co., Ltd., to its London manager; Louis
Sterling; 1923 - receivers appointed; 1925 -
acquired by Columbia Gramophone Company of Great Britain (Sterling);
reorganized it as as Columbia International in London, General
Phonograph Co. Inc. in U. S.; 1931 - American Columbia
operations sold due to anti-trust concerns to Grigsby Grunow Company
(makers of the Majestic Radio); 1934 - acquired by
American Record Corporation for $75,000; 1938 - acquired
by Columbia Broadcasting System for $700,000.
1902 - Amusement arcades began opening small storefront
theaters called Nickelodeans (so called because admission cost 5 cents);
showed short silent films (usually less than 15 minutes), accompanied by
a live pianist; 1907 - some 2 million Americans had
visited a Nickelodean.
March 10, 1902 - U.S. Court of Appeals ruled in Edison v.
American Mutoscope Company that Thomas Edison did not invent movie
camera; admitted that Edison invented sprocket system that moved
perforated film through movie camera.
April 2, 1902 - Thomas L. Tally opened first permanent
movie theater designed specifically for exhibition of films, 262 South
Main Street in Los Angeles; dubbed
"The Electric Theater"; earliest pictures included "New York in a
Blizzard"; admission cost about 10 cents for one-hour show; Henry
Miles of San Francisco began renting films to theaters, formed basis of
today's film distribution system.
1903 - Harry, Albert, Sam, and Jack L. Warner, sons of Benjamin Eichelbaum, immigrant
Polish cobbler and peddler, began in film business as traveling
exhibitors; moved throughout Ohio and Pennsylvania with portable
projector; 1907 - operated Cascade Theatre, converted
store in Newcastle, PA; 1908 - had acquired 200 film
titles.
1904 - William Fox
(born Wilhelm Fuchs) acquired 146-seat Brooklyn storefront Nickelodeon
theatre for $1,660.67, started Greater New York Film Rental Company;
1912 - Supreme Court ruled against movie monopoly of Motion
Picture Patents Company (Thomas Edison); 1913 - Theater
"chain" pioneer William Fox (born Wilhelm Fuchs) established Greater New
York Film Rental, distribution firm, Fox Office Attractions Company,
production company.; 1915 -
consolidated companies,
formed Fox Film Corporation;
concentrated on acquiring, building theaters;
1916 - moved company to 13 acres in Hollywood, CA;
March 3, 1929 - acquired Loew's Corporation's 500 theatres
(added to existing nationwide circuit of 1100 theatres), large equity
position in Metro-Goldwyn-Mayer Picture Studios; July 1929
- Fox seriously injured in car accident; October 1929 -
net worth valued over $400 million wiped out; 1930 - Fox
forced out as CEO;
May 31, 1935 -
president Sidney Kent, new owners merged company with Twentieth Century
Pictures, formed 20th Century Fox;
1936 - Fox forced into personal bankruptcy; 1942
- began jail time for felony conviction of bribing judge during
bankruptcy proceedings; 1985 - Twentieth Century Fox Film
Corporation acquired by News Corporation; renamed Fox, Incorporated;
1989 - film production unit renamed the Fox Film Corporation;
October 7, 1996
- Fox News Channel made its debut.
October 18, 1904
- Thomas Edison received a patent for "Photographic Film for Moving Picture Machines";
motion picture film.
December 27, 1904 - The play Peter Pan, by James Barrie,
opened at Duke of York's Theater in London.
May 23, 1905 - Thomas Edison received a patent for a
"Process of Duplicating Phonographic Records" ("from a matrix or mold,
and particularly to production of an improved master from which the
matrices or molds are made").
June 19, 1905 - Pittsburgh showman Harry Davis opened
world's first nickelodeon, showed silent film called The Great Train
Robbery (storefront theater boasted 96 seats, charged 5 cents).
Nickelodeons soon spread across the country, typically featured live
vaudeville acts as well as short films; 1907 - some two million
Americans had visited a nickelodeon, remained main outlet for films
until replaced around 1910 by large modern theaters.
1906 - American
Graphophone company reorganized, name changed to Columbia Graphophone
Company; leader in recording cylinders for coin-operated phonographs;
first company to produce pre-recorded records (vs. blank cylinders);
April 6, 1906 - First animated cartoon copyrighted.
May 12, 1906 - One month after San Francisco's earthquake,
Sarah Bernhardt performed role in Racine's intense verse drama "Phèdre"
in opening of Cal Performances, Berkeley, CA performing arts
organization, in grand open-air Greek Theatre in the Berkeley hills;
Putnam's Monthly called it "one of the great performances in world
dramatic history"; donated "Phèdre" proceeds to earthquake victims.
June 12, 1906 - John Ballance, of New York, NY, received a
patent for "Combined Phonograph and Stereopticon"; sound movies.
August 9, 1906 - The Victor Talking Machine Company of
Camden, NJ introduced the Victrola, first internal horn phonograph, for
$200; instant success, produced over 500 machines by year's end;
speaker horn, turntable mechanism
totally concealed in
cabinet made by Pooley Furniture Company of Philadelphia; set pattern of
wood cabinetry enclosures later imitated by radios and television sets
well into the 1950s; March 24, 1914 - registered "HIS
MASTER'S VOICE" trademark first used May 24, 1900 (sound recording or
reproducing machines and parts thereof, talking-machine needles,
talking-machine horns and amplifiers, and talking-machine records).
December 26, 1906 - World's first full-length feature
film (70 minutes), 'Story of the Kelly Gang', presented in Town Hall at Melbourne, Australia
(filmed at cost of £450); subject was Ned Kelly, bandit who lived 1855 to 1880.
June 4, 1907 - Thomas A. Edison received a patent for a
"Diaphragm for Talking-Machines" ("both for recording and producing...to
provide an improved diaphragm that will be readily responsive to
vibrations of comparatively great amplitude"); assigned to New Jersey
Patent Company.
July 8, 1907 - Florenz Ziegfeld, Jr. opened Ziegfeld
Follies at the New York Theater's rundown roof garden; combination of
creative visual spectacle, topical comedy and beautiful girls; $13,800
production netted over $130,000 at the box office; 1922 -
541 performances; 1924 - 520 performances; spent $170,000
on revue; 1931 - Follies ended.
November 28, 1907 - Scrap-metal dealer Eliezer Lazar Mayer
(22, from Minsk, Russia)
opened 600-seat movie theater in converted burlesque house in Haverhill, MA; owned largest theater chain
in New England; was distributing films within a few years; 1917
- started production company, became part of Metro-Goldwyn-Mayer (MGM)
through mergers, named general manager of MGM; 1918 -
changed name to Louis B. Mayer; August 16,
1927 -
Metro-Goldwyn-Mayer Pictures
Corporation registered "Metro-Goldwyn-Mayer)
trademark first used July 25, 1924 (motion-picture films);
1951
- Mayer ousted.
1908 - Selig Film
Manufacturing Company became first major film company to move to Los Angeles;
1909 - built first permanent film
studio.
January 28, 1908 - Author and activist Julia Ward
Howe, composer of "The Battle Hymn of the Republic," became first
woman elected to American Academy of Arts and Letters.
July 14, 1908 - Biograph Pictures released D.W.
Griffith's first film, The Adventures of Dollie; became most
influential director of early cinema, played major role in growth of films as narrative medium.
September 9, 1908 - Leading movie studios (Biograph,
Vitagraph, Edison Studio) created Motion Picture Patents Co. to
consolidate control over fledgling movie industry: refused to let other
companies use their patented film equipment, distributed films only to
theater owners who agreed to their terms; Kodak agreed to sell raw film
stock only to members of the company; 1912 - U.S.
government started cracking down on company for unfair trade practices;
1917 - company's power had dissolved.
1909 - Winsor McCay, newspaper cartoon artist, created
Gertie the Dinosaur, first animated character to appear regularly on screen; 1918 - produced The Sinking of the Lusitania,
first feature-length cartoon.
February 25, 1909 - Movie studios (Biograph, Vitagraph,
Edison Studio, Pathe, others) began submitting films to New
York-based Board of Censorship for review;
self-policing body
set up by movie studios
to help avoid government censorship;
made up of private citizens who screened movies and pointed out
objectionable material; 1916 - changed name to
the National Board of Review.
March 31, 1909 - Gustav Mahler conducted New York
Philharmonic for his first time.
April 12, 1909 - Carl Laemmle established Independent
Motion Picture Company (IMP); defied Motion Picture Patent Company;
fought more than 280 lawsuits from Patent Company; June 8, 1912
- Laemmle (Independent Motion Picture Company), Pat Powers (Powers
Picture Company), Mark Dintenfass (Champion Films), Bill Swanson
(American Éclair) merged studios, formed Universal Motion Picture
Manufacturing Company; 1925 - name changed to Universal
Pictures Company, Inc.
1910 - William and Theo Ludwig formed Ludwig & Ludwig in
Chicago to manufacture foot pedals capable of playing faster tempos
without loss of force or volume; 1929 - acquired by C. G. Conn
Company (Elkhart, IN); 1937 - organized W. F. L. Drum
Company; first product - Speed King Pedal; 1938 - Bill
Ludwig, Jr. joined company; 1955 - acquired Ludwig-Leedy
division of Conn Company, name changed to Ludwig Drum Company;
1966 - acquired Musser Marimba Company (manufacturers of vibes,
marimbas, bells, chimes, xylophones); became total percussion company;
1981 - Ludwig Industries acquired by Selmer Company
(synergy in school music markets).
October 8, 1910 - Several
film exchanges established
American Film Manufacturing to distribute films, compete against
Motion Picture Patents Company;
1909
- Carol Laemmle established the Independent Motion Picture Company (had
to buy film stock from overseas) -
Motion Picture Patents Company filed
280 lawsuits filed against him.
July 19, 1911 - Pennsylvania became first state to pass
laws censoring movies; first specifically allowing censorship by a
government body; 1915 - U.S. Supreme Court upheld laws,
agreed that government bodies may censor pictures; studios feared
increased government censorship, began to censor their own films,
established a self-policing association, the Motion Picture Producers
and Distributors of America (MPPDA); 1930 - adopted the
Production Code.
August 8, 1911 - The newsreel became standard feature
at American movie screenings; French film company Pathy begins
releasing weekly black-and-white newsreels to theaters.
late 1920s -
early sound
newsreels appeared, Fox began using Movietone
system (most well known reels - only newsreel
producer to capture 1941 Japanese attack on Pearl Harbor, 1937 explosion
of Hindenburg); 1948 - color newsreels first
appeared.
February 2, 1912 - World's first movie stuntman, Frederick
Rodman Law, performed for a newsreel; jumped off Statue of Liberty
with a parachute.
June 1, 1912 - Adolph Zukor created Famous Players
Film Company; 1905 - partnered with Marcus Loew, developed
Loew's cinema chain;
July 12, 1912 - opened
"Queen Elizabeth", a 4-reel film (first full-length drama shown in US);
1916 - merged with Jesse L. Lasky Company; began using
Paramount name.
June 2, 1912 -
Carl Laemmle merged his movie studio, Independent Motion Picture
Company (IMP, started in 1909), with several others; created Hollywood's
first major studio, Universal; 1915 - studio bought a
230-acre lot and founded Universal City in San Fernando Valley;
1962 - acquired by MCA; 1991 - Matsushita
Electrical Industrial Co. purchased MCA; 1995 - sold the
company to The Seagram Co.; 1996 - company was renamed
Universal Studios ; 2004 - GE, parent company of NBC, has
owned 80 percent of the company; the remaining 20 percent is owned by
Vivendi, which acquired Seagram's entertainment holdings in 2000.
July 12, 1912 - The first foreign-made film premiered in
America, "Queen Elizabeth", starred Sarah Bernhardt, Lon Tellegen.
August 16, 1912 - U.S. government sued the Motion
Picture Patents Company; week later, court ruled that company could not
claim exclusive rights to machines used in movie cameras; ended
effective monopoly of the company; within four years company's power had
dissolved; 1908 - company formed by nine leading film
companies, refused to let other companies use their patented film
equipment, distributed films only to theater owners who agreed to their
terms (Kodak agreed to sell raw film stock only to members of the
company).
August 20, 1912 - Thomas Edison received a patent for a
"Phonographic Apparatus" ("to provide a diaphragm adapted to be used in
a sound recorder or reproducer").
September 10, 1912 - Eugene T. Kieffer, of Philadelphia,
PA, received a design patent for a "Design for a Cabinet for
Talking-Machines".
October 22, 1912 - Thomas A. Edison received patent for
a "Phonograph-Stylus" formed of crystallized boron (much harder than
sapphire); could operate on sound records formed from hard materials
without wearing away.
October 31, 1912 - First gangster film, The Musketeers of
Pig Alley, directed by D.W. Griffith, debuted; followed career of gangster nicknamed the Snapper Kid.
March 25, 1913 - The Palace Theatre, home of vaudeville,
opened in New York City.
May 26, 1913 - The Actors' Equity Association
organized.
June 12, 1913 - John Randolph Bray released The Artist's
Dream (also known as The Dachsund) in which a dog eats sausages until it
explodes; first animated cartoon made in the U.S. by modern techniques;
invented, patented process and many of his improvements on the animation
process, including use of translucent paper to make it easier to
position objects in successive drawings.
September 25, 1913 - Charlie Chaplin (24) signed
with Keystone, production company known for silent comedies, for
$175 bonus; 1915 - refined his signature character,
Charlie the Tramp, signed on with Essanay Company for $1,250 a week,
plus $10,000 bonus; 1916 - signed with Mutual for
$10,000 a week, plus $150,000 bonus (contract required him to make 12
films annually, granted him complete creative control over
pictures); 1918 - signed contract with First National for
$1 million for eight films; 1919 - founded United Artists
Corporation with Mary Pickford, Douglas Fairbanks, director D.W.
Griffith.
November 26, 1913 - Jesse Lasky formed Jesse L. Lasky
Feature Play Company in partnership with his brother-in-law, Samuel
Goldfish (later Goldwyn) and his friend Cecil B. DeMille; first
production, The Squaw Man, directed by DeMille, was an instant hit;
first feature shot in Hollywood.
1914 - Hal Roach began producing comedies; 1919
- acquired 10 acres at $1,000 an acre from Harry Culver, built Hal Roach
Studios in Culver City, CA; l955 - acquired by Hal Roach,
Jr.; 1962 - taken over by creditors; 1963 -
acquired, become part of Landmark Industrial Tract.
February 7, 1914
- Charlie Chaplin (24) made first appearance in popular "Little Tramp" role, in Kid Auto
Races at Venice.
February 13, 1914 - Group of prominent music creators
founded The American Society of Composers, Authors and Publishers at the
Hotel Claridge in New York City; 2004 - 2006 - has
distributed nearly $1.7 billion dollars in royalties.
February 19, 1914 - Pittsburgh movie theaters required
to establish seating section for unaccompanied women, some of whom,
attending movies alone, had complained of harassment.
April 12, 1914 - Strand movie theater opened in New York
City; first movie "palace," seating for 3,000 people and a second-floor
balcony.
May 8, 1914 - W.W. (William Wadsworth) Hodkinson organized
Paramount Pictures, Inc. as film
financing, distribution company; 1907 - opened
first film exchange in Ogden, UT; became Special Representative to
General Film Company representing Motion Picture Patents Company in Salt
Lake City, Los Angeles; April 1911 - reorganized San
Francisco area for General Film; May 1913 - dismissed;
formed Progressive Company, west coast-based distributor of films
of independent production companies; May 15, 1914 -
Famous Players Film Co., The Lasky Corporation and
Bosworth, Inc., contracted with Paramount Co. for distribution all pictures produced for period of five years from August 31, 1914; March 1, 1915
- Zukor renegotiated new 25 year distribution deal with Paramount;
May 2, 1915 - Paramount Pictures Corporation acquired 51% of nine
franchise holder
corporations (from Zukor and Lasky); remaining 49% acquired
December 4, 1916; May 20,
1916 - Zukor, Lasky acquired 50% of Paramount Co.
(balance acquired December 1916); June 13, 1916 -
Hodkinson forced to resign; July 1, 1916- Famous Players
, Jesse L. Lasky Feature Play Company combined, renamed Famous
Players-Lasky Corporation; July 19, 1916 - Famous Players-Lasky
Corporation organized under laws of New York state primarily as holding company to acquire, hold
capital stock of Famous Players Film Co., Jesse L. Lasky Feature
Play Co, other domestic, foreign corporations;
began buying movie theaters.
1927 - name
changed to Paramount Famous Lasky Corp.; 1930 - changed name to
Paramount Publix Corp.; 1933 - declared bankruptcy;
1935 - reorganized,
re-established under name Paramount Pictures Corp.; 1966
- studio acquired by Gulf and Western; 1989 - name
changed to Paramount Communications; 1994 - control
acquired by Viacom.
June 9, 1914 - Thomas A. Edison received three patents for
a "Phonograph Reproducer" ("an improved mounting for the stylus lever in
order that the same may have great freedom of movement in tracking the
grooves of the sound record"; "the stylus may have great freedom of
movement tracking the grooves of the record"; "an improved quality of
sound and reproduction may be obtained with the use of a floating
weight...that the fulcrum of the stylus lever may be placed nearer to
the stylus than would otherwise be possible").
August 11, 1914 - John R. Bray, of New York, NY, received
a patent for the "Process of and Articles for Producing Moving Pictures"
("a kind of moving picture which may be designated as animated cartoons
to distinguish them from the ordinary moving pictures"; animation cels;
revolutionized animation, made mass production of animation possible;
November 9, 1915 - received second patent on the process;
April 11, 1916 - received a third patent on the process.
September 29, 1914 - Thomas A. Edison, of West Orange, NJ,
received a patent for a "Phonograph Record" ("having a surface of wear
resisting material, such as celluloid").
1915 - Dr. Herbert T. Kalmus founded Technicolor
Motion Picture Corp.; produced motion pictures using two-color process;
December 3, 1922 - first successful Technicolor motion
picture film released ("The Toll of the Sea", adaptation of Madam
Butterfly); used early two-color System 2; 1932 - "Flowers
and Trees" first full-color production from The Walt Disney Company,
first Disney feature to win an Academy Award.
February 8, 1915 - Director D.W. Griffith's film "Birth of
a Nation" premiered at Clune's Auditorium in Los Angeles; Civil War epic
cost $100,000, ran nearly three hours, used revolutionary filmmaking
techniques (multiple camera angles); a financial success, drew long
lines to pay the unprecedented price of $2 a ticket; one of the songs in
the movie's score, "The Perfect Song," became the first musical hit
generated by a movie; 1919 - co-founded United Artists
with Douglas Fairbanks, Mary Pickford, and Charles Chaplin.
April 11, 1915 - The Tramp, Charlie Chaplin's third film, first comic masterpiece, released; refined the character and
added his signature waddle. The endearing figure, with his bowler hat,
baggy suit, and expression of hapless innocence, came to be Chaplin's
trademark; 1919 - co-founded United Artists Corporation
with Mary Pickford, Douglas Fairbanks, and director D.W. Griffith.
June 8, 1915 - Thomas A. Edison received a patent for a
"Sound-Recording Apparatus"; flexible circular diaphragm
bearing against a stylus at its centre that is held on a spring lever
secured to a rigid support; designed to provide sensitivity for
recording sounds, whether weak or strong, and to record them more truly;
suggested materials included acetyl cellulose or paper.
June 15, 1915 - Earl Hurd received a patent for a "Process
of and Apparatus for Producing Moving Pictures" ("method of producing
moving picture films from a series of films or drawings photographed in
sequence, and which give the effect of moving objects when projected in
the usual manner upon a screen"); animation "cel" (transparent cellulose
acetate sheets); allowed animators to draw the motion of their
characters without having to draw the background for every frame.
October 1, 1915 - Federal court ruled that Motion Pictures
Patents Co. (established in 1909 by
Edison and Biograph film studios and
other filmmakers to protecting patents, keep
competitors from entering film industry)
violated antitrust rules, stifled fair competition in fledgling film
industry; 1917 - Supreme Court dissolved the trust.
January 21, 1916 - National Board of Review, founded in
1909 as the National Board of Censorship, agreed not to accept
nudity in films; volunteer group of film fans representing movie
studios, served as industry watchdog to help studios avoid government
censorship; 1921 - New York State passed a film-licensing
law, which deprived the board of much of its power.
February 5, 1916 - Enrico Caruso recorded "O Solo Mio" for
the Victor Talking Machine Company.
April 1, 1916 - Lewis Selznick founded Lewis Selznick
Pictures; 1923 - went bankrupt; 1928 -
Myron, oldest son, became talent agent, eventually made him one of most
powerful personalities in Hollywood; David, younger son, got job at MGM,
eventually married boss's daughter, Irene, left to work at Paramount,
RKO; 1936 - founded Selznick International;
1938 - 20th Century Fox
banned Myron from lot, claimed he undermined film industry by inflating
actors' salaries;
1939 - David produced 'Gone with the Wind', used 15
screenwriters to adapt Margaret Mitchell's novel; became one of biggest
box office hits in history; 1940 - brought Alfred
Hitchcock from England to direct Rebecca, Hitchcock's first U.S. film.
May 23, 1916 - Thomas Edison received three patents for
"Phonograph of Talking Machine" ("particularly of the type on which disk
or flat records are operated upon, and preferably in which the sound
conveying and amplifying horn is inclose within a suitable cabinet").
November 19, 1916 - Samuel Goldfish (born Schmuel Gelbfisz in
Warsaw, Poland, changed to Goldwyn in 1918) and Edgar Selwyn established
Goldwyn Company as independent filmmaker; 1914 - entered
film business with his brother-in-law and Cecil B. De Mille; 1916
- merged with Adolph Zukor's Famous Players, Goldfish named chairman of
the board, partners bought him out soon afterward; 1922 -
Goldwyn edged out of corporation; 1923 -
formed Samuel Goldwyn Productions; later merged with Metro Pictures and
Louis B. Mayer productions to form MGM.
March 7, 1917 - RCA Victor released the first gramophone
record of a jazz band, "Dixie Jazz Band One Step" recorded by Nick
LaRocca Original Dixieland Jazz Band.
January 27, 1918 - First Tarzan film, Tarzan of the Apes, released (silent movie based on Edgar Rice Burroughs's novel);
Olympic champion swimmer Johnny Weissmuller starred in 11 Tarzan movies
from 1932 to 1948, contributed Tarzan's signature yodel to the TV show,
which ran from 1966 to 1969.
March 10, 1918 - Warner Bros. (begun 1903) released
first full-scale film, "Four Years in Germany" (based on book by U. S.
Ambassador to Germany);
April 4, 1923 - studio
incorporated;
October 6, 1927 -
released "The Jazz Singer", first feature with
sound; became major studio.
January 21, 1919 - Thomas Edison received a patent for a
"Swaging-Machine" ("...for fastening of the diamond split or other
stylus within its holder..." [for reproducing phonograph records].
April 17, 1919 - Charlie Chaplin,
Mary Pickford, Douglas Fairbanks, David W. (D. W.) Griffith launched
United Artists Corporation to give founders greater control of marketing
of their films, to distribute films made by independent producers; first
studio controlled by artists, not businessmen; agreed to share full
financial and artistic control; sought complete creative freedom in
their work; mid-1950s - original partners had sold their
shares of company; 1951 - acquired by lawyers, Arthur Krim and
Robert Benjamin; 1957 - went public;
1967 - acquired by TransAmerica Corporation; 1981
- acquired by MGM; 1983 - renamed MGM/UA Entertainment; 1992 -
acquired by French bank Credit Lyonnais, name changed back to Metro-Goldwyn-Mayer Inc.
(United Artists name abandoned).
November 25, 1919 - Thomas A. Edison received a patent for
a "Method and Means for Improving the Rendition of Musical Compositions"
("to provide a method and means for enabling a plurality of players of
the stringed instruments in an orchestra, to maintain substantially
uniform pitch and temp while rendering any musical composition or
work").
1920 - Harry Cohn, Joe Brandt, Jack Cohn founded C.B.C.
Sales Film Corporation; one of so-called "Poverty Row" studios of
Hollywood's Gower Street; made low-budget westerns, B-movies, serials;
1924 - renamed Columbia Pictures; 1934 -
formed Screen Gems as cartoon division; 1946 - closed;
1948 - reopened as television division; 1973 -
David Begelman took over floundering Columbia Studios; among first
Hollywood agents to cross over, rise to top of studio system;
February 1977 - discovered to have embezzled; indicted for
forgery, grand theft (committed suicide in 1995); 1982 -
acquired by Coca-Cola; 1984 - first release from Nova,
joint production company (Columbia, HBO CBS); renamed Tri-Star Pictures
(Coca-Cola eventually bought remaining two thirds of company);
1989 - Coca-Cola entertainment holdings acquired by Sony (Sony
Pictures Entertainment).
June 1, 1920 - Thomas A. Edison received a patent for the
"Composition of Matter for Sound-Records or the Like and Process of
Making Same" ("hard composition which does not adhere to a sound record
matrix or other mold, which has a high melting point, and which is
insoluble in the usual solvents...such a composition can be formed by
treating shellac with a condensing agent [para=phenylene-diamin] so as
to cause a molecular alteration or condensation in the shellac").
May 23, 1922 - Walt Disney formed his first film
company with commercial artist Ub Iwerks, Kansas City-based Laugh-O-Gram
Films; July 1923 - went bankrupt; October 1923
- signed contract with M.J. Winkler Productions, a New York film
distributor, to produce six short films of Alice's Wonderland; moved to
Hollywood to rear of a small office occupied by Holly-Vermont Realty in
Los Angeles.
October 18, 1922 - Robin Hood, starring Douglas
Fairbanks, opened at Grauman's Egyptian Theater in Hollywood.
Searchlights crossed the sky for first time at Hollywood premiere.
November 26, 1922 - Toll of the Sea, general release film
using two-tone Technicolor for first time, debuted; (process had been
used on one other film, The Gulf Between, but picture not widely
distributed); process used two negatives, one with red tones, another
with green, to create a color image; too expensive for most studios,
most films remained black and white until the late 1930s.
December 3, 1922 - First
successful Technicolor motion picture film released; used early
two-color System 2 developed by Dr. Herbert T. Kalmus, founder of
Technicolor Motion Picture Corp. in 1915.
1923 - Hollywood Realty Company constructed advertisement
sign for "Hollywoodland" real estate development in foothills just below
sign; 1949 - County of Los Angeles repaired sign's first
nine letters, removed last four; sign read HOLLYWOOD.
March 12, 1923 - Inventor Lee de Forest
demonstrated Phonofilm, the first movie with sound recorded on film
(music was recorded on a narrow strip at the edge of the film);
demonstration showed a man and woman dancing, four musicians playing
instruments, and an Egyptian dancer, all accompanied by music but no
dialogue; acquired by Fox, 1927 - introduced as Movietone
sound process; 1926 - Warner Bros. acquired the Vitaphone
system for use in its early sound movies (revived company's fortunes).
March 31, 1923 - First U.S. dance marathon held in
New York City; Alma Cummings set record of 27 hours.
May 29, 1923 - Thomas A. Edison received a patent for a "Stylus Mounting"
("mountings for phonograph styli formed of a jewel, such as diamond or
sapphire, and in which the sylus is partially enclosed in a metal holder
and projects from a reduced end portion thereof"). provided for stylus
to be firmly, rigidly held to prevent it from loosening in use.
April 17, 1924 - Metro Pictures, Goldwyn Pictures, Louis B. Mayer Productions merged, formed Metro-Goldwyn-Mayer, or MGM; owned by Loew's Inc., chain of theaters run by Marcus Loew;
"Leo the lion" logo (designed by Howard Dietz, publicist for
Goldwyn Picture Corporation,
based on mascot of his alma mater, Columbia University,
incorporated slogan “Ars Gratia Artis” [Art for Art’s Sake] accepted as
MGM logo; August 16, 1927 - Metro-Goldwyn Pictures
Corporation registered
“Ars Gratia Artis” trademark first
used July 25, 1924 (motion-picture films);
1930s - most prestigious, glamorous, financially
successful studio in Hollywood; 1952 - Supreme Court
ruling forced Loew's theater chain to sell ownership stake in MGM
(power of studio system beginning to fade); 1973 -
company stopped distributing films, purchased by series of
owners.
May 27, 1924 - Jules Stein founded Music Corporation of
American in Chicago; booked bands into clubs and dance halls; grew into
leading talent agency, later became an entertainment conglomerate that
owned film studio Universal International and Decca Records; 1962
- antitrust suit forced MCA to spin off its talent component separately;
1991 - Matsushita Electrical Industrial Co.
purchased MCA; 1995 - acquired by The
Seagram Co.; 1996 - renamed Universal Studios.
December 22, 1924 - Thomas A. Edison received U.S.
design patent for a "Design for a Phonograph Cabinet."
February 24, 1925 - Victor Talking Machine Company
registered "His Master's Voice" trademark.
November 28, 1925 - The Grand Ole Opry made its radio
debut on Saturday nights as a country music hour on station WSM in
Nashville, TN; originally named "The WSM Barn Dance" (after a Chicago
radio program called the National Barn Dance that had begun broadcasting
the previous year); 1959 - name changed to "The Grand Ole Opry"; live 4
1/2 hour program, hosted by George Dewey Hay, featured folk music,
fiddling, and the relatively new genre of country-western music; all
live performers were required to dress in hillbilly costumes and adopt
old-time names; 1974 - show moved to a new 4,400-seat
theater "Opryland".
January 25, 1926 - Central Casting Corporation opened (joint
venture between most major Hollywood studios until sold to private company in 1976); provided pools of extras for film
production; 1929 - more than 17,000 extras were registered
with bureau.
April 20, 1926 - Western Electric, Warner Bros.
announced Vitaphone, process to add sound to film; system logged sound
on record linked electronically to projector, kept sound
synchronized with image; systems like Movietone quickly replaced
Vitaphone (synchronizing a recording with a film was less reliable than
integrating the sound onto the film itself); 1950s -
magnetic tape recording and stereophonic sound system introduced; late
1970s - Dolby Laboratories introduced a noise-reduction system;
early 1990s - digital sound systems added additional clarity and
crispness to soundtracks.
July 23, 1926 - William Fox, Fox Film Corp., acquired
patents for sound system that will record sound onto film for $60,000;
named it Movietone;
1928 - began making feature films with Movietone system;
became associated with newsreels (captured newsworthy events on
film, created valuable historical record in the process).
August 5, 1926 - Warner Brothers debut of first
'Vitaphone'' sound-on-disc film,
"Don Juan" at Warner Theatre, New York; first mainstream film that
replaced traditional use of live orchestra or organ for soundtrack
(no dialogue in the film).
January 24, 1927 - Alfred Hitchcock's first film,
"The Pleasure Garden", released in England.
February 24, 1927 - Fox demonstrated new Movietone
sound process to media, filmed group of reporters in
morning, showed film, with sound, at night;
no single audio standard for
industry,
cost to wire a movie house for Warner Brothers' Vitaphone sound system =
about $20,000 (only about 200 theaters nationwide equipped). 1928
- Fox began making feature films with Movietone system.
March 11, 1927 -
New York's Roxy Theater installed world's
first rear-projection screen (projector's lens was flawed,
screen could only be used to show silhouettes at first); 1931 - first
theater specially designed for the rear-projection screen opened.
March 26, 1927 - Gaumont-British Film Corporation formed.
April 15, 1927 - Douglas Fairbanks, Mary Pickford,
Norma and Constance Talmadge became first celebrities to leave their
footprints in cement at Grauman's Chinese Theater.
May 4, 1927 - 36 members, including production
executives and film luminaries, organized The Academy of Motion Picture
Arts and Sciences as a nonprofit corporation to advance the arts and
sciences of motion pictures; foster cooperation among creative leaders
for cultural, educational and technological progress; recognize
outstanding achievements; cooperate on technical research and
improvement of methods and equipment; provide a common forum and meeting
ground for various film-related crafts; represent the viewpoint of
actual creators of the motion picture; and foster educational activities
between the professional community and the public; Douglas Fairbanks Sr.
first president.
May 11, 1927 - Louis B. Mayer, 36 members (production
executives and film luminaries)
formed Academy of Motion
Picture Arts and Sciences
s nonprofit corporation to advance the arts and
sciences of motion pictures; foster cooperation among creative leaders
for cultural, educational and technological progress; recognize
outstanding achievements; cooperate on technical research and
improvement of methods and equipment; provide a common forum and meeting
ground for various film-related crafts; represent the viewpoint of
actual creators of the motion picture; and foster educational activities
between the professional community and the public; Douglas Fairbanks Sr.
first president.
May 18, 1927 - Sidney Patrick Grauman (opened first
theater in Yukon in late 1890s) opened Grauman's Chinese Theater
on Hollywood Blvd. (named for Asian-influenced decor); showed Cecil
B. De Mille's "The King of Kings" (film version of the life of Christ)
as some 100,000 fans swamped the theater, clamored to see Douglas
Fairbanks and Mary Pickford; soon became famous for its sidewalk, where
more than 180 film stars placed their hand, foot, or paw prints in the
cement during the next seven decades; 1970 - acquired by
Mann Theater chain, renamed Mann's Chinese Theater.
October 6, 1927 - Warner
Brothers' premiered "The Jazz Singer" (Al Jolson) in New York City,
first picture with sound, though most theaters were not equipped with
sound technology; 1926, Warner invested half million
dollars with Western Electric in the Vitaphone ((sound-on-disk) sound
system, brought profits of $3.5 million at the box-office with this
landmark talkie.
October 27, 1927 - Fox Movietone News released first
newsreel with sound in New York.
1928 - Laurens Hammond incorporated Hammond Clock Company;
April 24, 1934 - received a patent for an "Electrical
Musical Instrument"; organ; 1935 - Hammond Organ first
introduced; construction made possible for musicians to create a
dynamic, "billowing" organ sound; 1937 - became the
Hammond Instrument Company; 1953 - renamed Hammond Organ Company;
1954 - semi-portable (400 pounds!) model B-3 introduced; brought
organ to forefront of jazz, R&B and rock'n'roll; 1977 -
acquired by The Marmon Group, Inc. (owned by Pritzker family of
Chicago); 1986 - acquired by Hammond Organ Australia, PTY
Ltd. (then owned by Noel Crabbe); 1991 - acquired by
Suzuki Corporation, manufacturer of wide range of high-quality musical
instruments.
1928 - Amos 'n Andy, radio series about two southern
African Americans, debuted; starred two white actors: Freeman Gosden,
Charles Correll; ran until 1955, more than 40 million listeners during
its run, most highly rated comedy in radio history; NAACP protested both
the radio and the TV series for promoting racial stereotypes.
July 6, 1928
-
First all-talking movie feature,
''The Lights of New York,'' previewed in New York.
July 30, 1928 - MGM lion roared for first time.
September 1928 - William S. Paley (27) acquired United
Independent Broadcasters Inc., network of 16 independent radio stations;
changed name to Columbia Broadcast System, became President of the
Company.
September 18, 1928 - Disney Enterprises, Inc. registered
"Mickey Mouse" trademark first used on May 1, 1928 (motion pictures
reproduced in copies for sale); November 18, 1928 -
First successful sound-synchronized animated cartoon, Walt Disney's
''Steamboat Willie'', premiered in New York; starred black-and-white,
talking Mickey Mouse.
January 20, 1929 - First full-length motion picture in
U.S. taken outdoors released, titled "In Old Arizona"; first all-talking
sound-on-film feature; charming, happy-to-lucky bandit in old Arizona
plays cat-and-mouse with the sheriff trying to catch him while he
romances a local beauty; starred Warner Baxter as The Cisco Kid, Edmund
Lowe as Sergeant Mickey Dunn, Dorothy Burgess as Tonia Maria.
February 1, 1929 - The Broadway Melody, Hollywood's first
original film musical, opened at Grauman's Chinese Theater in Los
Angeles; became first sound film to win Academy Award for
Best Picture.
February 27, 1929 - Hearts in Dixie, first film
created by major studio specifically for an African-American audience,
premiered in New York; musical comedy, produced by Fox Movietone,
featured Stephen "Stepin" Fetchit and an almost entirely black cast.
May 16, 1929 - Academy of Motion
Picture Arts and Sciences (founded in 1927), announced winners of the
first Academy Awards (for films made
between August 1, 1927 and July 31, 1928) during a
banquet at the Hollywood Roosevelt Hotel;
Best Picture award to Wings (starring Clara Bow and Gary Cooper),
Best Actor to Emil Jannings for The Last Command and The Way
of All Flesh; 1931
- awards nicknamed "Oscars" when a secretary at the academy noted the
statue's resemblance to her Uncle Oscar, and a journalist printed her
remark; 1953 - first televised Academy Awards.
May 28, 1929 - Warner Brothers debuted the first all-color
talking picture, "On With the Show."
1930 - Modern dance pioneer Ted Shawn (first recognized
Martha Graham's potential) and his wife, Ruth St. Denis, leaders of
Denishawn Company (dissolved in 1931), bought rundown farm in the
Berkshires known as Jacob's Pillow, 1933 - founded Jacob's
Pillow Dance Festival as showcase for his company of Men Dancers, as
home for dance in the U.S.; March 1933 - gave first,
historic, all-male performance in Boston; July 9, 1942
- Ted Shawn Theatre opened, first theatre in United States designed
specifically for dance; 2000 - included on Dance Heritage
Coalition's list of America's Irreplaceable Dance Treasures, listed on
National Register of Historic Places; 2003 - federal
government named Jacob's Pillow a National Historic Landmark for its
importance in America's culture and history (country's first and only
Landmark).
January 21, 1930 - Thomas A, Edison received a patent for
a "Mounting for Diaphragms of Sound Boxes" "to obtain the best acoustic
results"); received second patent for "Production of Molded Articles"
("such as phonograph record blanks").
March 31, 1930 - Motion Picture Producers and Distributors
of America (MPPDA) formally adopted "Hays Code" (Production Code) in
attempt to avoid government censorship, satisfy public demand
for morally acceptable movies; named for William H. Hays, former U.S.
postmaster general under President Harding, past chairman of Republican
National Committee, hired by MPPDA to create movie production code.
1931 - Adolph Rickenbacker (operator of tool and die
shop), George D. Beauchamp (steel guitar player) founded Electro String
Instrument Corporation in Los Angeles to develop, sell amplifiers,
produce "Rickenbacker Electro Instruments", first modern electric
guitars; August 10, 1937 - George D. Bauchamp, of Los
Angeles, CA, received a patent for an "Electrical Stringed Musical
Instrument"; electric guitar; assigned to Electro String Instrument
Corporation; 1953 - acquired by Francis C. Hall, founder
of Radio and Television Equipment Company (Radio-Tel), formerly Fender's
exclusive distributor; modernized Rickenbacker guitar line; 1960s -
Beatles used several Rickenbacker models in early years (John Lennon
owned four; September 1984 - John Hall, wife Cindalee,
became sole owners; name changed to Rickenbacker International
Corporation (RIC).
March 14, 1931 - Trans-Lux Theater opened in Manhattan;
first theater specifically designed, built for rear projection of
movies.
May 1931 - Biggest UK record companies, Columbia and HMV,
merged under Sir Louis Sterling, formed Electric and Musical Industries
(EMI); biggest record company in world
for nearly 50 years (Columbia
its flagship pop label).
September 17, 1931 - RCA (Radio Corporation of America)
demonstrated very early versions of 33 rpm long-playing records at the
Savoy Plaza Hotel in New York; product flopped - too expensive; RCA
rival, Columbia, began mass production of the plastic LP records in
1948.
1932 - Joseph Schenck, former president of United
Artists, Darryl F. Zanuck from Warner Brothers, William Goetz from Fox
Films, Raymond Griffith formed Twentieth Century Pictures as independent
Hollywood motion picture production company; Nicholas Schenck (brother),
Louis B. Mayer (Goetz's father-in-law), head of MGM Studios, provided
financing; distributed by United Artists; Zanuck chief executive,
Schenck head of production; May 31, 1935 - merged with Fox
Film Corporation; formed Twentieth Century-Fox Film Corporation (hyphen
dropped in 1985); June 1981 - acquired by TCF Holdings,
Inc. (Marvin Davis, Marc Rich) for $722 million; October 1984
- Davis bought other 50% from Marc Rich for $116 million; April
1985 - News Corporation acquired 50% interest in Twentieth
Century Fox Film Corporation for $132 million, lent $88 million to Fox;
December 1985 - acquired remaining 50% interest for $325
million; renamed Fox, Incorporated
March 25, 1932 - Tarzan the Ape Man opened, with Olympic
gold medal swimmer Johnny Weismuller in title role.
July 30, 1932 - Walt Disney released first cartoon in
color; "Flowers and Trees" made in three-color Technicolor.
December 27, 1932 -
Radio City Music Hall opened in New York City; brainchild of
billionaire John D. Rockefeller, Jr.; held $91 million, 24-year lease on
Manhattan property known as "the speakeasy belt"; decided to make
theater cornerstone of Rockefeller Complex in that neighborhood;
formed partnership with Radio Corporation of America (NBC radio, RKO
films); largest indoor theatre in world (seats 6,200 people);
1933 - Radio City Music Hall Christmas Spectacular
debuted.
1933 - San Francisco Opera Ballet founded to train dancers
to appear in lavish, full-length opera productions; oldest professional
ballet company in America; 1939 - William Christensen
choreographed Company’s first full-length production, Coppélia;
1940 - staged first American full-length production of Swan
Lake; 1942 - became totally separate entity from the
opera, renamed San Francisco Ballet; Harold Christensen (brother)
appointed director of San Francisco Ballet School; 1944 -
launched national holiday tradition with premiere of Nutcracker, first
complete version of ballet ever staged in United States; 1956
- East Coast debut at Jacob’s Pillow Dance Festival; 1957
- toured 11 Asian nations, first performances of an American ballet
company in Far East; 1972 - settled permanently in War
Memorial Opera House for annual residency; 1974 - faced
bankruptcy; Dr. Richard E. LeBlond, Jr. appointed president and general
manager of San Francisco Ballet Association; July 1985 -
Helgi Tomasson named artistic director.
March 2, 1933 - "King Kong" premiered.
May 7, 1933 - Walt Disney's cartoon Three Little Pigs is
released; featured song "Who's Afraid of the Big Bad Wolf?"; became the
most popular animated film up to that time.
May 16, 1933 -
Richard Hollingshead Jr. (sales
manager for Whiz Auto Products in Camden, NJ) received patent for
for a "Drive-in Theater";
wanted to create a theater
where parents could bring children in their pajamas, avoid baby-sitters,
and relax in comfort of their own car while watching a Friday night
film; June 6, 1933 -
first drive-in
movie theater opened on Crescent
Boulevard in Camden, NJ; admission 25¢ per car, 25¢ per
person, with no car paying more than $1.00; 1950 - May 16,
1933 patent declared invalid; 1958 - Drive-ins reached high
of 4,063.
1934 - School of American Ballet founded on Madison
Avenue, New York City; Lincoln Kirstein as president, George Balanchine
as choreographer; 1935-1938 - American Ballet Company
toured eastern United States, resident ballet troupe for Metropolitan
Opera; 1936 - Ballet Caravan founded; succeeded by
American Ballet Caravan; 1946 - Ballet Society founded to
present performances for subscription audience; 1948 -
Morton Baum, Chairman of Executive Committee of New York City Center
extended invitation to establish resident ballet company to be known as
New York City Ballet as part of City Center of Music and Drama;
October 11, 1948 - New York City Ballet opened first season with
three Ballanchine ballets: Concerto Barocco, Orpheus, and Symphony in C.
1934
- J Arthur Rank (Lord Rank), son of Joseph Rank, scion of flour milling
family, entered motion picture industry; 1935 - with
Charles Boot and British & Dominions Film Corporation established
Pinewood Studios; 1941 - acquires control of Odeon Theatre
Group, Gaumont British Picture Corporation; 1955 - Odeon
Theatre Group changed name to The Rank Organisation; 1956
- joined forces with Haloid Corporation of America (later re-named Xerox
Corporation) to manufacture copying equipment; 1969 - Rank
Xerox established as joint-venture company; December 22, 1995
- Rank Group Plc established as public limited company; 1997 - sold part
of remaining interest in Rank Xerox (total proceeds from 1995, 1997 sale
of about £1.5bn); 2000 - sold Odeon Cinemas for £280m;
sold Pinewood Studios for £62m; 2001 - launched Rank.com
to exploit opportunities in on-line gaming; 2006 - agreed
to sell Hard Rock Cafes to Seminole Tribe of Florida for $965million.
January 26, 1934 - Samuel Goldwyn bought film rights to
The Wonderful Wizard of Oz by L. Frank Baum; 1939 - 101
minute film released; 1956 - an estimated 45 million
people tuned in to watch the movie debut on television; 1998
- ranked sixth in American Film Institute's poll of America's 100
Greatest Movies.
April 24, 1934 - Laurens Hammond, of Chicago, IL, received
patent for an "Electrical Musical Instrument"; first pipeless
organ (manufactured by the Hammond Clock Company); two manuals and
pedals, weighed 275 pounds, cost less than one cent an hour to operate;
April 15, 1935 -exhibited at the Industrial Arts
Exhibition, New York City.
May 18, 1934 - Sidney Skolsky, syndicated gossip columnist, entertainment reporter, first called Academy Award
"Oscar" in print.
June 9, 1934 - Donald Duck made first film
appearance in The Wise Little Hen, short by Walt Disney.
July 6, 1934 - Motion Picture Producers and
Distributors of America (MPPDA) appointed Joseph Breen head of
Production Code Administration ("Hays Office," after
William H. Hays, head of the MPPDA); tightened studio compliance with
Production Code (adopted in 1930 to impose strict guidelines on the
cinematic treatment of sex, crime, religion, violence, and other
controversial subjects).
November 1934 - Enrique
Carreras, Spanish immigrant, theater entrepreneur (started
Blue Halls circuit of theaters in UK with 1913)
joined forces with William Hinds, owner of chain of jewelers shops
(stage name Will Hammer); registered Hammer Productions Ltd.; 1935
- formed Exclusive Films to distribute Hammer films, acquired
productions; James Carreras (son) joined company; January 1949
- registered Hammer Film Productions Limited for business as independent
film studio; associated with quality, low budget filmmaking; 1955
- released The Quatermass Xperiment (bought rights to TV sci-fi/horror
hit The Quatermass Experiment); 1957 - "The Curse of
Frankenstein" created 'Hammer House of Horror' brand; first color horror
film, massive box office success; only British company with guarantee of
US distribution; 295 title film library; May 10, 2007 -
acquired by private European consortium, headed by Dutch based Cyrte
Investments BV.
1935 - Philip Smith built first drive-in theater outside
Detroit; 1949 - more than 20; 1951 -
operated first shopping-center theatre, Framingham Cinema, in
Framingham, MA; 1960 - went public; 1961 -
Richard Smith (36) took control; renamed General Cinema Corporation;
1964 - name changed to General Cinema Corporation; 1967
- owned about 100 shopping-center theaters; 150 theaters in 26 states;
1968 - entered soft-drink business; became largest independent Pepsi
bottler in U. S.; June 2, 1987 - 60% owner of The Neiman
Marcus Group, Inc., (spun off by Carter Hawley Hale in response to
second hostile takeover attempt by The Limited); 1989 -
sold Pepsi bottling operations; November 1991 - acquired
Harcourt Brace Jovanovich; 1993 - renamed Harcourt General, Inc.;
1999 - spun off remaining stake in Neiman Marcus Group to
shareholders; October 2000 - GC Cos. Inc., parent of
General Cinema, filed for bankruptcy protection (overbuilding of of
multi-screen "megaplex" cinemas, weak movie releases).
March 2, 1935 - Porky Pig, designed by animator Bob
Clampett, debuted in short "I Haven't Got a Hat"; name came from two
brothers who were childhood classmates of director Fritz Freleng
(nicknamed "Porky" and "Piggy); originally played him, Joe Dougherty,
who actually did have a stuttering problem; 1937 - Mel
Blanc won the audition for the character.
September 27, 1935 - Singer and actress Judy
Garland (13) signed her first contract with MGM; 1939 -
became major star after playing Dorothy in The Wizard of Oz;
1950 - MGM fired her after she began showing up erratically
for shoots; 1969 - she died from an overdose of sleeping
pills.
January 4, 1936 - Billboard magazine published
first pop-music chart based on national sales figures. A song called
"Stop! Look! Listen!" by jazz violinist Joe Venuti topped first
chart.
July 30, 1936 - David O. Selznick (Selznick
International Pictures) agreed to pay $50,000 for film rights to Martha
Mitchell's "Gone With the Wind"; more than any studio had ever paid for
rights to first novel.
1937 - Mikhail Mordkin, former director of Bolshoi Ballet,
formed new Mordkin Ballet (previously founded, dsibanded in 1926);
student Lucia Chase helped finance company; she and Richard Pleasant
(Hollywood agent) took over management after first season; 1939
- organized Ballet Theatre; 1935 - Oliver Smith became
Co-director; 1957 - changed name to American Ballet
Theatre; 1980 - Mikhail Baryshnikov became Artistic
Director.
April 17, 1937 - Daffy Duck made his debut in Warner
Bros. short, Porky's Duck Hunt.
December 21, 1937 - Snow White and the Seven Dwarfs,
Walt Disney's first full-length (83 minutes), animated talking film opened;
two years and $1.5 million to create;
first commercially successful film of its kind.
1938 - Leo Fender founded Fender's Radio Service in
Fullerton, CA to repair radios, phonograph players, home audio
amplifiers, public address systems, musical instrument amplifier
(variations on vacuum tube circuits used for amplification); joined
Clayton Orr Kauffman, formed K & F Manufacturing Corp. to design,
manufacture, sell electric instruments, amplifiers; December 7,
1948 - Clarence Leo Fender and Clayton Orr Kauffman, of
Fullerton, CA, received a patent for a "Pickup Unit for Instruments";
lap steel guitar; 1946 - renamed Fender Electric
Instrument Company; 1965 - acquired by Columbia
Broadcasting System for $13 million; 1985 - acquired by
employees, renamed Fender Musical Instruments Corporation.
January 17, 1938 - Benny Goodman and his orchestra performed first jazz concert at Carnegie Hall in New York; performers included
Count Basie, members of Basie, Duke Ellington orchestras; jazz
originated around 1900 but wasn't appreciated as a serious musical form
for several decades.
February 3, 1938 - Vaudeville comedy team Bud Abbott and
Lou Costello first appeared as regulars on Kate Smith Hour radio
program.
July 14, 1938 - British director Alfred Hitchcock signed
contract with David O. Selznick to direct movies in Hollywood; already
established reputation as England's foremost director with such films as
The Man Who Knew Too Much in 1934 (which he remade in 1956) and The Lady
Vanishes in 1938; 1940 - first American film, Rebecca,
starring Laurence Olivier and Joan Fontaine, opened, won Academy Awards
for Best Picture and Best Cinematography.
July 13, 1939 - Frank Sinatra made recording debut with Harry James band, sang "Melancholy Mood"
, "From The
Bottom of My Heart."
December 15, 1939 - Gone With the Wind debuted in Atlanta;
instant hit, broke all box office records in course of its run.
January 19, 1940 - Three Stooges film You Natzy Spy
released (nine months in advance of Charlie
Chaplin's "The Great Dictator"); 1923 - began as a
vaudeville act billed as "Ted Healy and His Stooges"; stooges were
brothers Moe (Moses) and Shemp Howard from Brooklyn; 1928
- Larry Fine joined; 1932 - Shemp left the act, replaced
by brother Curly; Three Stooges made a total of 190 short subjects with
Columbia, at least 20 feature-length films, hundreds of cartoons.
February 7, 1940 - Walt Disney's second feature-length
movie, "Pinocchio," premiered (New York City).
May 21, 1940 - Walter E. Disney, of Los Angeles, CA,
received patent for the "Art of Animation" ("improvements in the art of
producing what are generally known as 'animated cartoons'"); assigned to
Walt Disney Productions.
July 27, 1940 - Bugs Bunny made his debut in Warner
Bros. animated cartoon "A Wild Hare"; featured Bugs as would-be dinner
for frustrated hunter Elmer Fudd; animated by Chuck Jones, accent came
from voice man Mel Blanc.
November 13, 1940 - Disney animated movie
''Fantasia'' had world premiere in New York; no plot, an ambitious,
artistic attempt to marry music, animation; 1999 - film
updated, re-released as Fantasia 2000,.
July 1941 - CBS, NBC switched from experimental
broadcasts to fifteen hours per week of scheduled programming.
February 10, 1942 - First gold record (sprayed with
gold by record company RCA Victor) presented to recording artist: Glenn Miller for
'Chattanooga Choo Choo' (performed in movie Sun Valley Serenade;
sales of 1,200,000).
June 4, 1942 - Glenn Wallichs, owner of Music City record
store, on Vine St. in Los Angeles, movie producer Buddy deSylva,
songwriter
Johnny Mercer started Capitol Records.
February 20, 1943 - Movie studio executives agreed to allow
the Office of War Information to censor movies informally to prevent
disclosure of vital information in war-themed films.
March 31, 1943 - Rodgers and Hammerstein's "Oklahoma!,"
premiered in New York City; played on Broadway for 2,248 performances.
March 31, 1945 - ''The Glass Menagerie'' by Tennessee
Williams opened on Broadway.
September 20, 1946 - First annual Cannes Film Festival
opened at resort city of Cannes on the French Riviera (originally
scheduled for September 1939 but cancelled due outbreak of World War
II); 18 nations represented; entries included "The Lost Weekend
(Billy Wilder), "Open City" (Roberto
Rossellini), "The Battle of the Rails" (Rený
Clement),
"Brief Encounter" (David Lean);
1952 - Palais des Festivals dedicated as a permanent home for the
festival; 1955 - Palme d'Or (Golden Palm) award for best film of the
festival was introduced.
1947 - Paul Pacini opened Whiskey a GoGo in Paris;
highlighted American preference for for cocktails, hard liquor over
French wine; walls covered with lids from whiskey cases (Dewar’s, Haig &
Haig); jazz piped in.
1947 - Ahmet Ertegun, Herb Abramson founded Atlantic
Records in office in derelict hotel on West 56th Street in
Manhattan; borrowed $10,000 from family dentist; 1954 -
released "I Got a Woman (Ray Charles), "Shake, Rattle and Roll" (Joe
Turner); 1967 - acquired by Warner Brothers-Seven Arts for
$17 million; 1969 - acquired by Kinney National Service;
one of only record labels of 1940s to survive into the 1990s, with
founder still in charge; 1971 - founded New York Cosmos
soccer team.
April 6, 1947 - Frst Tony Awards (theater) were
handed out.
October 20, 1947 - House Un-American Activities Committee
(HUAC) of U.S. Congress (chaired by Congressman Parnell Thomas)
opened investigation into communist infiltration of American movie
industry; hearings focused on identifying political subversives among
Hollywood actors, actresses, writers, directors.
October 24, 1947 - Walt Disney testified to House Unamerican
Activities Committee, named Disney employees he believed to
be communists.
November 24, 1947 - House of Representatives voted 346 to
17 to approve citations of contempt against 10 Hollywood writers,
directors, and producers who had refused to cooperate at hearings held
by House Un-American Activities Committee (HUAC) into influence of
communism in movie industry
(became known as ''Hollywood
10'');
men denounced questions as violations of their First Amendment
rights, sentenced to one year in jail; Supreme Court later upheld
contempt charges; 1951 - new HUAC hearings started,
Hollywood quickly buckled to committee's demands; hundreds of
performers, directors, writers, others placed on "blacklist,"
effectively banned from employment.
November 25, 1947 - Movie studio executives meeting in New
York agreed to blacklist ''Hollywood 10''; eventually, some 300 people were
blacklisted on very slight evidence (collection of
names of Hollywood personalities suspected of having communist ties;
many careers ruined (those on the list rarely found
work in the movies); blacklist not completely broken until the 1960s.
December 27, 1947 - The Howdy Doody Show made its debut.
January 1, 1948 -
Warner Brothers-Pathe showed
first U.S. motion picture newsreel
in color (using the Cinecolor process) of photos taken at Tournament of
Roses, Rose Bowl Game, Pasadena, California; January 5,
1948 - started showing newsreels to theatre
audiences.
June 8, 1948 - The ''Texaco Star Theater'' made its debut
on NBC-TV with Milton Berle as guest host.
June 20, 1948
- Columbia Records
introduced first successful long-playing microgroove phonograph records
at the Waldorf-Astoria Hotel in New York City; designed for the new
speed of 33-1/3 r.p.m.; developed by Dr. Peter Goldmark, head of CBS
Labs; made of non-breakable Vinilyte plastic; 12 inch record could play
23 minutes per side (compared to only 4 minutes per side on the earlier
78 rpm record); quieter surfaces, greatly increased fidelity; first LP
featured violinist Yehudi Menuhin. Columbia originated, copyrighted term
"LP".
January 10, 1949 - RCA, Columbia introduced vinyl
records in U.S.: RCA's "single", 7-inch diameter 45 rpm, could
play eight minutes of sound per side, replaced 78 rpm records; RCA
manufactured special record-player with wide-diameter spindle to
automatically play stack of records; Columbia offered 33.3 rpm
records.
February 2, 1949 - First 45 RPM record released.
April 7, 1949 - Rodgers and Hammerstein musical
''South Pacific'' opened on Broadway.
June 1, 1949 - Lawrence Welk's band began
two-year stint as house orchestra for radio show High Life Review; often lampooned for saccharine style, Welk eventually
developed army of loyal fans, hosted one of longest running
musical variety shows in history; 1951 - moved to TV,
launched own show on local Los Angeles station; 1955
- show moved to ABC, aired on Saturday nights (straightforward dance
music); gained strong following, stayed on air for 16 years;
1956 to1959 - Saturday night show so popular that ABC gave
him second hour-long show, aired during the week, called Lawrence Welk's Top Tunes and New Talent; 1961 - topped charts
with "Calcutta"; 1971 - ABC cancelled show.
January 4, 1950 - RCA Victor announced would start
manufacturing long-playing (LP) records (long-playing album debuted in 1948); one side of 12-inch LP played
for 23 minutes (vs. four minutes for one side of a standard 78 rpm
record); took several years for standard to become universally
accepted.
July 11, 1951 - Disk jockey Alan Freed started new job
in Cleveland as disk jockey of rhythm and blues show, called "The Moondog House", called himself the "Moondog" (based on his chosen theme
song, "The Moondog Symphony"); 1952 - he threw a rhythm
and blues concert called the Moondog Coronation Ball, which drew more
than 10,000 people; 1953 - he threw an R&B tour, titled
The Biggest Rhythm and Blues Show, featuring Ruth Brown and Wynonie
Harris; 1954 - Freed prohibited from using the name when
blind New York City street musician who had recorded "Moondog Symphony"
won a court battle; renamed radio show Alan Freed's Rock and Roll Party;
copyrighted phrase "rock and roll" in partnership with black music
legend Morris Levy, veteran promoter Lew Platt, radio station WINS;
tidal wave of rock and roll soon made his copyright virtually useless.
October 16, 1951 - The New York Academy of Medicine
Post Graduate Fortnightly showed first 9 1/2 minute color motion
picture in U.S. of inside of living heart (of a dog) at Montefiore Hospital, New York City; showed opening, closing of
mitral valve.
February 1952 - Sam Phillips launched Sun Records in
Memphis, TN; named as sign of his perpetual optimism: a new day and a
new beginning;
March 27, 1952 - Sun began releasing records; 1954
- found Elvis Presley
March 21, 1952 - Alan Freed presented Moondog Coronation
Ball at old Cleveland Arena, 25,000 attended first rock and roll concert
ever.
November 25, 1952 - The Mousetrap," murder-mystery
written by novelist, playwright Agatha Christie, opened at Ambassadors Theatre in London; became longest continuously running
play in history, more than 10 million people attended more than 20,000
performances.
February 18, 1953 - ''Bwana Devil,'' movie that heralded 3-D fad of 1950s, opened in New York City.
April 8, 1953 - Man in the Dark, first 3D motion
picture (audience used spectacles with one red, one green lens to
produce illusion of depth) produced, released by major company,
opened at Globe Theater in New York City; April 10, 1953
- The House of Wax, next 3D feature movie, first color
three-dimensional picture (had to be viewed through special glasses) from
major company opened at Paramount Theater in NYC; 1922
- Perfect Pictures made The Power of Love, first 3D feature film;
February 1947 - Russian production of Robinson Crusoe, first
3D talking picture in color, shown in Moscow.
January 4, 1954 - Elvis Presley, a struggling young
musician who worked in a machine shop, made a recording for his mother's
birthday; paid $4 at Sun Records to record two songs: "Casual Love
Affair" and "I'll Never Stand in Your Way"; Marion
Keisker, Sam Phillips's assistant, was so
impressed that she brought a copy of the recording to him; July
5, 1954 - Elvis, Scotty Moore and with Bill Black
had first recording session at Sun Records; recorded rhythm-and-blues
debut single song, called "That's All Right"; July 7, 1954
-
Memphis, TN, station WHBQ aired first
recording of ''That's All Right''.
April 2, 1954 - Plans to build Disneyland first announced.
April 12, 1954 - Bill Haley and his band, the Comets,
recorded "Rock Around the Clock"; May 1954 - song released, barely made
the pop charts, spent one week at No. 23; became a hit after producer
James Myers sent copies of the song to dozens of Hollywood producers,
suggested they use the song in a movie; 1955 - producers
of Blackboard Jungle, a controversial film about juvenile delinquency,
selected the song as a theme for the movie; sales of "Rock Around the
Clock" skyrocketed, sold six million copies; climbed to the top of the
charts in July 1955, became the first rock and roll song to reach No. 1.
July 17, 1954 - George Wein founded "First American Jazz
Festival" in Newport, RI; featured performances by Ella Fitzgerald,
Dizzy Gillespie, Billie Holiday, Gerry Mulligan, Eddie Condon, Modern
Jazz Quartet, Oscar Peterson, others; sponsored by Elaine and Louis L
Lorillard (gave Wein $20,000 line of bank credit, never used); broke
even first year; 1960, 1969, 1971 - riots caused
performance cancellations; 1972 - festival moved to New
York City; 1981 - resumed in Newport, became two-site
festival associated U.S. and international tours; 1984 -
sponsored by JVC; 1986 - name changed to JVC Jazz
Festival.
January 14, 1955 - Alan Freed, disc jockey of popular
radio show Rock 'n' Roll Party, produced first rock and roll dance
concert in New York at St. Nicholas Arena; featured Drifters,
Fats Domino, Joe Turner, others; all musicians were black, least half the audience was white; 1955
- Cleveland was selected as site for construction of Rock and
Roll Museum because Freed had popularized term there.
January 31, 1955 - RCA demonstrated first music
synthesizer.
July 2, 1955 - Musical-variety program, The
Lawrence Welk Show, debuted on ABC; 1951 - Welk,
bandleader from North Dakota known for light dance music, launched his
own show on a local Los Angeles channel; remained network hit for about
16 years, then became a syndicated series. 1982 - Welk
retired.
July 17, 1955 -
Disneyland ($17
million theme park) opened in
Anaheim, CA, on land once occupied by orange groves, as grand-scale
"family park where parents, children could have fun--together".
September 18, 1955
- Ed Sullivan's popular talk show, originally called "Toast of the Town"
in 1948, changed name to The Ed Sullivan Show.
November 22, 1955 - RCA announced it had purchased recording contract for Elvis Presley from Sun Records for record
sum of $35,000; Presley also received $5,000 advance (bought pink
Cadillac for his mother); 1956 - first record on RCA
included songs "I Got a Woman," "Heartbreak Hotel," "I Was the
One."
January 28, 1956 - Elvis Presley made first-ever
television appearance, on Dorsey Bros Stage Show (TV musical-variety
program); sang "Heartbreak Hotel"; June 5, 1956 -
Elvis introduced new single, "Hound Dog," on The Milton Berle Show;
scandalized audience with suggestive hip gyrations; other show hosts,
including Ed Sullivan, denounced performance, swore he would never
invite Presley on his own show; Fall 1956 - Sullivan
booked Elvis for three shows.
February 22, 1956 - Elvis Presley entered music charts
on Billboard magazine's Top 10
for first time, with "Heartbreak Hotel".
September 9, 1956 - Elvis Presley appeared on Ed
Sullivan's "Toast of the Town"; sang "Don't Be Cruel", "Hound Dog";
scandalized audiences with suggestive hip gyrations; became household name.
October 2, 1956 - Inaugural performance of Joffrey
Ballet at Frostberg State Teachers College in Maryland; founded by
Robert Joffrey, Gerald Arpino; consisted of six dynamic, highly
individual dancers; Joffrey stayed in New York to teach ballet classes,
earn money to pay dancers' salaries; Arpino led troupe across America in
station wagon that pulled a U-Haul trailer; 1957 -first
performance in major city in Chicago at Eighth Street Theater;
1995 - made Chicago permanent home, currently resident ballet
company of Auditorium Theatre of Roosevelt University.
November 15, 1956 - Love Me Tender, Elvis Presley's
first movie, opened at Paramount Theater in New York; covered its
production cost of $1 million in three days; Elvis appeared in 33 movies
over next 13 years.
December 11, 1956 - Movie industry's tight restriction
of language, subject matter ("Hays Code" or the Production
Code), eased slightly for first time since adoption in 1930; actors
could now mention abortion, drugs, kidnapping,
prostitution;
1966 - new standards
adopted, permitted more liberal portrayals of sexual content, imposed
heavier restrictions on violence;
1968 - Code replaced by movie ratings system, greatly
expanded range of permissible subjects for film.
1957 - MGM shut down
its animation studio; Metro-Goldwyn-Mayer animation directors William
Hanna, Joseph Barbera changed name of H-B Enterprises to Hanna-Barbera
Productions (1944 - H-B Enterprises founded as freelance television
commercial production company); made cartoons directly for small screen,
launched first production, Ruff and Reddy; 1960 - produced
first-ever animated prime-time family sitcom show, with half-hour
storyline, The Flintstones; also produced The Jetsons, The Huckleberry
Hound Show, The Yogi Bear Show, Jonny Quest, Wacky Races, Scooby-Doo,
Smurfs; 1991 - acquired by Turner Broadcasting; 1992
- renamed H-B Production Company; 1993 - renamed Hanna-Barbera
Cartoons; 1996 - Turner acquired by Time Warner; Hanna-Barbera
absorbed into Warner Bros. Animation.
1957 - Jim Stewart founded Satellite Records in wife's
uncle's garage in north Memphis, TN; 1958 - sister,
Estelle Axton, took out second mortgage, bought out Stewart's partners,
financed purchase of Ampex recorde; 1961 - renamed Stax (STewart
+ AXton) to avoid competing with another company, in Califiornia, named
Satellite Records; 1962 - created a subsidiary label, Volt
Records, used for rhythm and blues music; 1965 - signed
formal national distribution deal with Atlantic Records; March
1968 - label acquired by Gulf and Western; July 1970
- Stewart and Al Bell (Stax sales director) reacquired label; 1972
- distribution pact with Columbia Records (subsequently
altered); January 1976 - ordered closed by bankruptcy
judge; December 18, 2006 - Concord Music Group reactivated
Stax label.
March 25, 1957 - Ricky Nelson cut his first records, "A
Teenager's Romance" and "I'm Walkin'' few weeks later, sang the songs on
the TV series and became an overnight pop star, despite his complete
lack of musical experience; one of the best-selling male singers of the
1950s - 53 Hot 100 hits, 17 in the Top 10.
April 19, 1957 - Brattle Theater in Cambridge, MA,
presented its first showing of Casablanca (1943); introduced new
generation of film viewers to Humphrey Bogart (died in January 195);
marked the beginning of a Bogart revival that would boost the star to
cult-like status in the 1960s and later.
July 6, 1957 - Paul McCartney (15) attended church picnic
in the village of Woolton, near Liverpool; met John Lennon (16).
Lennon had formed a band called the Quarrymen, which was playing at the
picnic. Between sets, McCartney played a few songs on guitar for the
band, and a few days later Lennon invited him to join. McCartney didn't
take the group seriously-in fact, missed his first performance with the
band because he had a scouting trip. Group changed its name to Johnny
and the Moondogs, recruited McCartney's friend George Harrison. Changed
the name again, to Silver Beetles, after bassist Stu Sutcliffe joined;
eventually modified name to the Beatles. Tommy Moore joined the band as
drummer; 1960 - replaced by Pete Best. Label after label
rejected them. 1962 - Best left band, Ringo Starr joined,
and the Fab Four--McCartney, Lennon, Harrison, and Starr--recorded "Love
Me Do," the group's first Top 20 hit in the United Kingdom. 1970
- band broke up.
1958 - Alvin Ailey, group of young black modern dancers
performed for first time as members of Alvin Ailey American Dance
Theater at New York's 92nd Street YM-YWHA; 1968 -
performed at White House for President Johnson; 1974 -
Alvin Ailey Repertory Ensemble created (professional dance company with
full touring schedule to help most talented students from Alvin Ailey
American Dance Center make leap from studio to stage); November
15, 1978 - special performance for President Jimmy Carter at
White House; 1989 - Judith Jamison became Artistic
Director; 2005 - seen by estimated 21,000,000 fans in 48
states, 68 countries on six continents.
1958 - Jimmy Lyons (saxophonist), Ralph Gleason (San
Francisco Chronicle's music critic, founding editor of Rolling Stone
magazine) co-founded Monterey Jazz Festival (every third full weekend in
September) on Monterey Fairgrounds, Monterey, CA (Dizzy Gillespie, Louis
Armstrong, John Lewis, Shelly Manne, Gerry Mulligan, Art Farmer,
Ernestine Anderson, Harry James, Max Roach, Billie Holiday); longest
running jazz festival in world; proceeds donated to musical education.
March 14, 1958 - Recording Industry Association of
American created.
March 27, 1958 - CBS Labs announced new stereophonic
records.
January 12, 1959 - Berry Gordy, Jr. borrowed $800 from
his family's loan fund,
quit $85/week upholstery trimmer's job at Lincoln-Mercury assembly line,
incorporated Tamla Records in Detroit, MI (had
hit pop charts for first time in November 1957 as songwriter with Jackie Wilson's "Reet
Petite;
had written, produced songs for
first signed act, The Matadors, changed their name to The Miracles, Miracles lead singer Smokey Robinson became vice president of
company); January 1960 - Motown moved headquarters into
house in Detroit; "Hitsville U.S.A." sign hanged outside; basement made
into studio; April 1963 - Mary Wells song "You Beat Me to
the Punch" first Motown record to receive Grammy nomination; 1966
- produced 14 songs that reached Top 10; January 25, 1968
- Marvin Gaye's "Heard It Through the Grapevine" No. 1 on charts for
seven weeks, longest run of any Motown single to that time; 10 singles
in 1968 in Top 10; 1971 - 11 singles reach Top 10;
August 1978 - The Commodores song "Three Times a Lady" first
Motown recording to register No. 1 on pop, R & B, adult contemporary
charts at same time ; January 1987 - Lionel Ritchie first
Motown artist to record country music hit with "Deep River Woman";
June 1988 - acquired by partnership between MCA, Boston
Ventures; now subsidiary of Universal Motown Records Group (subsidiary of Universal Music Group).
February 3, 1959 - Plane crash near Clear Lake, IA,
few minutes after takeoff on
flight from Mason City to Moorehead, MN, on flight
between tour dates during Winter Dance Party Tour,
claimed lives of rock 'n' roll stars Buddy Holly (22), Ritchie
Valens (Valenzuela, 17), J.P. ''The Big Bopper'' Richardson (28);
Holly had just scored No. 1 hit, "That'll Be the Day," with his band,
the Crickets.
May 4, 1959 - National Academy of Recording Arts and
Sciences announced winners of first Grammy Awards: Henry
Mancini won the Best Album for The Music from Peter Gunn; Perry Como
voted Best Male Vocalist, Ella Fitzgerald Best Female Vocalist. "Volare,"
by Domenico Modugno, won Best Record.
May 18, 1959 - Wilbert Harrison's recording of blues hit
"Kansas City" topped charts; first song in history of Top 100
charts to debut at No. 100, climb all way to top.
May 3, 1960 - Musical comedy The Fantasticks opened in off-Broadway playhouse in New York's Greenwich Village; became
longest-running musical of all time; May 2000 - 15,562
performances had been given, producers' initial $16,500 investment had
earned $3 million.
August 1, 1960 - Chubby Checker released "The Twist".
November 4, 1960 - Filming wrapped on The Misfits, starring
Marilyn Monroe and Clark Gable, last film for both.
March 21, 1961 - The Beatles made their debut in
appearance at Liverpool's The Cavern; August 2, 1961 -
Beatles first gig as house band of Liverpool's Cavern Club; August
3, 1963 - last gig.
November 9, 1961 - Record store manager Brian Epstein went
to Liverpool nightclub (the Cavern) to hear Beatles; January 1962 - became Beatles's
manager; helped them land their
first record deal; September 1962 - recorded "Love
Me Do," group's first Top 20 hit in United Kingdom; debut album
in United States, Meet the Beatles, became fastest-selling album
in U.S. history to that time; scored more No. 1 hits on Billboard
charts (20) than any other group in history. October 26, 1965 -
appointed Members of Order of the British Empire at Buckingham
Palace; August 1967 - Epstein died ofaccidental
overdose of sleeping pills; 1970 - each member pursued solo career or formed a new group.
December 1961 - Beach Boys' "Surfin' issued on X
Records as promo and Candix; February 17, 1962 - hit #5
on national pop charts.
January 13, 1962 - Chubby Checker's hit "The Twist"
became first song to reach the No. 1 spot twice in two years.
May 9, 1962 - Beatles signed first contract with EMI Pstlophone.
July 12, 1962 - The Rolling Stones gave their first public
performance at Marquee Club in London - called Rolling Stones
after Muddy Waters song.
September 11, 1962 - The Beatles recorded their first
single, ''Love Me Do'', ''P.S. I Love You,'' at EMI studios in
London.
October 5, 1962 - The Beatles' first hit, ''Love Me
Do,'' released in United Kingdom.
1964 - Dr. Amar G. Bose, professor of electrical
engineering at the Massachusetts Institute of Technology, founded Bose
Corporation; May 30, 1967 - Bose Corporation registered
"Bose" trademark first used May 1966 (acoustical transducer systems for
reproducing sound); 1968 - introduced 901®
Direct/Reflecting® speaker system (blend of reflected and direct sound);
introduced acoustic waveguide speaker technology (performance of large,
multi-component stereo system from compact, all-in-one system).
January 11, 1964 - Elmer Valentine, Mario Maglieri opened
Whiskey-A-Go-Go, Los Angeles's first disco (the French word discotheque,
record library = recordings with no bands), at 8901 Sunset Boulevard;
chief entertainment consisted of dancing to simplified form of rock;
underground disco subculture turned into a national sensation when film Saturday Night Fever released in 1977.
January 13, 1964 - Capitol Records released Beatles'
first single in USA; "I Wanna Hold Your Hand"; sold one
million copies in first three weeks.
February 7, 1964 - The Beatles arrived in New York for
first American tour, touched off rock 'n' roll's ''British
invasion''; February 1, 1964 - first No. 1 U.S. hit with
"I Want to Hold Your Hand"; February 9 - first appearance on Ed Sullivan Show, popular television variety show (estimated 73
million U.S. television viewers, about 40% of U.S.
population); February 11 - first public
concert appearance in United States at Coliseum in Washington,
DC.
March 28, 1964 - Beatles broke Elvis Presley's 7-year
record for most hits on Billboard's Hot 100 at same time (1956 -
Presley had nine songs on Hot 100); Beatles scored 10th hit;
April 11 - 14 positions on chart; August - first feature-film, A Hard Day's Night;
1970 - Beatles disbanded, left legacy of 18 albums, 30 Top
10 U.S. singles.
April 13, 1964 - Sidney Poitier became first black
performer in leading role to winAcademy Award, for ''Lilies of the
Field.''.
October 25, 1964 - British rock group Rolling Stones
appeared on Ed Sullivan's TV variety show.
January 4, 1965 - Leo Fender sold Fender Guitar Company
(guitar, amplifier company) to CBS; 1985 - CBS shed
non-broadcast holdings, sold company to small contingent of employees, investors led by William Schultz.
June 10, 1966 - Who's Afraid of Virginia Woolf?
received Production Code Seal of Approval; first film containing
four-letter words to be approved; also contained adult content
ordinarily banned from screen, but Warner Bros. promised to admit
only viewers over 18.
October 19, 1966 - Gulf and Western Industries Inc.
acquired Paramount Pictures Corp.; responsible for Godfather and Indiana
Jones trilogies; renamed Paramount Communications, acquired Viacom Inc.
October 22, 1966 - The Supremes became first
all-female music group to attain No. 1 selling album (The Supremes A'
Go-Go).
June 1, 1967 - Album "Sgt. Pepper's Lonely Hearts Club
Band" by Beatles released; took four months, $75,000 to record,
sold over 8 million copies, spent 15 weeks at No. 1.
1968 - Walter J. Trumbull, working toward doctorate at
Manhattan School of Music, started boys' choir as after-school music
program in the basement of Ephesus Seventh-Day Advent School in
Harlem; 1975 - incorporated as Boys Choir of Harlem;
eventually gave rise to Choir Academy of Harlem, 600-student school
(full academic program for grades 4-12); 1988 - founded
Girls' Choir of Harlem.
October 7, 1968 - Motion Picture Association of
America adopted film-rating system: G (for general audiences), M (for
mature audiences), R (no one under 16 admitted without an adult), and X
(no one under 16 admitted);
January 27, 1970 - New system of movie ratings
announced: MPG replaced by PG (parental guidance suggested), R
movies restricted admission of people under age of 17 unless
accompanied by parent or guardian; 1984 - PG-13 rating
added at request of moviemaker Steven Spielberg (to address
concerns raised by parents of preteens who thought some of Spielberg's
films, including "Indiana Jones" series and Gremlins, were too scary
for their children, even though they fit within other guidelines for
a PG movie);
September 26, 1990 - X rating phased out in favor of
NC-17 (non-pornographic films with sexual content deemed inappropriate
for viewers under age 17).
1969 - Manfred Eicher, classically trained musician,
founded Edition of Contemporary Music (ECM) in Munich (he is recording
producer, publisher, editor); aimed for high sound quality associated
with classical recording; established early reputation with
standard-setting jazz, improvised music albums; interests extend across
the arts.
January 30, 1969 - The Beatles performed as group for last time in public in
45-minute gig on roof of their Apple
Records headquarters in London during filming of ''Let it Be.''
April 9, 1970 - Paul McCartney formally announced group's
breakup.
August 15-17, 1969 - 3-day Woodstock Music and Art
Fair, "An Aquarian Exposition" (modeled after the Monterey Pop Festival)
opened at Max Yasgur's dairy farm in Bethel, NY - nearly a half a million
people converged on the concert site, many of the "counterculture"
("hippies") who rejected materialism and authority, experimented with
illicit drugs, actively protested against the Vietnam War. Jimi
Hendrix closed the concert with a freeform solo guitar performance of
"The Star Spangled Banner." Woodstock became a symbol of the 1960s
American counterculture and a milestone in the history of rock music.
1970 - Richard Branson (20) established mail-order
record company; 1971 - opened Virgin Record and Tapes,
record shop on second floor of building at 24 Oxford Street, London, UK;
1972 - with Simon Draper (cousin), Nik Powell opened
recording studio, near Oxford, UK; signed Mike Oldfield's 'Tubular
Bells' (made the label); 1977 - signed Sex Pistols;
June 1992 - acquired by Thorn EMI for reported $1 billion (used
proceeds to fund Virgin Air); third largest music company in world;
2008 - merged with Capitol Records, created Capitol Music
Group; went on to head of one of world’s most universally recognized,
respected groups of companies.
February 21, 1970 - Jackson 5 made TV debut on American
Bandstand.
March 21, 1971 - Andromeda Strain (scientists racing
against time, alien virus), first movie to use computer animation,
opened.
August 1, 1971 - Concert For Bangladesh was event title
for two benefit concerts; played to total of 40,000 people at Madison
Square Garden in New York; first fundraising event of its kind; first
benefit concert that brought together an extraordinary assemblage of
major artists collaborating for a common humanitarian cause – setting
the precedent that music could be used to serve a higher cause.
October 1, 1971 - Magic Kingdom park at Walt
Disney World Resort
opened in Orlando, FL; October 23, 1971 - dedicated by Roy
Disney; 1,076-piece marching band played 76 Trombones; Arthur Fiedler
conducted World Symphony Orchestra (musicians from 60 countries).
October 20, 1973 - Queen Elizabeth II dedicated Sydney
Opera House; $80 million structure, designed by Danish architect Jorn
Utzon, funded by profits of the Opera House Lotteries, built on
Bennelong Point, in Sydney, Australia; contains several large
auditoriums, presents average of 3,000 events a year to an estimated two
million people.
May 2, 1975 - Apple records closed.
March 2, 1976 - Walt Disney World logged 50
millionth guest.
May 25, 1977 - George Lucas's blockbuster Star Wars opened
in American theaters on Memorial Day weekend.
August 16, 1977 - Elvis Presley died at Graceland Mansion
in Memphis, TN, at age 42; 1965 - highest-paid performer
in history of entertainment business; made 28 films, considered
frivolous, second-rate, grossed millions.
1979 - George
Atkinson opened first video rental store in Los Angeles; created the
rental business model; bought 50 movies recently made available on
video, advertised them for rent ($10/movie) in one-inch ad in
LA Times, customers came in droves (to Video Station), went public in
the early 1980's, ultimately opened 600 affiliated video rental stores
(2004 - more than 24,000 video stores in U.S. rent 2.6 billion DVD and
VHS cassettes = $8 billion in revenue).
July 3, 1979 - Radio City Music Hall Corporation
registered "Radio City Music Hall" service mark.
December 8, 1980 - Rock musician John Lennon of
Beatles was shot to death outside his New York City apartment building
by deranged fan, Mark David Chapman, who shot him four times at close
range with a .38-caliber revolver. Lennon was 40. Chapman had received
an autograph from Lennon earlier in the day and voluntarily remained at
the scene of the shooting until he was arrested by police.
October 1, 1982 - EPCOT Center
(Experimental Prototype Community of Tomorrow), combination of Future
World and World Showcase, opened at Walt Disney World
in Orlando, Florida; represented investment of over
one billion dollars.
October 7, 1982 - Andrew Lloyd Webber, Tim Rice's musical, "Cats" (lyrics from T.S. Eliot's Old Possum's
Book of Practical Cats), opened on Broadway; began record run of 7,485
performances (nearly 18 years), brought in more than $400 million and
played to more than 10 million people; featuring music by Andrew
Lloyd-Webber; September
10, 2000 - show closed.
April 15, 1983 - Tokyo Disneyland opened in Urayasu, Chiba,
Japan, near Tokyo; first Disney park built outside of United
States.
September 27, 1983 - "A Chorus Line" opened, became longest running show in Broadway history
(opened October 19, 1975),
passed "Grease" (3,389th performance); April 28, 1990
- 6,137th and final
performance.
August 10, 1985 - Michael Jackson bought ATV Music (all
Beatle songs) for $47 million.
September 20, 1985 - Walt Disney World received its
200-millionth guest.
April 28, 1987 - For first time, compact disc of an
album released before vinyl counterpart: "The Art of Excellence"
by Tony Bennett.
November 18, 1987 - Sony Corp. agreed to acquire
CBS Records for $2 billion (included CBS's manufacturing plants, subsidiary companies,10,000 employees, Columbia House, direct-mail
music club); capped major corporate makeover for CBS under chairman
Laurence A. Tisch (sold non-broadcast affiliates and divisions).
January 26, 1988 - Andrew Lloyd Webber musical
''Phantom of the Opera'' opened at Broadway's Majestic Theater (became
longest-running show in Broadway history).
July 5, 1988 - Warner Bros. Inc. registered Bugs Bunny's
"What's Up Doc?" (for use on T-shirts) trademark.
May 1, 1989 - Disney's MGM Studio theme park officially
opened to public.
September 27, 1989 - Sony completed purchase of Columbia
Pictures for $3.4 billion; under the direction of producers Jon Peters
and Peter Guber, studio released series of costly flops, racked-up
$3 billion in debt, Sony officials considered selling Columbia.
November 19, 1990 - Pop duo Milli Vanilli stripped of Grammy Award after revealed that neither performer sang on
group's records.
March 20, 1991 - Michael Jackson signed $65M 6 album deal
with Sony records.
January 23, 1992 - Smithsonian Institution awarded
producer, director, screenwriter Hal Roach its highest honor, the
James Smithson Medal; 1915 - formed his own production
company with D. Whiting, called The Rolin Company, after he inherited
$3,000 (later bought Whiting out and changed the studio's name to Hal
Roach Studios).
April 12, 1992 - Euro Disneyland, $4 billion theme park,
opened in Marne-La-Vallee, France.
July 31, 1995 - Walt Disney Company agreed to acquire Capital
Cities/ABC for $18.47 billion.
November 21, 1995 - Disney released Toy Story (by Pixar); first entirely computer-animated feature; grossed $300 million in one year.
December 19, 1997 - ''Titanic,'' highest-grossing movie of
all-time, opened in American theaters;
March 23, 1998 - won 11 Academy
Awards, including best picture, best director and best song; tied
record set by 1959's ''Ben-Hur.''
February 20, 1998 - U.S. movie box office hit quickest $1
billion for year (51 days).
September 10, 2000 - Broadway's longest-running
production, "Cats," closed after more than 7400 performances.
January 13, 2002 - Off-Broadway musical ''The Fantasticks'' performed for
last time, ended run of nearly 42
years, 17,162 shows.
September 8, 2003 - Recording Industry Association of
America, music industry's largest trade group, filed 261 copyright
lawsuits across country against Internet users for trading songs
online; accused them of unauthorized sharing of files containing
copyrighted material.
2004
- Average cost of producing a film = $63.6 million; average cost of
marketing = $34.4 million. Average total cost = $98 million. Domestic
box office sales = $9.54 billion; foreign ticket sales + $15.7 billion
(up 44% since 2003). Source: American Motion Picture
Association.
March 13, 2005
- Robert Iger named to succeed Michael Eisner as chief executive of
Walt Disney Co.
October 16, 2005 - Centennial issue of Variety listed 100 top-grossing films
(not adjusted for inflation) of all time in $millions): 1)
Titanic ($602 domestic, $1,250 international; 2) Rings: Return of the
King 2003 ($377, $742); 3) Harry Potter: Sorcerer's Stone 2001 ($318,
$656); 4) Rings: Two Towers ($342, $545); 5) Star Wars I: Phantom Menace
1999 ($431, $492); 6) Jurassic Park 1993 ($357, $563); 7) Shrek 2004
($437, $479); 8) Harry Potter: Chamber of Secrets 2002 ($262, $615); 9)
Rings: The Fellowship of the Ring 2001 ($315, $557); 100 Finding Nemo
2003 ($340, $526).
January 9, 2006
- The "Phantom of the Opera" completed performance number 7,486 =
longest running show in Broadway history; highest-grossing
entertainment venture in history - worldwide box office receipts of
more than $3.2 billion (vs. $1.8 billion earned by "Titanic").
January 24, 2006 - Walt Disney announced it would acquire Pixar
Animation Studios in a $7.4 billion stock deal; Steve Jobs (purchased
the graphics division of Lucasfilm Ltd. in 1986 for $10 million, renamed
it Pixar) became non-independent director of Disney and Disney's largest
individual shareholder.
November 2006
- Rolling Stones's "Bigger Bang" tour = highest grossing (most commercially successful)
rock tour of all time: since August 2005 - played to 3.5 million fans in
110 shows, grossed over $437 million (according to Billboard magazine);
U2's "Vertigo" tour econd highest grossing tour - grossed $333 million
(expected to top out at $377 million); 2005 -
Stones's tour
recorded $162 million in 43 dates (record); 1994 - Rolling Stones's "Voodoo Lounge"
tour recorded sales of $121.1 million; 2003 - Bruce
Springsteen and the E Street Band grossed $115.9 million; 2001
- U2's "Elevation" tour generated sales of $109.7 million.
March 2008 - Blender.com list of
20 worst mistakes in recording industry history: 1) major labels
squashed Napster; 2) Decca Records A&R exec, Dick Rowe,
passed on Beatles, brushed off their manager, Brian Epstein; 3)
Motown sold for pittance; 4) post payola - labels paid to get
airplay for huge artists stations would have spun anyway; 5)
Recording Industry Association of America sued 30 year-old, single
mother of two, earning $36,000 a year, for illegally sharing mp3 files
of 24 songs; 6) 1978 - Casablanca label shipped million copies of
four solo albums by each member of Kiss ("shipped platinum"); hundreds
of thousands unsold, returned; 7) 1962 - Bob Dylan got out of
1961 publishing deal with Leeds/Duchess (returned $1,000 advance); new
publisher, M. Witmark & Sons, received 237 songs (worth $ tens of
millions in future) in first three years; 8) Warner Music dropped
Ice-T ("Cop Killer"); sold Interscope to rival Universal which soon
became biggest record company in world; 9) 2005 - Sony BMG sold
millions of CDs with copy-protection software that automatically
installed a "rootkit" on users’ PCs; accused of spying on customers’
listening habits, forced to pay several million dollars to settle
class-action lawsuits; 10) Columbia Records signed Alicia Keys
for reported $400,000, tried to change her style; she left, signed with
J Records, sold more than 20 million albums; dumped 50 Cent after shot
nine times; became an unstoppable one-man money factory at Interscope;
11) David Geffen signed Neil Young; filed a $3 million
breach-of-contract suit for not making "Neil Young" types of records;
Young countersued for $21 million; settled out of court; 12) 1998
- Geffen Records paid Axl Rose $1 million to complete Guns N’ Roses (32
platinum hits) fifth album + million more if delivered soon; album never
completed, at cost to Geffen of $13 million; 13) 1996 - Warner
Bros. signed R.E.M. to 5-album contract for reported $80 million; most
costly record deal in history, allowed R.E.M. to keep masters of all
Warner releases; generated one of lowest returns, forfeited future
revenues generated by band’s ’80s and early-’90s popular songs; 14)
1960 - Jerry Wexler (Atlantic Records) signed contract with Stax
label president Jim Stewart to market, distribute all Stax releases;
1967 - Atlantic became owner of any Stax release it handled (indicated
by 'fine print') as Stax had signed away its catalogue and future;
15) 1999 - MCA gave Irish teen Carly Hennessy $100,000
advance, $5,000 a month in living expenses, apartment in Marina Del Rey,
CA, spent roughly $2.2 million in all on her 2001 record debut; sold 378
copies, = label's cost of $5,820 per copy sold; 16) June 2001 -
Reprise label (AOL Time Warner subsidiary) paid about $300,000 for Wilco
album; didn't like it, fired band, let band keep masters to album; Wilco
signed with Nonesuch (AOL Time Warner subsidiary); AOL paid twice;
Wilco’s best seller to date; 17) Thomas Edison's Edison Records
made two fatal errors - records worked only on Edison’s players,
personal taste governed releases (no jazz, waltzes and foxtrots);
October 1929 - closed; 18) 2000 - BMG forced Clive Davis, founder
of Arista label in 1975, to retire (company policy); artists complained
loudly; BMG gave Davis own label, J Records, invested $150 million; 2002
- BMG paid $50 million to buy J Record; 2004 - ousted Davis's successor
at Arista, hired Davis as CEO of BMG North America; 19) early
1980s - music industry phased out vinyl singles in favor of cassettes
and later, CDs; abandoned singles completely; consumers stopped going to
record shops, illegally downloaded singles; 20) 1989 - A&R
department at MCA Records signed Pretty Boy Floyd for about $1 million;
debut album peaked at No. 130 on Billboard charts; 1991 - label dropped
band; missed chance to sign Nirvana.
(Alvin Ailey American Dance Theater), Alvin Ailey American Dance
Theater; foreword by Wynton Marsalis; text by Robert Tracy (2004).
Ailey Spirit: The Journey of an American Dance Company. (New
York, NY: Stewart, Tabori & Chang, 155 p.). Alvin Ailey American Dance
Theater; Modern dance--United States--History; Dancers--United
States--Interviews. From small group of young dancers traveling country
in station wagon to what is widely considered premier modern dance
company in world, national cultural institution.
(American Film Manufacturing), Timothy J. Lyons (1974).
The Silent
Partner: The History of the American Film Manufacturing Company,
1910-1921. (New York, NY: Arno Press, 256 p.). American Film
Manufacturing Company.
(American International), Mark Thomas McGee. (1984).
Fast and
Furious: The Story of American International Pictures. (Jefferson,
NC: McFarland, 264 p.). American International Pictures (Firm).
(American International), Robert L. Ottoson (1985).
American
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States--Catalogs.
(American International), Mark Thomas McGee (1996).
Faster and
Furiouser: The Revised and Fattened Fable of American International
Pictures. (Jefferson, NC: McFarland, 350 p.). American International
Pictures (Firm).
(Atlantic Records), Charlie Gillett (1974).
Making Tracks;
Atlantic Records and the Growth of a Multi-Billion-Dollar Industry
(New York, NY: Dutton, 305 p.). Atlantic Recording Corporation; Popular
music--United States--History and criticism.
(Atlantic Records), Dorothy Wade and Justine Picardie (1990).
Music Man: Ahmet Ertegun, Atlantic Records, and the Triumph of
Rock'n'roll (New York, NY: Norton, 303 p.). Ertegun, Ahmet M.; Sound
recording executives and producers--United States--Biography.
(Atlantic Records), Dan Kennedy (2008).
Rock On: How I Tried to Stop Caring About Music and Learn to Love
Corporate Rock. ( Chapel Hill, N.C: Algonquin Books., 224 p.).
Kennedy, Dan, 1967- ; Sound recording executives and producers--United
States--Biography. 2002 - wrote, produced ads for Atlantic Records;
absurdity of corporate music industry; endless meetings with out of
touch middle managers; 2004 - Warner Music (parent company) acquired by
Edgar Bronfman; refocus - from selling music to selling "lifestyle", in
form of merchandising; triumph of corporate culture over rock ’n’ roll.
(Berger Amusement Company), Robert K. Krishef (1982).
Thank You,
America: The Biography of Benjamin N. Berger. (Minneapolis, MN:
Dillon Press, 224 p.). Berger, Benjamin N.; Philanthropists--United
States--Biography; Businesspeople--United States--Biography.
(John Broadwood and Sons Limited), David Wainwright (1982).
Broadwood by Appointment: A History. (London, UK: Quiller, 360
p.). John Broadwood and Sons Limited; Piano makers -- England -- London;
Piano -- History.
(Buffalo Bill's Wild West Company), Sarah J. Blackstone (1986).
Buckskins, Bullets, and Business: A History of Buffalo Bill's Wild West.
(Westport, CT: Greenwood Press, 157 p.). Buffalo Bill, 1846-1917;
Buffalo Bill's Wild West Company -- History; Entertainers -- United
States -- Biography.
(Capitol Records), Paul Grein (1992).
Capitol Records Fiftieth
Anniversary, 1942-1992 (Hollywood, CA: Capitol Records, 219 p.).
Capitol Records, Inc.
(Capitol Records), Ken Nelson (2007).
My First 90 Years Plus 3. (Pittsburgh, PA: Dorrance Pub. Co.,
352 p.). Former Head of country Music division of Capitol Records;
Co-Founder Country Music Association. Nelson, Ken, 1911-2008; Sound
recording executives and producers--United States--Biography; Country
music--History and criticism.
Natural
talent for spotting winners; produced many artists who are remembered as
giants; served two terms as President of Country Music Association;
retired as vice-president in charge of country and western at Capital
Records; inducted into Country Music Hall of Fame.
(CBS Records/Sony Music), Walter Yetnikoff, with David Ritz (2004).
Howling at the Moon: The Odyssey of a Monstrous Music Mogul in an Age of
Excess. (New York, NY: Broadway Books, 304 p.).
Former President (15 years), CBS Records. Yetnikoff, Walter, 1933- ;
Sound recording executives and producers--United States--Biography. Journey up
corporate mountain, dance on summit (sales rose from $485 million to
over $2 billion), crashed and burned in corporate coup.
(Chess Records), John Collis; [foreword by Buddy Guy] (1998).
The
Story of Chess Records (New York, NY: Bloomsbury Pub., 192 p.).
Chess Records (Firm); Sound recording industry -- United States --
History; Popular music -- United States -- History and criticism;
African Americans -- Music -- History and criticism.
(Chess Records), Nadine Cohodas (2000).
Spinning Blues into Gold:
The Chess Brothers and the Legendary Chess Records (New York, NY:
St. Martin's Press, 358 p.). Chess, Leonard, 1917- ; Chess, Phil, 1921-
; Chess Records (Firm); Sound recording executives and producers --
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Chicago after WW II.
(Chess Records), Rich Cohen (2004).
Machers and Rockers: Chess
Records and the Business of Rock & Roll. (New York, NY: Norton, 220
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Phil, 1921- ; Chess Records (Firm); Sound recording executives and
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Closer to the Sun: An Autobiography. (Toronto, ON: McClelland &
Stewart, 520 p.). Drabinsky, Garth, 1949- ; Cineplex Odeon Corporation;
Live Entertainment of Canada Inc.; Motion picture producers and
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(Cirque du Soleil), text by Tony Babinski; art
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Cirque du Soleil: 20 Years Under the Sun. (New York, NY: Harry
N. Abrams, 352 p.). Writer, Filmmaker, Musician based in Montreal; Art
Director with Diesel Design. Cirque du Soleil--History; Circus--Québec
(Province)--History.
(Claritone Sound), Garth Hopkins (1978). Clairtone: The Rise and
Fall of a Business Empire. (Toronto, ON: McClelland and Stewart, 219
p.). Clairtone Sound Corporation -- History.
(Columbia Pictures), Bob Thomas (1967).
King Cohn; The Life and
Times of Harry Cohn. (New York, NY: Putnam, 381 p.). Cohn, Harry,
1891-1958.
(Columbia Pictures),
David McClintick (1982).
Indecent Exposure: A True Story of Hollywood
and Wall Street. (New York, NY: Morrow, 546 p.). Begelman, David;
Robertson, Cliff; Columbia Pictures Industries; Embezzlement--New York
(State)--New York; Motion picture actors and actresses--California--Los
Angeles; Extortion--New York (State)--New York;
Industries--California--Los Angeles; Hollywood (Los Angeles,
Calif.)--History. David Begelman, embezzler.
(Columbia Pictures), Andrew Yule (1989).
Fast Fade: David Puttnam,
Columbia Pictures, and the Battle for Hollywood. (New York, NY:
Delacorte Press, 376 p.). Puttnam, David, 1941- ; Columbia Pictures;
Motion picture industry -- United States; Hollywood (Los Angeles,
Calif.) -- Biography; Motion picture producers and directors -- Great
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(Columbia Pictures), Clive Hirschhorn (1990). The Columbia Story
(New York, NY: Crown, 400 p.). Columbia Pictures--History.
(Columbia Pictures), Bernard F. Dick, editor (1992).
Columbia
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(Columbia Pictures), Bernard F. Dick (1993).
The Merchant Prince
of Poverty Row: Harry Cohn of Columbia Pictures. (Lexington, KY:
University Press of Kentucky, 218 p.). Cohn, Harry, 1891-1958; Columbia
Pictures Corporation--History; Motion picture producers and
directors--United States--Biography.
(Columbia Pictures), Nancy Griffin and Kim Masters (1996).
Hit and Run: How Jon Peters
and Peter Guber Took Sony for a Ride in Hollywood. (New York, NY:
Simon & Schuster, 479 p.). Peters, Jon; Guber, Peter; Guber-Peters
Company; Columbia Pictures; Motion picture producers and
directors--United States--Biography.
(Columbia Pictures), Bob Thomas ; [foreword by Peter Bart] (2000).
King Cohn: The Life and Times of Hollywood Mogul Harry Cohn.
(Beverly Hills, CA: New Millenium Press, 376 p. [orig. pub. 1967]).
Cohn, Harry, 1891-1958; Motion picture producers and directors--United
States--Biography.
(Columbia Records), Gary Marmorstein (2007).
The Label: The Story of Columbia Records. (New York, NY:
Thunder's Mouth, 602 p.). Film and Music Critic. Columbia Records; Sound
recording executives and producers--United States. Cultural history of
influential media company.
(Creation Records), Paolo Hewitt (2000).
Alan McGee and The Story of Creation Records: This Ecstasy Romance
Cannot Last. (Edinburgh, Scotland: Mainstream, 208 p.). McGee,
Alan; Creation Records (Firm); Sound recording executives and
producers--Great Britain--Biography.
(Death Row Records), Ronin Ro (1998).
Have Gun Will Travel: The
Spectacular Rise and Violent Fall of Death Row Records. (New York,
NY: Doubleday, 372 p.). Death Row Records--History; Rap (Music)--History
and criticism; Popular culture--United States.
(Death Row Records), Jake Brown (2001).
Suge Knight: The Rise,
Fall, and Rise of Death Row Records: The Story of Marion "Suge" Knight,
a Hard Hitting Study of One Man, One Company That Changed the Course of
American Music Forever. (Los Angeles, CA: Colossus Books, 218 p.).
Knight, Suge; Knight, Suge--Imprisonment; Death Row Records; Sound
recording executives and producers--California--Los Angeles--Biography.
(Death Row Records), Ronin Ro (2007).
Dr. Dre: The Biography, the Rise, Fall, and Rise of Andre Young.
(New York, NY: Thunder's Mouth Press, 336 p.). Dr. Dre; Young, Andre;
Death Row Records--History; Rap (Music); Aftermath
Entertainment; Sound recording executives and producers--California--Los
Angeles--Biography. Rise, fall, and resurrection
of one of biggest names in rap music.
(Def Jam Records), Kevin Liles; with Samantha Marshall (2005).
Make It Happen: The Hip Hop Guide to Success. (New York,
NY: Atria Books, 256 p.). Former President, Def Jam records. Success in
business--Handbooks, manuals, etc.
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Walt Disney: An American Original.
(New York, NY: Simon & Schuster, 379 p.). Disney, Walt, 1901-1966.
(Disney), Leonard Mosley (1985).
Disney's World: A Biography.
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Animators--United States--Biography.
(Disney), Richard Schickel (1985).
The Disney Version: The Life,
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(Disney), John Taylor (1987).
Storming the Magic Kingdom: Wall
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(Securities)--United States--Case studies; Corporate
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(Disney), Richard Holliss, Brian Sibley (1988). The Disney Studio
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(Disney), Joe Flower (1991).
Prince of the Magic Kingdom: Michael
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Eisner, Michael, 1942- ; Walt Disney Company -- History; Walt Disney
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-- Biography.
(Disney), Ron Grover (1991).
The Disney Touch: How a Daring
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(Disney), Marc Eliot (1993). Walt Disney: Hollywood's Dark Prince:
A Biography. (Secaucus, NJ: Carol Pub. Group, 305 p.). Disney, Walt,
1901-1966; Animators--United States--Biography; Hollywood (Los Angeles,
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(Disney), Michael D. Eisner with Tony Schwartz (1998).
Work in
Progress: Risking Failure, Surviving Success. (New York, NY: Random
House, 450 p.). Eisner, Michael, 1942- ; Walt Disney Company -- History;
Chief executive officers -- United States -- Biography.
(Disney), Peter Schweizer, Rochelle Schweizer (1998).
Disney: The
Mouse Betrayed: Greed, Corruption, and Children at Risk.
(Washington, DC: Regnery Publishing, 374 p.). Walt Disney
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(Disney), Bob Thomas (1998).
Building a Company: Roy O. Disney and
the Creation of an Entertainment Empire (New York, NY: Hyperion, 359
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(Disney), Henry A. Giroux (1999).
The Mouse That Roared: Disney
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(Disney), Dave Smith, Steven Clark (1999).
Disney: The First 100 Years. (New York, NY: Hyperion, 197 p.).
Walt Disney Company--History.
(Disney), Sean Griffin (2000).
Tinker Belles and Evil Queens:
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(Disney), Kim Masters (2000).
The Keys to the Kingdom: How Michael
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Walt Disney Company--History; Chief executive officers--United
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(Disney), Richard E. Foglesong. (2001).
Married to the Mouse: Walt
Disney World and Orlando (New Haven, CT: Yale University Press).
Professor of Politics (Rollins College). City
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(Disney), Douglas Brode (2004).
From Walt to Woodstock: How Disney Created the Counterculture.
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Walt Disney Company; Counterculture--United States--History--20th
century.
(Disney), Douglas Brode (2005).
Multiculturalism and the Mouse: Race and Sex in Disney Entertainment.
(Austin, TX: University of Texas Press. Teaches Cinema Studies at the
Newhouse School of Public Communications (Syracuse University). Walt
Disney Company; Minorities in motion pictures. Author argues that Disney
promoted diversity decades before concept became popular in the 1990s.
(Disney), James B. Stewart (2005).
DisneyWar: The Battle for the
Magic Kingdom. (New York, NY: Simon & Schuster, 572 p.).
Pulitzer-Prize Winning Journalist. Eisner, Michael, 1942-; Walt Disney
Company--History.
(Disney), Neal Gabler (2006).
Walt Disney: The Triumph of the American Imagination. (New
York, NY: Knopf, 880 p.). Senior Fellow at the Norman Lear Center
for the Study of Entertainment and Society in the Annenberg School
for Communications (University of Southern California). Disney,
Walt, 1901-1966; Animators--United States--Biography.
Transformed
animation from novelty based on movement to art form that
presented an illusion of life; synergistic empire; combined film, television, theme parks, music,
book publishing, merchandise in a way that was unprecedented, later widely imitated.
(Disney), Michael Barrier (2007).
The Animated Man: A Life of Walt Disney. (Berkeley, CA:
University of California Press, 411 p). Animation Historian. Disney,
Walt, 1901-1966; Animators--United States--Biography.
Midwestern farm boy to scrambling
young businessman to pioneering artist to entrepreneur on grand
scale; flawed but imaginative leaps vaulted him ahead of competition.
(Disney), J.P. Telotte (2008).
The Mouse Machine: Disney and Technology. (Urbana, IL:
University of Illinois Press, 221 p.). Professor of Film and Media
Studies (Georgia Institute of Technology). Walt Disney Company; Motion
picture industry --Technological innovations; Television --Technological
innovations; Amusement parks --Technological innovations.
Technological
context for Disney creations: stereophonic
surround sound, wide-screen
technology, three-strip Technicolor film, depth in animated image; partnership with
television, theme park, technology in
science fiction; digital filmmaking, digital special effects;
extraordinary growth.
(Disneyland), Randy Bright; foreword by Michael Eisner. (1987).
Disneyland: Inside Story. (New York, NY: H. N. Abrams, 240 p.).
Disneyland (Calif.)--History.
(Disneyland), David Koenig; foreword by Art Linkletter (1994).
Mouse Tales: A Behind-the-Ears Look at Disneyland. (Irvine, CA:
Bonaventure Press, 239 p.). Amusement parks--California--History;
Disneyland (Calif.)--History.
(Disneyland), David Koenig; foreword by Van Arsdale France. (1999).
More Mouse Tales: A Closer Peek Backstage at Disneyland. (Irvine,
CA: Bonaventure Press, 237 p.). Amusement parks--California--History;
Disneyland (Calif.)--History.
(Disneyland), Robert R. Reynolds. (1999).
Roller Coasters, Flumes
& Flying Saucers: The Story of Ed Morgan & Carl Bacon, Ride Inventors of
the Modern Amusement Parks. (Jupiter, FL: Northern Lights Pub., 192
p.). Morgan, Ed; Bacon, Karl; Arrow Development (Firm)--History;
Amusement rides--United States--History; Amusement ride equipment
industry--United States--History; Inventors--United States--Biography;
Disneyland (Calif.)--History.
(Walt Disney Records), Tim Hollis and Greg Ehrbar (2006).
Mouse Tracks: The Story of Walt Disney Records. (Jackson, MS:
University Press of Mississippi, 221 p.). Walt Disney Records--History;
Sound recording industry--United States; Popular music--United
States--History and criticism. Fifty-year history
of the Disney recording companies launched by Walt Disney and Roy O.
Disney in the mid-1950s.
(ECM Records), Eds. Steve Lake and Paul Griffiths (2007).
Horizons Touched: The Music of ECM. (London, UK: Granta, 448
p.). ECM Employee; Former Opera Critic (New York Times). ECM Records;
Eicher, Manfred; jazz--History. Portrait of label, its artists, their music;
celebrates, reflects on ways in which ECM has grown, changed from origins in jazz to contemporary classical, from medieval chant to free
jazz and traditional folk music from around world.
(Edison Manufacturing Company), Charles Musser (1991).
Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing
Company. (Berkeley, CA: University of California Press, 591 p.).
Porter, Edwin S. -- Criticism and interpretation; Thomas A. Edison,
Inc.; Silent films -- United States -- History and criticism; Motion
pictures -- United States -- History.
(Euro Disneyland), Andrew Lainsbury (2000).
Once Upon an
American Dream: The Story of Euro Disneyland. (Lawrence, KS:
University of Kansas Press, 292 p.). Walt Disney Company -- Finance;
Euro Disneyland (Marne-la-Vallée, France) -- History; Popular culture
-- France -- American influences.
(Estey Organ Company), Dennis G. Waring (2002).
Manufacturing the
Muse: Estey Organs & Consumer Culture in Victorian America.
(Middletown, CT: Wesleyan University Press, 356 p.). Estey Organ
Company; Reed organ United States; Popular culture United States History
19th century.
(Fender Musical Instruments), Forrest White (1994).
Fender: The
Inside Story. (San Francisco, CA: GPI Books, 258 p.). Fender, Leo,
1909-1991; Fender Musical Instruments--History; Fender
guitar--Construction; Electric guitar--Construction.
(Fender Musical Instruments), John Teagle & John Sprung (1995).
Fender Amps: The First Fifty Years. (Milwaukee, WI: H. Leonard,
256 p.). Fender Musical Instruments--History; Guitar--Electronic
equipment; Audio amplifiers.
(Fender Musical Instruments), Richard R. Smith (1995).
Fender: The
Sound Heard 'Round the World. (Fullerton, CA: Garfish Pub. Co., 304
p.). Fender, Leo, 1909-1991; Fender Musical Instruments--History; Fender
guitar--History; Fender guitar--Pictorial works.
(Fender Musical Instruments), Tony Bacon; chronology compiled by
Paul Day (2000).
50 Years of Fender. (London, UK: Balafon, 128
p.). Fender Musical Instruments--History; Fender guitar--History;
Electric guitar--History; Guitar--History.
(Geffen Records), Stephen Singular (1997).
The Rise and Rise of David Geffen. (Secaucus, NJ: Carol Pub.
Group, 250 p.). Geffen, David, 1943- ; Motion picture producers and
directors--United States--Biography; Executives--United
States--Biography.
(Geffen Records), Tom King (2000).
The Operator: David Geffen Builds, Buys and Sells
the New Hollywood. (New York, NY: Random House, 670 p.). Geffen,
David, 1943-; Motion picture producers and directors--United
States--Biography; Executives--United States--Biography.
(Gibson Inc.), Walter Carter (1994).
Gibson Guitars: 100 Years of
an American Icon. (Los Angeles, CA: General Pub. Group, 314 p.).
Gibson, inc.--History; Guitar--History; Mandolin--History;
Banjo--History.
(Goldcrest Films), Jake Eberts and Terry Ilott (1990).
My
Indecision Is Final: The Spectacular Rise and Fall of Goldcrest Films,
the Independent Studio that Challenged Hollywood. (New York, NY:
Atlantic Monthly Press, 678 p.). Goldcrest Films and
Television--History; Motion picture industry--Great Britain--History.
(Hammer Film Productions), Denis Meikle (1996).
A History of Horrors: The Rise and Fall of the House of Hammer.
(Lanham, MD: Scarecrow Press, 420 p.). Hammer Film Productions; Horror
films--Great Britain--History and criticism.
(Hammer Film Productions), Marcus Hearn & Alan Barnes (2007).
The Hammer Story. (London, UK: Titan Books, 191 p. [rev. ed.]).
Hammer Film Productions--History. One of the world's most famous horror
film studios. Legendary British film
studio changed face of horror cinema, inspired generation of Hollywood
filmmakers.
(Hanna-Barbera), Joseph Barbera (1994).
My Life in ’Toons: From Flatbush to Bedrock in Under a Century.
(Atlanta, GA: Turner Pub., 250 p.). Co-Founder Hanna-Barbera
Productions. Barbera, Joseph; Animators--United States--Biography.
(Harcourt General), Bettye H. Pruitt with assistance from George D.
Smith (1994).
The Making of Harcourt General: A History of Growth
Through Diversification, 1922-1992. (Boston, MA: Harvard Business
School Press, 310 p.). Professor (Harvard Business School).
Diversification, Harcourt Brace, General Cinema.
(HBO), George Mair (1988).
Inside HBO: The Billion Dollar War
Between HBO, Hollywood, and the Home Video Revolution. (New York,
NY: Dodd, Mead, 204 p.). Home Box Office (Firm); Cable television --
United States; Motion picture industry -- United States.
(Ibbs and Tillett), Christopher Fifield (2005).
Ibbs and Tillett: The Rise and Fall of a Musical Empire.
(Burlington, VT: Ashgate, 678 p.). Ibbs and Tillett; Concert
agents--England--Biography. Benchmark in highly
competitive world of artist management and concert promotion.
(Impulse Records), Ashley Kahn (2006).
The House that Trane Built: The Story of Impulse Records. (New
York, NY: Norton, 352 p.). Coltrane, John, 1926-1967; Impulse
Records--History; Sound recording industry--United States; Jazz--History
and criticism. Evolution of the record industry through the tumultuous
1960s.
(Jacob’s Pillow Dance Festival), Norton Owen; foreword by Sali Ann
Kriegsman (1997).
A Certain Place: The Jacob’s Pillow Story. (Becket, MA: Jacob’s
Pillow Dance Festival, 51 p.). Shawn, Ted, 1891-1972; Jacob’s Pillow
Dance Festival; Dance festivals--Massachusetts. This publication has
been made possible by a grant from Philip Morris Companies Inc.,
celebrating 25 years of dance support.
(JBL), John M. Eargle (2007).
The JBL Story: 60 Years of Audio Innovation. (Milwaukee, WI: Hal
Leonard Corp., 326 p.). James B. Lansing Sound--History;
Sound--Equipment and supplies--History; Sound--Recording and
reproducing--United States--History; Audio equipment industry--United
States--History. Amplified sound applied in almost every aspect of life - from home to
concert hall; most recognized audio brand in world.
(W. W. Kimball), Van Allen Bradley (1957).
Music for the Millions;
The Kimball Piano and Organ Story. (Chicago, IL: H. Regnery Co.,
334 p.). Kimball, William Wallace, 1828-1904; W.W. Kimball Company;
Piano--Construction; Piano--History. Founded 1857 in Chicago.
(Lucasfilm, Ltd.), Charles Champlin (1997).
George Lucas: The Creative Impulse: Lucasfilm's First Twenty-Five
Years. (New York, NY: Harry N. Abrams, 232 p. [rev. and
updated]). Lucas, George, 1944- ; Lucasfilm, Ltd.
(Ludwig Drum Company), William F. Ludwig II (2002).
The Making of a Drum Company: The Autobiography of William F. Ludwig II.
(Indianapolis, IN: Rebeats Press, 128 p.). Ludwig, William F. II;
Musical instruments industry; drums.
(Mascot Pictures), Jon Tuska (1982).
The Vanishing Legion: aA History of Mascot Pictures, 1927-1935.
(Jefferson, NC: McFarland, 215 p.). Mascot Pictures (Firm).
(MCA), William Knoedelseder (1993).
Stiffed: A True Story of MCA, the Music Business, and the Mafia.
(New York, NY: HarperCollins, 480 p.). Former Reporter (Los Angeles
Times). MCA Inc.; Sound recording industry--Corrupt practices--United
States; Mafia--United States.
(MCA), Dennis McDougal
(1998).
The Last Mogul: Lew Wasserman, MCA, and the Hidden History of
Hollywood. (New York, NY: Crown Publishers, 560 p.). Wasserman, Lew;
MCA Inc.--History; Chief executive officers--United States--Biography.
(MCA), Connie Bruck (2003). When Hollywood Had a King: The Reign
of Lew Wasserman, Who Leveraged Talent into Power and Influence.
(New York, NY: Random House, 514 p.). Wasserman, Lew; Music Corporation
of America--History; Chief executive officers--United States--Biography.
(MCA), Kathleen Sharp (2003).
Mr. & Mrs. Hollywood: Edie and Lew
Wasserman and Their Entertainment Empire. (New York, NY: Carroll &
Graf Publishers, 597 p.). Award-Winning Journalist. Wasserman, Lew;
Wasserman, Edie; Music Corporation of America; Chief executive
officers--United States--Biography.
(Merchant Ivory Productions), John Pym; comments by James Ivory
(1983).
The Wandering Company: Twenty-One Years of Merchant Ivory Films.
(London, UK: British Film Institute, 102 p.). Merchant Ivory Productions
-- History; Motion pictures; India (Republic) Cinema industries.
(MGM), Bosley Crowther (1957).
The Lion's Share; The Story of an Entertainment Empire. (New
York, NY: Dutton, 320 p.). Metro-Goldwyn-Mayer; Motion
pictures--History.
(MGM), Bosley Crowther (1960).
Hollywood Rajah; The
Life and Times of Louis B. Mayer. (New York, NY: Holt, 339 p.).
Mayer, Louis B. (Louis Burt), 1885-1957.
(MGM), Dial Torgerson (1974).
Kerkorian: An American Success Story.
(New York, NY: Dial Press, 306 p.). Kerkorian, Kirk, 1917-.
(MGM), John Douglas Eames (1975).
The MGM Story: The Complete
History of Fifty Roaring Years. (New York, NY: Crown, 400 p.).
Metro-Goldwyn-Mayer.
(MGM), Carol Easton (1976).
The Search for Sam Goldwyn; A
Biography. (New York, NY: Morrow, 304 p.). Goldwyn, Samuel,
1882-1974; Motion picture producers and directors--United
States--Biography.
(MGM), Arthur Marx (1976).
Goldwyn: A Biography of the Man Behind
the Myth. (New York, NY: Norton, 376 p.). Goldwyn, Samuel,
1882-1974.
(MGM), Gary Carey (1981).
All the Stars in Heaven: Louis B. Mayer's M-G-M.
(New York, NY: Dutton, 320 p.). Mayer, Louis B. (Louis Burt), 1885-195;
Metro-Goldwyn-Mayer; Motion picture producers and directors -- United
States -- Biography.
(MGM), Michael Freedland (1986).
The Goldwyn Touch: A Biography of
Sam Goldwyn. (London, UK: Harrap, 264 p.). Goldwyn, Samuel,
1882-1974; Motion picture producers and directors--United
States--Biography.
(MGM), A. Scott Berg (1989).
Goldwyn: A Biography. (New York,
NY: Knopf, 579 p.). Goldwyn, Samuel, 1882-1974; Motion picture producers
and directors--United States--Biography.
(MGM), Peter Bart (1990).
Fade Out: The Calamitous Final Days of
MGM. (New York, NY: Morrow, 304 p.). Metro-Goldwyn-Mayer.
(MGM), Peter Hay with Woolsey Ackerman ... [et al.] (1991).
MGM--When the Lion Roars. (Atlanta, GA: Turner Pub., 335 p.).
Metro-Goldwyn-Mayer--History.
(MGM), Diana Altman (1992).
Hollywood East: Louis B. Mayer and the
Origins of the Studio System. (New York, NY: Carol Pub. Group, 302
p.). Mayer, Louis B. (Louis Burt), 1885-1957; Motion picture
industry--United States--History.
(MGM), Charles Higham (1993).
Merchant of Dreams: Louis B. Mayer,
M.G.M., and the Secret Hollywood. (New York, NY: D. I. Fine, 488
p.). Mayer, Louis B. (Louis Burt), 1885-1957; Metro-Goldwyn-Mayer;
Motion picture producers and directors--United States--Biography.
(MGM), Scott Eyman (2005).
Lion of Hollywood; The Life and Legend of Louis B. Mayer. (New
York, NY: Simon & Schuster, 596 p.). Film Historian. Mayer, Louis B.
(Louis Burt), 1885-1957; Motion picture producers and
directors--United States--Biography.
(C. F. Martin), Philip F. Gura (2003).
C.F.
Martin & His Guitars, 1796-1873. (Chapel Hill, NC: University of
North Carolina Press, 250 p.). William S. Newman Distinguished
Professor of American Literature and Culture (University of North
Carolina at Chapel Hill). Martin, C. F. (Christian Frederick),
1796-1873; C.F. Martin & Co.; Guitar makers United States.
(Metropolitan Opera), Joseph Volpe with Charles Michener (2006).
The Toughest Show on Earth: My Rise and Reign at the Metropolitan Opera.
(New York, NY: Knopf, 320 p.). General Manager of Metropolitan Opera (16
years). Volpe, Joseph; Metropolitan Opera (New York, N.Y.); Opera
producers and directors--United States--Biography.
Story about New York and the business of
culture-vast egos, complicated politics, glittering past.
(Microsoft), Dean Takahashi (2002).
Opening the XBox: Inside
Microsoft's Plan to Unleash an Entertainment Revolution.
(Roseville, CA: Prima, 370 p.). Senior Writer (Red Herring magazine).
Microsoft Corporation; Electronic games industry--United States; Video
games--Equipment and supplies.
(Harry M. Miller Group), Harry M. Miller as told to Denis O'Brien
(1983).
My Story. (South Melbourne, AU: Macmillan, 322 p.).
Miller, Harry M. (Harry Maurice), 1934- ;
Businesspeople--Australia--Biography; Entrepreneurship--Biography.
Brought Rolling Stones to Australia, rock operas, Judy Garland, etc.
(Miramax Films), Peter Biskind (2004).
Down and Dirty Pictures:
Miramax, Sundance, and the Rise of Independent Film. (New York, NY:
Simon & Schuster, 560 p.). Miramax Films--History; Sundance Film
Festival--History; Independent filmmakers--United States.
(Motion Picture Association of America), Jack Valenti (2007).
This Time, This Place: My Life in War, the White House, and Hollywood.
(New York, NY: Crown Publishers, 416 p.). President, Motion Picture
Association of America. Valenti, Jack; Johnson, Lyndon B. (Lyndon
Baines), 1908-1973 --Friends and associates; Motion Picture Association
of America--Biography; United States. Army. Air Corps--Biography;
Political consultants--United States--Biography; Executives--United
States--Biography; Motion picture industry--California--Los
Angeles--History; Air pilots, Military--United States--Biography; United
States--Politics and government--1963-1969; Houston (Tex.)--Biography.
Earned both Distinguished Flying Cross and his own
star on Hollywood Walk of Fame; helped to shape politics,
entertainment in second half of twentieth century.
(Motown Record Corporation), Nelson George (1985).
Where Did Our
Love Go?: The Rise & Fall of the Motown Sound. (New York, NY: St.
Martin's Press, 250 p.). Motown Record Corporation; Soul music--History
and criticism; Afro-American musicians.
(Motown Record Corporation), Don Waller (1985).
The Motown Story.
(New York, NY: Scribner, 256 p.). Motown Record Corporation; Sound
recording industry--United States.
(Motown Record Corporation), Sharon Davis (1988).
Motown: The
History. (Enfield, Middlesex, UK: Guiness Pub., 368 p.). Motown
Record Corporation; Sound recording industry--United States.
(Motown Record Corporation), Berry Gordy (1994).
To Be Loved: The
Music, the Magic, the Memories of Motown: An Autobiography. (New
York, NY: Warner Books, 432 p.). Gordy, Berry; Motown Record
Corporation; Sound recording executives and producers--United
States--Biography.
(Motown Record Corporation), Bill Dahl (2001).
Motown: The Golden
Years. (Iola, WI: Krause, 349 p.). Motown Record
Corporation--History; Soul music--History and criticism; Soul
musicians--United States.
(Motown Record Corporation), Gerald Posner (2003).
Motown: Money,
Power, Sex, and Music. (New York, NY: Random House, 350 p.). Former
Wall Street Lawyer. Gordy, Berry; Motown Record Corporation; Sound
recording industry--United States; Sound recording executives and
producers--United States--Biography.
(Music Hall-Portsmouth), Zhana Morris and Trevor F. Bartlett (2003).
The Music Hall, Portsmouth. (Charleston, SC: Arcadia, 128 p.).
Music Hall (Portsmouth, NH); Performing arts--New
Hampshire--Portsmouth--History--20th century. New
Hampshire's oldest operating theater - Twain spoke from her stage,
Sousa's brass echoed from her walls, Edison's films brought her silver
screen to life.
(Napster), John Alderman; foreword by Evan I. Schwartz; preface by
Herbie Hancock (2001).
Sonic Boom: Napster, MP3, and the New Pioneers
of Music. (Cambridge, MA: Perseus Pub., 205 p.). Napster, Inc.;
Sound recording industry--United States; MP3 (Audio coding standard).
(Oxford University Dramatic Society), Humphrey Carpenter; with a
prologue by Robert Robinson (1985).
OUDS: A Centenary History of the Oxford University Dramatic Society,
1885-1985. (New York, NY: Oxford University Press, 227 p.). Oxford
University Dramatic Society.
(Palace Pictures), Angus Finney (1996).
The Egos Have Landed: The
Rise and Fall of Palace Pictures (London, UK: Heinemann, 321 p.).
Palace Pictures--History; Motion picture industry--Great
Britain--History.
(Paramount Pictures), Will Irwin (1928).
The House that Shadows Built. (Garden City, NY: Doubleday, Doran
& Company, inc., 293 p.). Zukor, Adolph, 1873- ; Motion
pictures--History.
(Paramount Pictures), Adolph Zukor, with Dale Kramer. (1953).
The Public Is Never Wrong; The Autobiography of Adolph Zukor, with Dale
Kramer. (New York, NY: Putnam, 309 p.). Zukor, Adolph,
1873-1976; Motion pictures--History.
(Paramount Pictures), I. G. Edmonds and Reiko Mimura (1980).
Paramount Pictures and the People Who Made Them. (San Diego, CA: A.
S. Barnes, 272 p.). Paramount Pictures Corporation.
(Paramount Pictures), Bernard F. Dick (2001).
Engulfed: The Death
of Paramount Pictures and the Birth of Corporate Hollywood
(Lexington, KY: University Press of Kentucky, 269 p.). Paramount
Pictures Corporation--History.
(Paramount Pictures), John Douglas Eames and Robert Abele (2002).
The Paramount Story. (New York, NY: Simon & Schuster, p. [orig. pub.
1985]). Paramount Pictures, inc.; Paramount Pictures Corporation.
(Philadelphia International Records), John A. Jackson (2004).
A House on Fire: The Rise and Fall of Philadelphia Soul. (New
York, NY: Oxford University Press, 338 p.). Gamble, Kenny; Huff, Leon;
Bell, Thom; Philadelphia soul--Pennsylvania--Philadelphia--History and
criticism.
(Pixar), Karen Paik; based on interviews and research by Leslie Iwerks; foreword by John Lasseter, Steve Jobs, and Ed Catmull (2007).
To Infinity and Beyond!: The Story of Pixar Animation Studios.
(San Francisco, CA: Chronicle Books, 320 p.). Pixar (Firm); Animated
films--United States; Computer animation. 1986 - John Lasseter (animator), Ed Catmull (technology), Steve Jobs founded Pixar
Animation Studios to create computer animated feature: from fledgling
days under George Lucas to creating Toy Story to merger with Disney.
(Pixar), David A. Price (2008).
The Pixar Touch: The Making of a Creative Company. (New York,
NY: Knopf, 304 p.). Pixar (Firm); Animated films --United States;
Computer animation. Origins, triumph of Pixar Animation Studios -
changed film industry; technical innovation revolutionized
animation, transformed hand-drawn cel animation to computer-generated
3-D graphics; 1986 - Lucasfilm Ltd. special-effects computer group
acquired by Steve Jobs for $10 million; renamed Pixar Animation Studios;
co-founder, technical genius, Ed Catmull; John Lasseter; feuds between Lasseter, Jeffrey Katzenberg, between
Steve Jobs and Michael Eisner; from a Disney satellite into $7.4 billion
jewel in Disney crown.
(PolyGram Films), Michael Kuhn (2002).
One Hundred Films and a Funeral: PolyGram Films: Birth, Betrothal,
Betrayal, Burial. (London, UK: Thorogood, 258 p.). Former
President of PolyGram Films, Creator of the Sundance Channel. PolyGram
Filmed Entertainment (Firm)--History.
(Rank Organization plc), Quentin Falk; foreword by Michael Caine
(1987).
The Golden Gong: Fifty Years of the Rank Organisation, Its films and Its
Stars. (London, UK: Columbus Books, 208 p.). Rank Organisation--History;
Motion pictures--Great Britain--History.
(Rank Organization plc), Geoffrey Macnab (1993).
J. Arthur Rank and the British Film Industry. (New York, NY:
Routledge, 270 p.). Rank, J. Arthur, 1888-1972; Rank Organisation--History;
Motion picture industry--Great Britain--History. Established
organization comparable in size to any of major Hollywood studios;
eventual collapse of Rank experiment amidst economic, political
maelstrom of post-war Britain.
(Rank Organization plc), Michael Wakelin (1996).
J. Arthur Rank: The Man Behind the Gong. (Oxford, England: Lion
Pub., 248 p.). Rank, J. Arthur, 1888-1972; Motion picture producers and
directors--Great Britain--Biography; Businessmen--Great
Britain--Biography.
(Republic Pictures Corporation), Richard Maurice Hurst (1979).
Republic Studios: Between Poverty Row and the Majors. (Metuchen,
NJ: Scarecrow Press, 262 p.). Republic Pictures Corporation.
(RKO - Founded in 1929 from the merger of Keith Orpheum theater
circuit [1882], Joseph P. Kennedy’s Film Booking Office [1917] and Radio
Corporation of America (RCA) [1909]), Richard B. Jewell with Vernon Harbin (1982).
The RKO Story.
(New York, NY: Arlington House, 320 p.). RKO Radio Pictures, inc.
(RKO), Betty Lasky (1989).
RKO, The Biggest Little Major of Them
All. (Santa Monica, CA: Roundtable Pub., 242 p. [2nd ed., orig. pub.
1984]). RKO Radio Pictures, inc.--History.
(Ringling Brothers), Jerry Apps ; foreword by Fred Dahlinger,
Jr. (2005).
Ringlingville USA: The Stupendous Story of Seven Siblings and
Their Stunning Circus Success. (Madison, WI: Wisconsin
Historical Society Press, 256 p.). Professor Emeritus (University
of Wisconsin-Madison). Ringling Brothers--History; Ringling Brothers
Barnum and Bailey Combined Shows--History; Circus performers--United
States--Biography; Circus--United States.
(Hal Roach Studios), Richard Lewis Ward (2005).
A History of the Hal Roach Studios. (Carbondale, IL: Southern
Illinois University Press, 246 p.). Associate Professor of
Communications (University of South Alabama). Hal Roach
Studios--History.
(San Francisco Ballet), Janice Ross, Preface by Brigitte Lefèvre;
Foreword by Allan Ulrich (2007).
San Francisco Ballet at Seventy-Five. (San Francisco, CA:
Chronicle Books, 188 p.). Associate Professor of Dance History (Stanford
University); Director of Dance for the Paris Opera Ballet; Dance Critic
and Advising Senior Editor for Dance Magazine. San Francisco Ballet;
Ballet -- history; Dance -- California. America's
oldest ballet company; how San Francisco Ballet has
forged fresh identity for American dance, pioneered new model of
internationalism.
(Stax Records), Rob Bowman (1997).
Soulsville, U.S.A.: The Story
of Stax Records (New York, NY: Schirmer Books, 402 p.). Stax
Records--History; Rhythm and blues music--History and criticism; Memphis
(Tenn.)--History.
(Steinway), Theodore E. Steinway (1961).
People and Pianos; a
Century of Service to Music (New York, NY: Steinway, 125 p.).
Steinway & Sons.
(Steinway), Aaron Singer (1986). Labor Management Relations at
Steinway & Sons, 1853-1896 (New York, NY: Garland, 219 p.). Steinway
& Sons--History--19th century; Musical instruments industry--New York
(State)--New York--History--19th century; Industrial relations--New York
(State)--New York--History--19th century; Piano makers--New York
(State)--New York--History--19th century. Series: American business
history.
(Steinway), Ronald V. Ratcliffe (1989).
Steinway & Sons. (San
Francisco, CA: Chronicle Books, 204 p.). Steinway & Sons--History;
Steinway piano; Piano makers--New York (State)--New York--History.
(Steinway), D.W. Fostle (1994).
The Steinway Saga: An American
Dynasty (New York, NY: Scribner, 710 p.). Steinway family; Steinway
& Sons--History; Piano makers--New York (State)--New York--History.
(Steinway), Richard K. Lieberman (1995).
Steinway & Sons (New
Haven, CT: Yale University Press, 374 p.). Steinway & Sons--History;
Steinway piano; Piano makers--New York (State)--New York--History.
(Steinway), Susan Goldenberg (1996).
Steinway from Glory to
Controversy: The Family, the Business, the Piano
(Buffalo, NY:
Mosaic Press, 253 p.). Steinway family; Steinway & Sons--History; Piano
makers--New York (State)--New York--History; Steinway piano--History.
(Steinway), James Barron (2006).
Piano: The Making of a Steinway Concert Grand. (New York, NY:
Times Books, 280 p.). Staff Reporter (The New York Times). Steinway &
Sons; Steinway piano--Construction; Piano makers--New York (State)--New
York--History. Author follows brand-new piano
(number K0862) on eleven-month journey through the Steinway factory from
raw lumber to finished instrument.
(Stiff Records), Bert Muirhead (1983).
Stiff, The Story of a
Record Label, 1976-1982. (Poole, Dorset: Blandford Press, 112 p.).
Stiff Records; Rock music--Great Britain--Discography.
(Sun Records), Colin Escott and Martin Hawkins (1975).
Catalyst: The Sun Records Story. (London, UK: Aquarius Books,
173 p.). Sun Records.
(Sun Records), Colin Escott and Martin Hawkins (1980).
Sun
Records: The Brief History of the Legendary Recording Label. (New
York, NY: Quick Fox, 184 p. [orig. pub. 1975]). Sun Records.
(Sun Records), Colin Escott, Martin Hawkins & Hank Davis (1986).
The Sun Country Years: Country Music in Memphis, 1950-1959. (Bremen,
West Germany: Bear Family Records, 128 p.). Sun Records--History;
Country music--Tennessee--Memphis--1951-1960--History and criticism;
Country musicians--Tennessee--Memphis--Biography.
(Sun Records), Colin Escott with Martin Hawkins (1991).
Good Rockin’ Tonight: Sun Records and the Birth of Rock ’n’ Roll.
(New York, NY: St. Martin’s Press, 276 p.). Sun Records--History; Rock
music--United States--To 1961--History and criticism; Rock music--United
States--1961-1970--History and criticism.
(Sun Records), John Floyd (1998).
Sun Records: An Oral History.
(New York, NY: Avon Books, 191 p.). Sun Records--History; Rock music--To
1961--History and criticism; Rock music--1961-1970--History and
criticism.
(Thorn EMI Plc), S.A. Pandit (1996).
From Making to Music: The
History of Thorn EMI. (London, UK: Hodder & Stoughton, 270 p.).
Corporations, British; Sound recording industry -- Great Britain.
(Thorn EMI Plc), Peter Martland (1997).
Since Records Began: EMI, the First 100 Years. (Portland, OR:
Amadeus Press, 359 p.). EMI Records Ltd.--History; Sound recording
industry--History.
(Trans Continental Companies), Lou Pearlman with Wes Smith (2003).
Bands, Brands and Billions: My Top 10 Rules for Making Any Business Go
Platinum. (New York, NY: McGraw-Hill, 261 p.). Marketer Behind
Successful Boy Bands *NSync, the Backstreet Boys and O-Town. Success in
business; Entrepreneurship.
(Trumpet Records), Marc W. Ryan (2004).
Trumpet Records: Diamonds on Farish Street. (Jackson, MS:
University Press of Mississippi, 225 p.). Trumpet Records (Firm); Sound
recording industry -- United States; Blues (Music) -- Discography.
(Twentieth Century-Fox), Leonard Mosley (1984).
Zanuck: The Rise
and Fall of Hollywood's Last Tycoon. (Boston, MA: Little, Brown, 424
p.). Zanuck, Darryl Francis, 1902- ; Motion picture producers and
directors -- United States -- Biography.
(Twentieth Century-Fox), Aubrey Solomon (1988).
Twentieth
Century-Fox: A Corporate and Financial History. (Metuchen, NJ:
Scarecrow Press, 285 p.). Twentieth Century-Fox Film
Corporation--History; Twentieth Century-Fox Film Corporation--Finance.
(Twentieth Century-Fox), Stephen M. Silverman (1988).
The Fox That
Got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox.
(Seacaucus, NJ: L. Stuart, 356 p.). Zanuck, Darryl Francis, 1902- ;
Zanuck family; Twentieth Century-Fox Film Corporation--History; Motion
picture producers and directors--United States--Biography.
(Twentieth Century-Fox), Marlys J. Harris (1989).
The Zanucks of
Hollywood: The Dark Legacy of an American Dynasty. (New York, NY:
Crown, 346 p.). Zanuck, Darryl Francis, 1902- ; Zanuck family; Motion
picture producers and directors -- United States -- Biography.
(Twentieth Century-Fox), Selected, edited, and annotated by Rudy
Behlmer; with a forward by Philip Dunne (1993).
Memo from Darryl F.
Zanuck: The Golden Years at Twentieth Century-Fox. (New York, NY:
Grove Press, 276 p.). Zanuck, Darryl Francis, 1902- --Correspondence;
Twentieth Century-Fox Film Corporation--History; Motion picture
industry--United States--History; Motion picture producers and
directors--United States--Correspondence.
(United Artists), Tino Balio (1976).
United Artists: The Company
Built by the Stars. (Madison, WI: University of Wisconsin Press, 323
p.). United Artists Corporation.
(United Artists), Ronald Bergan (1986).
The United Artists Story.
(New York, NY: Crown, 352 p.). United Artists Corporation--History;
Motion pictures--United States.
(United Artists), Tino Balio (1987).
United Artists: The Company
That Changed the Film Industry. (Madison WI: University of Wisconsin
Press, 446 p.). United Artists Corporation; Motion picture
industry--United States.
(United Artists), Steven Bach (1999).
Final Cut: Art, Money, and
Ego in the Making of Heaven's Gate, the Film That Sank United Artists.
(New York, NY: Newmarket Press, p. [orig. pub. 1985]). Heaven's gate.
(Universal Pictures), Clive Hirschhorn (1983).
The Universal Story
(New York, NY: Crown, 399 p.; updated edition (2000), London, UK: Hamlyn,
496 p.). Universal Pictures (Firm); Motion
pictures--United States--Plots, themes, etc.
(Universal Pictures), Bernard F. Dick (1997).
City of Dreams: The
Making and Remaking of Universal Pictures (Lexington, KY: University
Press of Kentucky, 249 p.). Laemmle, Carl, 1867-1939; Universal Pictures
(Firm)--History.
(Universal Pictures), I. G. Edmonds (1977).
Big U: Universal in
the Silent Days. (South Brunswick, NJ: A. S. Barnes, 162 p.).
Universal Pictures (Firm).
(Victor Talking Machine Company), Frederick O. Barnum III (1991).
His Master’s Voice" in America: Ninety Years of Communications
Pioneering and Progress: Victor Talking Machine Company, Radio
Corporation of America, General Electric Company. (Camden, NJ:
General Electric Co., 385 p.). Victor Talking Machine Company--History;
Radio Corporation of America--History; General Electric
Company--History; RCA Corporation--History; Electronic
industries--United States--History; Mass media--United States--History;
Communication and traffic--United States--History.
(Vitagraph Company of America), Anthony Slide with Alan Gevinson
(1987).
The Big V: A History of the Vitagraph Company. (Metuchen, NJ:
Scarecrow Press, 332 p.). Vitagraph Company of America..
(Warner Bros.), Charles Higham (1975).
Warner Brothers. (New
York, NY: Scribner, 232 p.). Warner Bros. Pictures.
(Warner Bros.), Jack Warner (1975).
Jack of All Trades: An
Autobiography. (London, UK: W. H. Allen, 226 p.). Warner, Jack L.,
1892-1978; Motion picture producers and directors--United
States--Biography.
(Warner Bros.), Clive Hirschhorn (1979).
The Warner Bros. Story
(New York, NY: Crown, 480 p.). Warner Bros. Pictures; Motion
pictures--Plots, themes, etc.; Motion pictures--United States.
(Warner Bros.), Michael Freedland (1983).
The Warner Brothers.
(London, UK: Harrap, 240 p.). Warner Bros. Pictures; Motion picture
producers and directors--United States--Biography.
(Warner Bros.), Nick Roddick (1983).
A New Deal in
Entertainment: Warner Brothers in the 1930s. (London, UK: British
Film Institute, 332 p.). Warner Bros. Pictures--History.
(Warner Bros.), Selected, edited, and annotated by Rudy Behlmer
(1985). Inside Warner Bros. (1935-1951). (New York, NY: Viking,
358 p.). Warner Bros. Pictures--History--Sources.
(Warner Bros.), Bob Thomas (1990).
Clown Prince of Hollywood: The
Antic Life and Times of Jack L. Warner. (New York, NY: McGraw-Hill,
324 p.). Warner, Jack L., 1892-1978; Motion picture producers and
directors--United States--Biography.
(Warner Bros.), Bob Thomas (1990).
Clown Prince of Hollywood: The
Antic Life and Times of Jack L. Warner. (New York, NY: McGraw-Hill,
324 p.). Warner, Jack L., 1892-1978; Motion picture producers and
directors--United States--Biography. Warner Bros.
(Warner Bros.), Cass Warner Sperking and Cork Millner with Jack
Warner, Jr. (1998).
Hollywood Be Thy Name: The Warner Brothers Story.
(Lexington, KY: University Press of Kentucky, 365 p. [orig pub. 1994]).
Warner, Harry Morris, 1881-1978; Warner, Jack L., 1892-1978; Warner
Bros. Pictures--History.
(Warner Bros.), Michael E. Birdwell (1999).
Celluloid Soldiers:
The Warner Bros. Campaign Against Nazism. (New York, NY: New York
University Press, 266 p.). Warner Bros. Pictures--History; National
socialism and motion pictures.
(Warner Music Group), Stan Cornyn with Paul Scanlon (2002).
Exploding: The Highs, Hits, Hype, Heroes, and Hustlers of the Warner
Music Group. (New York. NY: HarperEntertainment, 470 p.). Two-time
Grammy Award Winner, 34-Year Creative Executive at Company. Warner Music
Group--History.
(Washburn International), John Teagle (1996).
Washburn: Over One Hundred Years of Fine Stringed Instruments.
(New York, NY: Music Sales Corp., 200 p.). Lyon & Healy; Washburn
International; Stringed instruments--United States--History; Stringed
instrument makers--United States.
(Woodstock Festival), Joel Rosenman, John Roberts, Robert Pilpel
(1974).
Young Men with Unlimited Capital. (New York, NY: Harcourt Brace
Jovanovich, 213 p.). Producers of Woodstock Music and Art Fair.
Woodstock Festival (1969 : Bethel, N.Y.).
(YES Network), Leo Hindery; with Leslie Cauley (2003).
The Biggest
Game of All: The Inside Strategies, Tactics, and Temperaments That Make
Great Dealmakers Great. (New York,. NY: Free Press, 272 p.). CEO of
the YES Network (Yankees network); former CEO, ATT&T Broadband.
Negotiation in business; Executives--United States; Consolidation and
merger of corporations--United States.
(Avedis Zildjian Company), Jon Cohan (1999).
Zildjian: A History of the Legendary Cymbal Makers. (Milwaukee,
WI: Hal Leonard Corp., 127 p.). Zildjian, Avedis, 1889-1979; Avedis
Zildjian Company--History; Cymbals--History; Cymbals--Construction.
Melissa D. Aaron (2005).
Global Economics: A History of the Theater Business, the
Chamberlain’s/King’s Men, and Their Plays, 1599-1642. (Newark,
DE: University of Delaware Press, 250 p.). Shakespeare, William,
1564-1616 --Stage history--To 1625; Chamberlain’s Men (Theater company);
King’s Men (Theater company); Theatrical
companies--England--London--History--17th century;
Theater--England--London--History--17th century; Theater--Economic
aspects--England--London; Great Britain--Economic conditions--17th
century; London (England)--Economic conditions.
Christopher Anderson (1994).
HollywoodTV: The Studio System in the Fifties. (Austin, TX:
University of Texas Press, 343 p.). Television--United
States--Production and direction; Motion picture
studios--California--Los Angeles--History; Motion pictures and
television--United States.
ed. Tino Balio (1985).
The American Film Industry. (Madison,
WI: University of Wisconsin Press, 664 p. [rev. ed.]). Motion picture
industry--United States--History.
Tino Balio (1995).
Grand Design: Hollywood as a Modern Business
Enterprise, 1930-1939. (Berkeley, CA: University of California
Press, 483 p. [orig. pub. 1993]). Motion picture industry--United
States--History; Motion pictures--United States--History.
Louis Barfe (2004).
Where Have All the Good Times Gone?: The Rise
and Fall of the Record Industry. (London, UK: Atlantic Books, 395
p.). Sound recording industry; Popular music--History and criticism.
Peter Bart (1999).
The Gross: The Hits, the Flops-- The Summer
That Ate Hollywood. (New York, NY: St. Martin's Press, 311 p.).
Motion pictures--California--Los Angeles--History; Motion picture
industry--California--Los Angeles--Finance.
Hank Bordowitz (2007).
Dirty Little Secrets of the Record Business: Why So Much Music You Hear
Sucks. (Chicago, IL: Chicago Review Press, 352 p.). Veteran
Music Journalist. Sound recording industry--History; Music
trade--History; Music and technology. How record business fouled its own livelihood;
insights into how this multi-billion-dollar industry is run and why it’s
losing so much money.
Mihir Bose (2006).
Bollywood: A History. (Gloucestershire, UK: Tempus Publishing
Ltd., 352 p.). Motion pictures--India--Bombay--History.; Motion picture
industry--India--Bombay--History. Traces industry
to its roots at turn of 19th century; 1896 - Lumière
Brothers' world premiere of cinema unveiled in British Bombay, to
resounding effect; sets cinema's evolution against backdrop of radical
political change.
Tim Brooks (2004).
Lost sounds: Blacks and the Birth of the Recording Industry, 1890-1919.
(Urbana, IL: University of Illinois Press, 634 p.). Executive Vice
President of Research (Lifetime Television). African Americans -- Music
-- History and criticism; Sound recording industry -- History; Music --
United States -- History and criticism.
Ronald Brownstein (1990).
The Power and the Glitter: The
Hollywood-Washington Connection. (New York, NY: Pantheon, 437 p.).
Politics and culture--United States--History--20th century; Motion
picture actors and actresses--United States--Political
activity--History--20th century; Motion picture industry--Political
aspects--United States--History--20th century; United States--Politics
and government--20th century.
Robert Burnett (1996).
The Global Jukebox: The International Music
Industry. (New York, NY: Routledge, 171 p.). Music trade; Popular
music--History and criticism; Music--Social aspects.
Mark Coleman (2003).
Playback: From the Victrola to MP3, 100 Years of Music, Machines, and
Money. (New York, NY: Da Capo Press, 237 p.). Sound recording
industry -- History; Music and technology.
John W. Cones (2006).
Hollywood Wars: How Insiders Gained and Maintain Illegitimate Control
over the Film Industry. (Spokane, WA: Marquette Books, 400 p.).
Securities and Entertainment Attorney. Motion picture industry--Corrupt
practices--United States; Motion picture industry--United
States--Finance. Small group of insiders control Hollywood film
industry, engage in unethical, illegal business practices that
hurt independent filmmakers, screenwriters, public.
Bill Daniels, David Leedy, and Steven D. Sills (1998).
Movie
Money: Understanding Hollywood's (Creative) Accounting Practices.
(Los Angeles, CA: Silman-James Press, 299 p.). Motion picture
industry--United States--Finance; Motion pictures--United
States--Marketing.
Frederic Dannen (1990).
Hit Men: Power Brokers and Fast Money
Inside the Music Business. (New York, NY: Times Books, 387 p.).
Sound recording industry--United States; Rock music--United
States--History and criticism.
Ronald L. Davis (1993).
The Glamour Factory: Inside Hollywood’s Big Studio System
Southern Methodist University Press, 444 p.). Founder, Southern
Methodist Oral History Program. Motion pictures--California--Los
Angeles--History; Motion picture industry--California--Los
Angeles--History; Motion picture studios--California--Los
Angeles--History; Hollywood (Los Angeles, Calif.)--History.
R. Serge Denisoff (1975).
Solid Gold: The Popular Record Industry.
(New Brunswick, NJ: Transaction Books, 504 p.). Sound recording
industry; Popular music--United States--History and criticism.
--- (1986).
Tarnished Gold: The Record Industry Revisited.
(New Brunswick, NJ: Transaction Books, 487 p.). Sound recording
industry; Popular music--United States--History and criticism.
Marc Eliot (1993).
Rockonomics: The Money Behind the Music.
(New York, NY: Carol Pub. Group, 322 p.). Rock music--History and
criticism; Rock music--Economic aspects; Music trade.
Ralph Emery with Patsi Bale Cox (1998).
The View from Nashville.
(New York, NY: Morrow, 321 p.). Country music -- History and criticism;
Country musicians -- Biography.
Edward Jay Epstein (2005).
The Big Picture: The New Logic of Money
and Power in Hollywood. (New York, NY: Random House, 416 p.). Motion
picture industry--California--Los Angeles--Finance; Motion picture
industry--United States--Finance; Motion picture industry--Economic
aspects--California--Los Angeles; Motion picture industry--Economic
aspects--United States.
Philip French (1969).
The Movie Moguls: An Informal History of the
Hollywood Tycoons. (London, UK: Weidenfeld & Nicolson, 170 p.).
Motion picture producers and directors--United States--Biography; Motion
picture industry--United States--History; Hollywood (Los Angeles,
Calif.)--Biography; Hollywood (Los Angeles, Calif.)--History.
Neal Gabler (1988).
An Empire of Their Own: How the Jews Invented
Hollywood. (New York, NY: Crown Publishers, 502 p.). Motion picture
industry--California--Los Angeles--History; Jews in the motion picture
industry--United States; Jewish motion picture producers and
directors--United States--Biography; Jews--United States--Biography;
United States--Civilization--Jewish influences; Hollywood (Los Angeles,
Calif.)--History.
Benjamin Hampton; With a new introd. by Richard Griffith (1970).
History of the American Film Industry from Its Beginnings to 1931.
(New York, NY: Dover Publications, 456 p. [orig. pub. 1931]). Motion
picture industry--United States.
Michael J. Haupert (2006).
The Entertainment Industry. (Westport, CT: Greenwood Press, 271
p.). Professor of Economics (University of Wisconsin - LaCrosse).
Performing arts--United States--History--20th century.
Development, economic history of entertainment
(vaudeville, recorded sound, radio, movies, television, spectator
sports) in U. S.
Martin Hawkins (2006).
A Shot in the Dark: Making Records in Nashville 1945-1955.
(Nashville, TN: Vanderbilt University Press, 318 p.). Sound recording
industry--Tennessee--Nashville--History; Popular music--History and
criticism. Focus on recording companies, studios,
DJs, other music promoters; sights,
sounds, and stories of this vibrant and influential decade in Nashville
music making.
Dade Hayes and Jonathan Bing (2004).
Open Wide: The Anxious Early
Hours of a Hollywood Blockbuster. (New York, NY: Miramax Books, 448
p.). Managing Editor of Special (Variety), Deputy Managing Editor
(Variety). Hollywood (Los Angeles, Calif.) -- films; Filmmaking;
Marketing -- films.
Clinton Heylin (1995).
Bootleg: The Secret History of the Other
Recording Industry. (New York, NY: St. Martin's Press, 441 p.).
Sound recording industry; Sound recordings--Pirated editions; Popular
music--History and criticism.
Joseph Horowitz (1990).
The Ivory Trade: Music and the Business of
Music at the Van Cliburn International Piano Competition. (New York,
NY: Summit Books, 289 p.). Van Cliburn International Piano Competition;
Music--Competitions--Texas--Fort Worth; Pianists.
Aida A. Hozic (2001).
Hollyworld: Space, Power, and Fantasy in the American Economy.
(Ithaca, NY: Cornell University Press, 233 p.). Motion picture
industry--United States--History.
Rick Kennedy and Randy McNutt (1999).
Little Labels--Big Sound: Small Record Companies and the Rise of
American Music. (Bloomington, IN: Indiana University Press, 198
p.). Media Relations Manager; Reporter (Cincinnati Enquirer). Sound
recording industry --United States; Popular music --United States
--History and criticism. History of independent record label in America,
1920-1970; how 10 independent record labels shaped course of American
popular music (from early jazz giant Paramount to legendary Sun
Records).
Ed. Gorham Kindem (1982).
The American Movie Industry: The
Business of Motion Pictures. (Carbondale, IL: Southern Illinois
University Press, 448 p.). Motion picture industry--United States--Case
studies.
--- (2000).
The International Movie Industry. (Carbondale, IL:
Southern Illinois University Press, 417 p.). Motion picture
industry--History; Motion picture industry--Economic aspects; Motion
picture industry--Social aspects.
Michael Kosser (2006).
How Nashville Became Music City, U.S.A.: 50 Years of Music Row.
(Milwaukee, WI: Hal Leonard, 368 p.). Country music--History and
criticism; Music trade--Tennessee--Nashville.
Evolution of this center of music from single studio in tiny
duplex which became Music Row.
William M. Kunz (2007).
Culture Conglomerates: Consolidation in the Motion Picture and
Television Industries. (Lanham, MD: Rowman & Littlefield
Publishers, 262 p.). Motion picture industry--Ownership--United States;
Television broadcasting--Ownership--United States; Consolidation and
merger of corporations--United States. How
structure of these industries has evolved, how structure impacts
production, distribution of cultural products.
Eds. Joseph Lampel, Jamal Shamsie, Theresa K. Lant (2005).
The Business of Culture: Strategic Perspectives on Entertainment and
Media. (Mahwah, NJ: Lawrence Erlbaum Associates, 328 p.).
Culture--Economic aspects--Congresses; Cultural industries--Congresses;
Popular culture--Economic aspects--Congresses; Industries--Social
aspects--Congresses. Business of designing, producing, distributing,
marketing cultural products; examined from
strategic management perspective.
James Lardner (1987).
Fast Forward: Hollywood, the Japanese, and
the Onslaught of the VCR. (New York, NY: Norton, 344 p.). Video tape
recorder industry.
Norman Lebrecht (2007).
The Life and Death of Classical Music: Featuring the 100 Best and 20
Worst Recordings Ever Made. (New York, NY: Anchor Books, 324
p.). Assistant Editor of the Evening Standard in London, Presenter of
BBC’s lebrecht.live. Sound recording industry; Sound
recordings--Reviews; Music--20th century--History and criticism.
Rise of classical recording industry from Caruso’s first
notes to heyday of Bernstein, Glenn Gould, Callas, von Karajan;
cultural revolution wrought by
Schnabel, Toscanini, Callas, Rattle, Three Tenors, Charlotte Church;
how stars were made, broken by record business; how advancing technology, boardroom wars, public credulity,
unscrupulous exploitation shaped musical backdrop to modern life.
Mark Litwak (1986).
Reel Power: The Struggle for Influence and
Success in the New Hollywood. (New York, NY: Morrow, 336 p.). Motion
picture industry--United States.
Denise Mann (2008).
Hollywood Independents: The Postwar Talent Takeover.
(Minneapolis, MN: University of Minnesota Press, 344 p.). Associate
Professor of Film, TV and Digital media (UCLA). Motion picture industry
--California --Los Angeles --History; Motion pictures --United States
--History. 1948 to 1962 - independent film producers became key
components of modern corporate entertainment industry; impact of
radically changed filmmaking climate, decline of studios, rise of
television, rise of potent talent agencies (MCA) on group of prominent
talent-turned-producers; evolution of film
production from studio-governed system to entrepreneurship.
Eugene Marlow and Eugene Secunda (1991).
Shifting Time and Space: The Story of Videotape. (New York, NY:
Praeger, 174 p.). Assistant Professor at Baruch College (City University
of New York) and Founder and President of Media Enterprises; Assistant
Professor at Baruch College (CUNY). Video tape industry--History; Video
tapes--History. How videotape
revolutionized the content and style of the $12 billion broadcast and
satellite-delivered television industries and brought about the $17
billion home video market.
Philip E. Meza (2007).
Coming Attractions?: Hollywood, High Tech, and the Future of
Entertainment. (Stanford, CA: Stanford Business Books, 171 p.).
Research Associate at Stanford Graduate School of Business. Mass media
and technology--United States--History; Mass media--Economic
aspects--United States--History. Key forces driving
relationship between entertainment, technology; content creation,
distribution, consumption combining in new ways to create changes that
will shake foundations of entertainment and technology industries .
Andre Millard (1995).
America on Record: A History of Recorded
Sound. (New York, NY: Cambridge University Press, 413 p.).
Phonograph; Sound recordings--United States; Music--United
States--History and criticism.
David L. Morton, Jr. (2004).
Sound Recording: The Life Story of a Technology. (Westport, CT:
Greenwood Press, 215 p.). Sound--Recording and reproducing--History;
Sound recording industry--History. Comprehensive history of electronic devices; stories of how scientists, engineers created,
commercialized such devices as transistor, Magnetron tube used
to power microwave ovens, CRT (cathode ray tube), laser, first
integrated circuit, microprocessor, memory chips.
Keith Negus (1999).
Music Genres and Corporate Cultures. (New York, NY: Routledge,
209 p.). Sound recording industry; Popular music--History and criticism.
James Robert Parish (2006).
Fiasco: A History of Hollywood’s Iconic Flops. (Hoboken, NJ:
Wiley, 368 p.). Motion pictures--California--Los Angeles--History;
Motion pictures--United States--Plots, themes, etc.
Most sensational failures in modern Hollywood
history.
David J. Park (2007).
Conglomerate Rock: The Music Industry’s Quest To Divide Music and
Conquer Wallets. (Lanham, MD: Lexington Books, 160 p.). Music
trade; Music and the Internet--Economic aspects. Music is becoming more dispersed, expensive, difficult to acquire; new distribution infrastructure, access
to exclusive releases divided through different subscription services, hardware,
new media to maximize profits.
Alan Peacock & Ronald Weir with a preface by Asa Briggs (1975).
The Composer in the Market place. (London, UK: Faber Music, 171 p.).
Music--Economic aspects; Copyright--Music--Great Britain;
Musicians--Great Britain--Legal status, laws, etc.
L. A. D. Perera (1992).
The Rise, Decline, and Fall of Hollywood's
Mighty Empires. (New York, NY: Vantage Press, 111 p.). Motion
picture industry--United States--History; Hollywood (Los Angeles,
Calif.)--History.
Trevor Pinch and Frank Trocco (2002).
Analog Days: The Invention
and Impact of the Moog Synthesizer. (Cambridge, MA: Harvard
University Press, 352 p.). Cornell University; Lesley University (UK).
Moog synthesizer.
David Puttnam with Neil Watson (1998).
Movies and Money. (New
York, NY: Alfred A. Knopf, 337 p.). Lord Puttnam, Oscar-winning
Producer, Former Chairman of Columbia Pictures, 1986-88. Motion picture
industry--Economic aspects--United States; Motion picture
industry--Economic aspects--Europe. Story of American dominance of the
film industry.
Christopher Rawlence (1990).
The Missing Reel: The Untold Story of
the Lost Inventor of Moving Pictures. (New York, NY: Atheneum, 306
p.). Le Prince, Louis Aimé Augustin, 1842-1890; Inventors--Great
Britain--Biography; Cinematography--History.
Julie Salamon (1991).
The Devil's Candy: The Bonfire of the
Vanities Goes to Hollywood. (Boston, MA: Houghton Mifflin, 434 p.).
Reporter (Wall Street Journal). Wolfe, Tom--Film and video adaptations;
Bonfire of the vanities (Motion picture).
Russell Sanjek (1988).
American Popular Music and Its Business:
The First Four Hundred Years. (New York, NY: Oxford University
Press, 3 vols.). Popular music--United States--History and criticism;
Music--United States--History and criticism; Music trade--United
States--History and criticism. Contents: v. 1. The beginning to 1790 --
v. 2. From 1790 to 1909 -- v. 3. From 1900 to 1984.
Russell Sanjek, David Sanjek (1991).
American Popular Music
Business in the 20th Century. (New York, NY: Oxford University
Press, 334 p.). Popular music--United States--History and criticism;
Music--United States--20th century--History and criticism; Music
trade--United States.
F. M. Scherer (2004).
Quarter Notes and Bank Notes: The Economics
of Music Composition in the Eighteenth and Nineteenth Centuries.
(Princeton, NJ: Princeton University Press, 256 p.). Aetna Professor
Emeritus (Harvard University's Kennedy School of Government.
Composers--Economic conditions--18th century; Composers--Economic
conditions--19th century.
Allen J. Scott (2005).
On Hollywood: The Place, the Industry. (Princeton, NJ: Princeton
University Press, 264 p.). Professor of Policy Studies and Geography
(UCLA). Motion picture industry--California--Los Angeles--History.
Economic geography of motion-picture production
from the early twentieth century to the present.
Michael Sedgwick & Michael
Pokorny (2004).
An Economic History of Film. (New York, NY: Routledge, 352 p.).
Motion picture industry--Economic aspects--United States.
Economic framework for understanding developments
in film history.
Kerry Segrave (2004).
Product Placement in Hollywood Films: A History. (Jefferson, NC:
McFarland, 244 p.). Product placement in mass media--United
States--History; Motion pictures in advertising--United States--History.
Robert H. Stanley (1978).
The Celluloid Empire: A History of the American Movie Industry. (New
York, NY: Hastings House, 328 p.). Motion picture industry--United
States--History. Ruth Towse (1993). Singers in the Marketplace: The
Economics of the Singing Profession. (New York, NY: Oxford
University Press, 252 p.). Reader in Cultural Industries (Erasmus
University, Rotterdam). Singers --Great Britain --Economic conditions;
Voice teachers --Great Britain --Economic conditions.
Economics of singing profession in Britain,
particularly in relation to training of "classical" singers, performers,
teachers.
John Trumpbour (2002).
Selling Hollywood to the
World: U.S. and European Struggles for Mastery of the Global Film
Industry, 1920-1950. (New York, NY: Cambridge University Press, 378
p.). Motion pictures, American Marketing; Motion picture industry United
States History; Motion picture industry Europe History.
Harold L. Vogel (2004).
Entertainment Industry Economics: A Guide for Financial Analysis.
(New York, NY: Cambridge University Press, 611 p. [6th ed.]). Nine-Time
Selection as Top Leisure Industry Analyst by Institutional Investor
Magazine. Performing arts--Finance.
Alexander Walker (1974).
Hollywood UK: The British Film Industry in the Sixties. (New
York, NY: Stein and Day, 493 p.). Late Film Critic for Evening Standard
(1959-2003). Motion picture industry--Great Britain--History.
Alexander Walker; introduced by Joseph Connolly (2004).
Icons in the Fire: The Rise and Fall of Practically Everyone in the
British Film Industry, 1984-2000. (London, UK: Orion, 328 p.).
Late Film Critic for Evening Standard (1959-2003). Motion picture
industry--Great Britain--History; Motion pictures--Great
Britain--History.
Janet Wasko (1982). Movies and Money: Financing the American
Film Industry. (Norwood, NJ: ABLEX Pub. Corp., 247 p.). Motion
picture industry--United States--Finance.
David Waterman (2005).
Hollywood's Road to Riches. (Cambridge, MA: Harvard University
Press, 416 p.). Professor, Department of Telecommunications (Indiana
University, Bloomington). Motion picture industry--United States; Motion
pictures--Economic aspects--United States.
Arthur Frank Wertheim (2005).
Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the
Big-Time and Its Performers. (New York, NY: Palgrave Macmillan,
360 p.). Former American History Professor (University of Southern
California). Vaudeville--United States--History--19th century;
Vaudeville--United States--History--20th century.
How the tycoons of the two most powerful circuits conspired to control
the big time (1890 to 1920).
Craig Whitney (2003).
All the Stops: The Glorious
Pipe Organ and Its American Masters. (New York, NY: Public Affairs,
323 p.). Assistant Managing Editor (New York Times). Organ (Musical
instrument)--United States--History; Organ builders--United States.
Steve J. Wurtzler (2006).
Electric Sounds: Technological Change and the Rise of Corporate Mass
Media. (New York, NY: Columbia University Press, 393 p.). Mass
media--Technological innovations--United States--History--20th century;
Mass media--Ownership--United States--History--20th century;
Sound--Recording and reproducing--History--20th century.
Form technology takes is shaped by conflicting
visions of technological possibility in economic, cultural, political
realms; process through which technologies become media, ways in which
media are integrated into American life.
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Business History Links
50th Annual Monterey Jazz Festival
http://www.npr.org/templates/story/story.php?storyId= 14571634
"The world's longest-running jazz festival [held in Monterey, CA]
celebrates its golden anniversary [in 2007] with specially commissioned
piece by Gerald Wilson, performances by many jazz luminaries. Hear NPR's
coverage, selection of concerts recorded by WBGO." Coverage includes
performances by Dave Brubeck, Otis Taylor, high school musicians. From
National Public Radio (NPR).
Emile Berliner and the Birth of the Recording
Industry
http://memory.loc.gov/ammem/berlhtml Emile Berliner, an innovative entrepreneur of the nineteenth and
twentieth centuries, invented the microphone, flat recording disc, and
gramophone player. This online exhibit of Mr. Berliner draws from the
Emile Berliner papers and sound recordings of the Library of Congress's
Motion Picture, Broadcasting, and Recorded Sound Division Industry. The
collection consists of over 400 items from the manuscript collection and
more than 100 sound recordings from the disc collection. Items in the
collection range from correspondence, articles, lectures, and speeches
to scrapbooks, photographs, clippings, and recordings. Most of the items
date from the 1870s to the early 1930s, with a few items dating as late
as 1956. Viewers may search the collection by keyword, or browse by
recordings, subject, title, series, or name index.
Birth of the Movies
http://history.sandiego.edu/gen/filmnotes/birthmovies.html
Organized by Steve Schoenherr, Professor of History, University of San
Diego.
Cinema Treasures
http://cinematreasures.org/ Launched in December 2000, Cinema Treasures is a devoted to movie
theater preservation and awareness; unites movie theater owners and
enthusiasts in a common cause—to save the last remaining movie palaces
across the country.
Disney-Related Books and Periodicals
http://disney.go.com/vault/read/books/index.html Over the years, many authors have written about different aspects of the
Disney vision. The following list, which covers subjects from films to
personalities and art to imagineering, forms the backbone of the Disney
archives featured here in Disney A-Z.
Thomas Alva Edison Patent Collection
http://www.mall-usa.com/uspat/edison/1.html Patent Numbers 1 (06/01/1869) - 1084 (05/16/1933).
Films Ranked by Production Costs and Gross
Income
http://history.sandiego.edu/gen/filmnotes/costs-movies.html
Organized by Steve Schoenherr, Professor of History, University of San
Diego.
Kenneth G. Fiske Museum of Musical Instruments
http://www.cuc.claremont.edu/fiske/welcome.htm An eclectic museum of over 1,200 musical instruments made in Europe,
America, Asia, Africa, the Middle East, the Caribbean, the South
Pacific, and Australia dating from the 17th through the 20th centuries.
Instrument types include keyboards, brass, woodwind, stringed,
percussion, mechanical, and electronic.
The History of Props: A Timeline of Props and Product Usage
http://www.artslynx.org/theatre/props2.htm Curated directory of theatre resources by Richard Finkelstein, Professor
of Theatre Design at James Madison University; run as a service to all
the arts and to artists, and the public.
IFPI (International Federation of the Phonographic Industry)
http://www.ifpi.org/
Represents the recording industry worldwide, with a membership
comprising some 1400 record companies in 73 countries and affiliated
industry associations in 48 countries. IFPI's mission is to promote the
value of recorded music, safeguard the rights of record producers and
expand the commercial uses of recorded music in all markets where its
members operate; affiliated with the Recording Industry Association of
America (RIAA), the organisation responsible for the world's largest
music market.
Inventions of Note: Sheet Music Collection
http://libraries.mit.edu/music/sheetmusic/ "This sheet music collection consists of popular songs and piano
compositions that portray technologies (old and new alike) as revealed
through song texts and/or cover art." Technologies include automobile,
airplane, radio, and telephone, and most items date from 1890-1920. A
small number of entries include sound files (such as "Kissing Papa
through the Telephone"). Browsable by title. From the Lewis Music
Library, Massachusetts Institute of Technology (MIT).
London Music Trades, 1750-1800
http://lmt.rcm.ac.uk/
Eighteenth century London bustled with musicians of all stripes,
including those in related professions, such as music publishers,
composers, and instrument makers. This database, created by the Royal
College of Music's Centre for Performance History, provides basic
biographical information about individuals, much of which is derived by
a range of archival material that includes insurance records, wills, and
apprenticeship records. On the left-hand side of the main page, users
will note six primary sections, including "Insurance Records", "Poll
Books", and "Wills". Within each section, visitors can read a brief
summary about each type of historical document, then begin their search
of the records.
Bob Moog Biography
http://www.moogmusic.com/?cat_id=82
Biographical information about Robert Moog, who developed an electronic
music synthesizer in the early 1960s, and who died in August 2005. Also
includes links to information about the theremin (an early electronic
instrument invented by Leon Theremin), current Moog synthesizer
instruments, and a photo gallery. From the company that manufactures
Moog synthesizers. Subjects: Moog, Robert A.; Inventors; Moog
Synthesizer; Electronic musical instruments; People.
Organ History
http://panther.bsc.edu/~jhcook/OrgHist/begin.htm Developed
and maintained by Professor James H. Cook at Birmingham - Southern
College, this site is an online tutorial that offers an interesting and
interactive perspective of that king of all instruments, the organ. The
site is divided into three main sections: The Organ and How it Works,
Organ History, and Geographical Tour. In the first section, visitors are
taken through a basic description of an organ, which then continues into
a discussion of the various parts of an organ, such as the keyboards,
consoles, pipes, chests, cases, and chambers. The history section begins
with the invention of what is commonly understood to be the first organ,
the ktseibios, built by a Greek engineer working in the third century
BCE. The final section takes visitors on a chronological tour of the
organ and its development throughout a number of countries, including
England, France, Germany, Italy, and the United States.
Recording Technology History
http://history.sandiego.edu/gen/recording/notes.html Organized by Steve Schoenherr, Professor of History, University of San
Diego. San Francisco Ballet at 75
http://www.sfballet.org/at75/
75th anniversary season of San Francisco Ballet in 2008. Features
history of ballet company ("the oldest professional ballet company in
America"), which founded as San Francisco Opera Ballet in 1933, details
about events occurring throughout year. Includes link to NBC11
interactive website with more history of ballet company. From the
official website for the San Francisco Ballet.
Adolph Sax
http://www.dinant.be/ index.htm?lg=3&m1=28&m2=88&m3=293
Biographical material about Adolph Sax, the Belgian-born inventor of the
saxophone. Describes his "agitated childhood" (which included many
serious accidents), how his father manufactured musical instruments, his
move to Paris, his invention of the saxophone, and the importance of the
saxophone to jazz music. In English and French. From the city of Dinant,
Belgium, birthplace of Sax.
Virtual Instrument Museum (Wesleyan University)
http://learningobjects.wesleyan.edu/vim/
World Musical Instrument Collection of the Music Department of Wesleyan
University (established 2003). It contains three classes of holdings:
daily-use instructional instruments and sets of instruments (e.g.
gamelan, Ghanian drums, steelband); instruments brought to Wesleyan by
students, alumni and faculty; and donated instruments. Search or browse
alphabetically or by instrument type, geographical region, or materials
of their construction. Entries include: where available, images, audio,
video, and QTVR, country of origin, classification into which the
instrument fits. Women in Entertainment
Power 100
http://www.hollywoodreporter.com/hr/content_display/
film/features/e3ida66693918b8204ddbf03e894cb76792 Results from this
annual survey by the Hollywood Reporter of "the [entertainment]
industry's top female executives." Profiles are included for the top
five women. Provides the ranking criteria for the list. Does not include
a link to archived lists from past years. From the Hollywood Reporter. |
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